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  • Dave Brubeck: A Life in Time

  • By: Philip Clark
  • Narrated by: Fleet Cooper
  • Length: 15 hrs and 35 mins
  • 3.0 out of 5 stars (1 rating)

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Dave Brubeck: A Life in Time

By: Philip Clark
Narrated by: Fleet Cooper
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Summary

The definitive investigative biography of jazz legend Dave Brubeck.

In 2003, music journalist Philip Clark was granted unparalleled access to jazz legend Dave Brubeck. Over the course of 10 days, he shadowed the Dave Brubeck Quartet during their extended British tour, recording an epic interview with the bandleader. Brubeck opened up as never before, disclosing his unique approach to jazz; the heady days of his 'classic' quartet in the 1950s-60s; hanging out with Duke Ellington, Charlie Parker, Louis Armstrong and Miles Davis; and the many controversies that had dogged his 66-year-long career.

Alongside beloved figures like Ella Fitzgerald and Frank Sinatra, Brubeck's music has achieved name recognition beyond jazz. But finding a convincing fit for Brubeck's legacy, one that reconciles his mass popularity with his advanced musical technique, has proved largely elusive. In Dave Brubeck: A Life in Time, Clark provides us with a thoughtful, thorough and long-overdue biography of an extraordinary man whose influence continues to inform and inspire musicians today.

Structured around Clark's extended interview and intensive new research, this book tells one of the last untold stories of jazz, unearthing the secret history of 'Take Five' and many hitherto unknown aspects of Brubeck's early career - and about his creative relationship with his star saxophonist Paul Desmond. Woven throughout are cameo appearances from a host of unlikely figures from Sting, Ray Manzarek of The Doors, and Keith Emerson, to John Cage, Leonard Bernstein, Harry Partch and Edgard Varèse. Each chapter explores a different theme or aspect of Brubeck's life and music, illuminating the core of his artistry and genius.

©2020 Philip Clark (P)2020 Hachette Audio
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Can't bear the narrator

Whose idea was it to have this narrated by an American when it was written by an Englishman? It would be OK if he was capable of pronouncing the musicians' names, or any remotely European words- he got "Ron Crotty" wrong, and having heard him mispronounce "Darius Milhaud" for about the hundredth time, I'm not sure I can listen to any more, though the content is fascinating. Probably best to return it and get the paper version.

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