Isabella La Rocca González is an award-winning artist, author, and activist. Her work is part of a long tradition in art and photography: to bring to light and find beauty in the hidden, unconscious, or disregarded. As the daughter of emigrants from Mexico and Italy, she strives to reconcile values from her Indigenous roots with her European heritage.

Her photographs have been exhibited internationally including a solo show at the Center for Photography in Woodstock, NY. Awards for her work include the Ferguson Grant from the Friends of Photography in San Francisco, CA for excellence and commitment to the field of photography. She received her BA in Fine Arts from the University of Pennsylvania, and her MFA in Photography from Indiana University.

Isabella’s new book, Censored Landscapes: The Hidden Reality of Farming Animals, is a photographic exploration that tells a story in which the central characters are innocent of any crime and yet are condemned to imprisonment, torture, and death. It’s a true story of ecological destruction, of worker exploitation—mostly people of color—and of secretive corporations protected by laws and enriched by government subsidies and lobbies. It is also a story that offers insight and healing.

Isabella discusses how the photographs she took after a rescue of thousands of hens in Turlock, California became the inspiration for this project. She and Hope discuss how farming animals is a colonial import, the myth of grass-fed and other humane hoax labels, and the importance of photography to tell a story in a vivid and authentic way.

Resources:

Buy the Book-
Censored Landscapes: The Hidden Reality of Farming Animals

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Compassionate Living

Hope for the Animals Podcast

Do you love Halloween? Do you like to dig deep into philosophical discussions of life and death? This episode might just be for you. Today’s show is a Halloween special with something a little different. In the first half, Hope explores the theme of cannibalism in zombie, vampire, and other fantasy and horror movies and shows how these stories actually underscore our speciesist tendencies. Then, in the second half of the show, Hope and her husband Cogen, have a conversation about why people love horror movies and ask the question, could it be that our society likes to eat meat because it’s a socially sanctioned murder? Or can horror movies help us to empathize with farmed animals that are experiencing the same horrors as the victims in the movies?

In this episode, we will delve into the discord between human rights and animal rights. This friction has been featured in various spheres: academic studies, the media, food and culture literature, food security issues, and the law which is where we will focus on today.

Maneesha Deckha is Professor and Lansdowne Chair in Law at the University of Victoria in British Columbia where she directs the Animals & Society Research Initiative. Her research expertise includes critical animal law, vegan ecofeminist theory, and postcolonial theory. She is the author of Animals as Legal Beings: Contesting Anthropocentric Legal Orders and has directed an open access documentary series designed for high school and undergraduate students called A Deeper Kindness: Youth Activism in Animal Law.

Maneesha gives real world examples of legal cases to show that there are cultural, racial, and indigenous rights concerns for extending legal rights to nonhuman animals and how we can mitigate these tensions. One example is the case brought on behalf of Happy the Elephant at the Bronx Zoo by the Nonhuman Animal Rights Project. She unpacks some of the history of these apprehensions and offers a framework for solidarity to move us forward for everyone’s benefit.

RESOURCES:

Books:

Trickster Trilogy by Eden Robbinson

Aphro-ism: Essays on Pop Culture, Feminism, and Black Veganism from Two Sisters by Aph Ko & Syl Ko

Sista Vegan edited by A. Breeze Harper

Brotha Vegan edited by Omowale Adewale

Please support this podcast:

Hope for the Animals Podcast

Compassionate Living