Sweet Tooth
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Sweet Tooth
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Narrated by:
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Juliet Stevenson
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By:
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Ian McEwan
About this listen
Shortlisted for: Audiobook of the Year – Specsavers National Book Awards 2012
Serena Frome, the beautiful daughter of an Anglican bishop, has a brief affair with an older man during her final year at Cambridge and finds herself being groomed for the intelligence services. The year is 1972. Britain, confronting economic disaster, is being torn apart by industrial unrest and terrorism and faces its fifth state of emergency. The Cold War has entered a moribund phase, but the fight goes on, especially in the cultural sphere.
Serena, a compulsive reader of novels, is sent on a ‘secret mission’ that brings her into the literary world of Tom Haley, a promising young writer. First she loves his stories; then she begins to love the man. Can she maintain the fiction of her undercover life? And who is inventing whom? To answer these questions, Serena must abandon the first rule of espionage – trust no one.
McEwan’s mastery dazzles us in this superbly deft and witty story of betrayal and intrigue, love, and the invented self.
©2012 Ian McEwan (P)2012 Random House AudiobooksListeners also enjoyed...
Critic reviews
What listeners say about Sweet Tooth
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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Overall4 out of 5 stars
- Denise
- 02-10-12
A great listen
I have read every Ian McEwan book and have only been disappointed once (Solar). This book is Ian McEwan on top form. Loved the storyline, the characters, the narration by Juliet Stevenson. Would recommend it.
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10 people found this helpful
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Overall4 out of 5 stars
- Mrs. N. La Beet
- 08-04-13
Like Chinese boxes
Like 1Q84, this is a *clever* book that runs circles around its readers. And like with 1Q84, the writer pulls it off because he is so incredibly good at just that - writing. Ian McEwan really is one of my favourite authors and Saturday is among my all time favourite books (strangely, I notice that it gets rather poor reviews on Amazon - I really have no idea why!).
It's interesting with a book that takes place in the 70s - can't remember when I last read a book from that decade! Ice cold war, the Yom Kippur war, oil crisis, mine-workers' strikes, the Troubles at an all time high - there really does not seem to be a light at the end of the tunnel! And then the protagonist works for MI5 without the novel being any kind of spy novel. It's a novel about growing up, facing up to choices made very early in life, literature and politics in a very McEwanesk mix.
The narrator has just the right upperclass British intonation - she's very good.
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10 people found this helpful
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Overall3 out of 5 stars
- peter
- 17-03-13
TOOTHLESS...
at the first glance it’s far from being bad, but I was expecting much more. was expecting a couple of stings or bites in retro style. the author’s talent is evident - as with Solar - where he also missed a grand opportunity and my full attention. when one’s writing becomes manneristic, a long winded stylistic exercise of self-serving loops of bravura, it’s time to take a leave of absence, in preparation for another “Atonement”. Juliet Stevenson saved the day. Not the first time!
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Overall5 out of 5 stars
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Performance5 out of 5 stars
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Story5 out of 5 stars
- O Marsh
- 15-09-21
Just perfect!
As beautifully written as his previous best.
It maybe the best performance I’ve ever heard too
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Overall4 out of 5 stars
- Christopher
- 23-12-12
Detailed and Intelligent
I've been a fan of Ian McEwan ever since I was given a paperback of the cement garden in the early 90s, and for me personally is this one of his finest works to date. It's a spy story that is very believable and documents the more prosaic aspects of the intelligence services and is all the better for those visceral details. A few very interesting characters are met along the way and is superb read by Juliet Stevenson.
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1 person found this helpful
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Overall4 out of 5 stars
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Performance4 out of 5 stars
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Story4 out of 5 stars
- Amazon Customer
- 09-03-18
A clever book but not my favourite McEwen.
The narrator sounded rather mature for Serena. Got a bit tired of the stuff about probability but will retain the information for the next game show I am on.
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1 person found this helpful
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Overall5 out of 5 stars
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Performance5 out of 5 stars
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Story5 out of 5 stars
- Sarah Bailey
- 13-03-18
Sharp and strong
Where does Sweet Tooth rank among all the audiobooks you’ve listened to so far?
In the top 5 - an engaging story with strong characters.
What about Juliet Stevenson’s performance did you like?
Even tone and good delivery. Did not get in the way of the story.
Any additional comments?
An excellent book and wonderful narration. Well worth a listen.
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Overall4 out of 5 stars
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Performance4 out of 5 stars
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Story4 out of 5 stars
- mr
- 04-05-22
Nice pleasant read
Maybe not his best book in my opinion, (loved Nutshell) but throughly enjoyed it.
Great story of love and deceit and maybe forgiveness.
Would recommend!
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Overall5 out of 5 stars
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Performance5 out of 5 stars
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Story5 out of 5 stars
- Music teacher under pressure
- 02-05-13
Brilliant
This book is so thoroughly satisfying & the performance by Juliet Stevenson is quite brilliant.
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6 people found this helpful
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Overall4 out of 5 stars
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Performance4 out of 5 stars
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Story5 out of 5 stars
- rosemary
- 13-12-13
A great listen
Would you consider the audio edition of Sweet Tooth to be better than the print version?
I have not read the print version of this but have read the print version of other books by Ian Mcewan
What did you like best about this story?
This book is set in the 1970's, a time when I was young and growing up so I can relate to the young women in the book and the way that the work place has changed for women. Also this period could be a difficult and brutal time to be living in the UK as there was so much unrest and discontent, this is well portrayed in the book
What about Juliet Stevenson’s performance did you like?
Juliet Stevenson reads with a clear voice and brings the characters to life and is really easy to listen to, meaning that you can concentrate on the story and not on her voice.
If you made a film of this book, what would be the tag line be?
London 1972
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2 people found this helpful