A wild and wildly original debut story collection that explores the present and future, violence and justice, the fantastic and the everyday, from Joseph Earl Thomas, “a writer of incredible gifts” (Justin Torres) who brought us Sink and God Bless You, Otis Spunkmeyer.

In LEVIATHAN BEACH the thin veil between fantasy and reality ceases to exist. Thomas’ concerns with war, labor, sex and the shared prospects of biological life on this planet depict human beings as minimum wage plovers in the title story, whereas disgruntled green anoles become a child’s potential salvation in “Cold War Kirby.” In “Xscape from the Dark Dimension” a young girl takes on the skin of a demon, while in “Half an Inch at Best” a group of soldiers get more than they bargained for out of sexual tourism. A lonely divorcee travels the world to perform assisted suicides in “The Ferryman is Now Accepting Visa,” and in “Monday,” two medics may finally learn to love each other over a Socratic dialogue in the front of an ambulance. With brilliant, often humorous prose, Joseph Earl Thomas approaches his subject matter with scalpel-like precision, revealing profound truths and posing incisive questions at the level of the speculative and the hyper-real.

Both solemn and searching, scathing and indignant, Thomas reflects on the multi-headed Leviathan of the present with great curiosity about life and little respect for mere tolerance, asking what it means to dream of a better future when the world has been crumbling around you.