Calamity in Kent
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Calamity in Kent
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Narrated by:
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Peter Wickham
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By:
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John Rowland
About this listen
In the peaceful seaside town of Broadgate, an impossible crime occurs. The operator of the cliff railway locks the empty carriage one evening; when he returns to work next morning, a dead body is locked inside - a man who has been stabbed in the back. Jimmy London, a newspaper reporter, is first on the scene. He is quick on the trail for clues and agrees to pool his knowledge with Inspector Shelley of Scotland Yard, who is holidaying in the area. Mistrustful of the plodding local policeman, Inspector Beech, the two men launch their own investigation into the most baffling locked-room mystery, a case that could reignite Jimmy's flagging career, but one that exposes him to great danger.
©2016 Estate of John Rowland (P)2017 SoundingsListeners also enjoyed...
What listeners say about Calamity in Kent
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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Overall1 out of 5 stars
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Performance3 out of 5 stars
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Story1 out of 5 stars
- eleasine
- 01-07-17
Irritating main character
What disappointed you about Calamity in Kent?
I love an old fashioned mystery but this is dull. Also main character is silly and irritating
What will your next listen be?
No idea
Did Peter Wickham do a good job differentiating each of the characters? How?
Yes
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2 people found this helpful
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Overall1 out of 5 stars
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Performance4 out of 5 stars
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Story1 out of 5 stars
- Em
- 19-02-17
CALAMITY INDEED!
What could have made this a 4 or 5-star listening experience for you?
Nothing, I'm afraid. Peter Wickham is one of my favourite narrators, the reader of the UK releases of Steven Saylor's marvellous Gordianus novesl (which - hint, hint! - it would be a pleasure to hear again as Audible downloads). But not even he can inject any life into this feeble story.
What was most disappointing about John Rowland’s story?
The story is told by Johnny London, a journalist recuperating from an unspecified illnesss (at least it hadn't been identified by the time I gave up the book). I did wonder if his flabby prose and impoverished vocabulary was the author poking fun at downmarket newspaperese - for example, in the course of the book's first 45 seconds or so, London meets a man who is "acting queerly"; has "something queer, almost grotesque, about his appearance" and is wearing spectacles that add to "the queerness of his appearance". ("Queer" here is, of course, simply a variant of "peculiar" and as such often used by writers such as Agatha Christie and Gladys Mitchell - but used sparingly. But Rowland uses it so often that even if he intended it as a joke it very soon wears thin. A good writer would have recognised that and even if he hadn't his editor should have done.)The friendly relationship between Johnny London and one of the policemen is unconvincing (in her early books, Ngaio Marsh also lumbered her inspector, Roiderick Alleyn with a journalist companion, but sensibly discarded him.)
What aspect of Peter Wickham’s performance might you have changed?
He did his professional best! No blame attaches to him.
What reaction did this book spark in you? Anger, sadness, disappointment?
Disappointment, obviously. I've enjoyed many of the British Library Crime Classic series, and the helpful introductions by Martin Edwards. But even he admits that the explanation for the cliff railway carriage conundrum lacks the ingenuity that should reward the reader of a locked room mystery. I took him at his word and didn't bother to skip through the book to find out what it was.
Any additional comments?
The British Library Crime Classics have lovely, evocative period covers.....but in this case "don't judge a book by its cover" was all too true.
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5 people found this helpful