Henry Christophe, one of the heroes of the Haitian Revolution, was, from 1811 to his death in 1820, King Henry I of the Kingdom of Haiti, the first, last, and only King that Haiti ever had. This week we look at Christophe’s meteoric rise from being born enslaved on an island hundreds of miles from Haiti to fighting in the American Revolution to serving as a general in the Haitian Revolution to being king of all he surveyed, until it all came crashing down around him. Joining me in this episode is Dr. Marlene Daut, Professor of French and African Diaspora Studies at Yale University and author of The First and Last King of Haiti: The Rise and Fall of Henry Christophe.

Our theme song is Frogs Legs Rag, composed by James Scott and performed by Kevin MacLeod, licensed under Creative Commons. The mid-episode music is “Maestro Walter's Brass Band, Final March - JEZI OU KONNEN,” by Félix Blume, from Death in Haiti; the audio is available under Creative Commons CC BY 3.0. The episode image is a portrait of Henry Christophe from 1816 by Richard Evans; the painting is in the Musée du Panthéon National Haïtien; the image is in the public domain and is available via Wikimedia Commons.

Additional Sources:

• “The Haitian Revolution Timeline,” by Kona Shen at Brown University, 2022.
• “The United States and the Haitian Revolution, 1791–1804,” Office of the Historian, Foreign Service Institute, United States Department of State.
• “How Toussaint L’ouverture Rose from Slavery to Lead the Haitian Revolution,” by Kedon Willis, History.com, Originally posted August 30, 2021, and updated, August 18, 2023.
• “Inside the Kingdom of Haiti, ‘the Wakanda of the Western Hemisphere,’” by Marlene Daut, The Conversation, Originally published January 23, 2019, and update November 16, 2022.
• “Rare document sheds light on historical black queen,” The University of Central Lancashire, September 26, 2019.
• “Atlantic freedoms: Haiti, not the US or France, was where the assertion of human rights reached its defining climax in the Age of Revolution,” by Laurent Dubois, AEON, November 7, 2016.
• “The Play That Electrified Harlem,” by Wendy Smith, Library of Congress.