Hey dear friends! In this video, Richard and I dive deep into the evolving worlds of science fiction and fantasy. From Tolkien's carefully restrained magic to today's cosmic horror and existential threats, we explore how modern storytellers like Adrian Tchaikovsky are pushing the boundaries of what it means to be human in a vast, often terrifying universe. 🤯

Together, we’ll unpack how the "what if" scenarios of classic speculative fiction are running up against the limits of our current worldview, where space isn’t just empty—it’s often hostile, dark, and filled with lurking horrors straight out of Lovecraft’s nightmares. 🐙 But here’s the thing: amidst all the bleakness, we’re also talking about how these stories can still uncover beauty, hope, and purpose.

I reflect on how storytelling, whether in epic space operas or grounded fantasy, is about rediscovering meaning beyond the nihilism, and how we might re-envision the cosmos not just as cold space, but as a light-filled place of mythic possibility. If you love world-building, cosmic philosophy, or just geeking out over sci-fi and fantasy, then grab a cup of tea (or something stronger, perhaps . . . ) and join us! ☕️

Timestamps:

0:00 Introduction & Overview 2:35 From Tolkien to Tchaikovsky: The Shift in Storytelling 8:50 Cosmic Nihilism & The Lovecraftian Turn in Sci-Fi 16:22 The Search for Meaning in Modern Fantasy and Sci-Fi 25:00 Why We Need to Re-Envision Space as the Light-Filled Cosmos 33:45 The Future of Sci-Fi: From Found Texts to New Mythic Worlds

Could this be the Star Wars of our time?! . . . . no. Definitely not.

Together, Richard and I discuss the final episode of The Rings of Power and, yet again, it's mostly a ranting session. It seems as though this entire venture has been set up as a cinematic prequel to the Peter Jackson films, and - if that's the case - it's supremely disappointing.

It's clear that the writers don't trust their audience. Between the wizard dual and the way in which Galadriel has done nothing essential to the plot, there seems to be a sense that, as long as they're writing about something "worthwhile", quality doesn't matter. There also seems to be some attempt to articulate a theological vision, but it's lacking. The pacing is arrhythmic and strange. Seemingly there is some effort to be reminiscent of medieval storytelling, but it falls short.

Also, what's with all of the sympathy for the devil? This, above everything else, is a departure from Tolkien. This seems to be an issue of art vs propaganda disguised as entertainment.

Will we watch season 2? We'll see . . . maybe we should just focus on Andor.

In this episode, dear friend Richard Rohlin and I continue our discussion on The Rings of Power, picking up with episodes 6 and 7. We try to open up by focusing on the positives, but, as per usual, chaos ensues!

While there does seem to be minimal progress in the maturation of the show and its characters, we still see forced romantic tensions where friendship would do - is this a painful display of our current culture? Yes.

After a large detour where we blame Peter Jackson for everything, criticize cinematography, and obsess over Christian Bale for some reason, we finally get to the question of why the showrunners are so obsessed with the Orcs? The creators of the show are very keen on giving these characters, evil characters, a culture, and a story covered in optimism while they clearly give characters like the elves a pessimistic treatment, portraying them as the antagonist oppressors. Again, has society inverted so far as to make this a normal means of storytelling? Yes.

At last, we close with some predictions and hot takes. Please, let us be wrong!