“My mom has a very dark sense of humor. I think that’s how I learned how to recycle pain.”

Hari Kondabolu is not your average stand-up comedian. He has a Masters in Human Rights and worked as an immigrants rights organizer — all of which you hear in his writing. His jokes simultaneously bring about discomfort and a nod of the head, without sounding preachy. He uses comedy as a coping mechanism for addressing complex issues of race, identity, and ethnicity post 9/11.

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“I cannot tell you how many times laughter has connected me with all different kinds of people throughout the country, of all kinds of political persuasions.”

When politics and comedy mix they can become mean, sarcastic, and divisive. Reporter and NPR Politics Podcast co-host Sam Sanders thoughtfully avoids this. As an African American and Pentecostal growing up near a military base in San Antonio, he was surrounded by people from different class, political, and cultural backgrounds. This helped him develop his thoughtful voice, his objectivity, and his ability to connect to others through jokes and laughter.

“I don’t think that humor is evasive at all. It’s how we protect our hearts from just bleeding to death.”

Bestselling author Terry McMillan knows how to write funny yet complex female characters: Savannah in Waiting to Exhale, Stella in Stella’s Got Her Groove Back, and Georgia in her latest novel, I Almost Forgot About You. Whether they’re wrestling with heartbreak, grief, or loneliness, these women use humor to face whatever life throws at them. But these characters are simply taking the lead from their creator, who sees humor as a way of “protect[ing] our hearts from just bleeding to death.”