Episodes

  • Fiona Handyside, "Girls' Hairstories: Sparkle and Resilience in Contemporary Screen Cultures" (Edinburgh UP, 2025)

    Fiona Handyside, "Girls' Hairstories: Sparkle and Resilience in Contemporary Screen Cultures" (Edinburgh UP, 2025)
    Mar 14 2025
    Why have dynamic and shifting hairstyles, from Katniss Everdeen’s Power Plait to JoJo Siwa’s outsize bows, become such a significant part of how girlhood is articulated in contemporary visual cultures? What do they tell us about how girlhood combines the qualities of resilience and sparkle needed to survive and thrive in turbulent post-recessionary times? Drawing together analysis of popular film franchises, Disney animation, ground-breaking TV shows, music videos, girl celebrity personas and global art cinema, Girls' Hairstories: Sparkle and Resilience in Contemporary Screen Cultures (Edinburgh University Press, 2025) by Dr. Fiona Handyside shows how across different cultural levels and aimed at different audiences, girls’ hairstyles provide a complex dynamic site of interpretation and interaction. It documents the careful craft of hair-dressers and software engineers working in the screen industries to style and animate hair, bringing their work to a new visibility. It is in the very everydayness of hairstyling that we come to understand girls as the most resilient and the most sparkly of citizens. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film
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    1 hr and 8 mins
  • Hye Seung Chung, "Cinema Under National Reconstruction: State Censorship and South Korea's Cold War Film Culture" (Rutgers UP, 2024)

    Hye Seung Chung, "Cinema Under National Reconstruction: State Censorship and South Korea's Cold War Film Culture" (Rutgers UP, 2024)
    Mar 12 2025
    Cinema under National Reconstruction (Rutgers UP, 2024) calls for a revisionist understanding of state film censorship during successive Cold War military regimes in South Korea (1961-1988). Drawing upon primary documents from the Korean Film Archive's digitized database and framing South Korean film censorship from a transnational perspective, Hye Seung Chung makes the case that, while political oppression/repression existed inside and outside the film industry during this period, film censorship was not simply a tool for authoritarian dictatorship. Through such case studies as Yu Hyun-mok's The Stray Bullet (1961), Ha Kil-jong's The March of the Fools (1975), and Yi Chang-ho's Declaration of Fools (1983), the author defines censorship as a dialogical process of cultural negotiations wherein the state, the film industry, and the public fight out a battle over the definitions and functions of national cinema. In the context of Cold War Korea, one cannot fully understand or construct film history without reassessing censorship as a productive feedback system where both state regulators and filmmakers played active roles in shaping the new narrative or sentiment of the nation on the big screen. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film
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    49 mins
  • Butch Cassidy and the Sundance Kid

    Butch Cassidy and the Sundance Kid
    Mar 10 2025
    Every Western since Stagecoach seems to have been touted as “about the western.” To what degree is that true for Butch Cassidy and the Sundance Kid, George Roy Hill’s 1969 contribution to the genre? Join Mike and Dan for a conversation about how the film wonderfully reminds its viewers why they love westerns as it also offers its more hip viewers a vision of an alternative lifestyle–think Easy Rider with horses. Tom Clavin’s Bandit Heaven: The Hole-in-the-Wall Gangs and the Final Chapter of the Wild West is a look at the real-life Butch Cassidy, Sundance, Etta, and others. You can hear Dan’s interview with Tom Clavin here on the New Books Network. Incredible bumper music by John Deley. Please consider leaving us a rating or review. You can find our hundreds of episodes here on the New Books Network. Follow the show on X and on Letterboxd–and email us at fifteenminutefilm@gmail.com with requests and recommendations. Also check out Dan’s substack Pages and Frames where he writes about the connections between books and movies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film
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    33 mins
  • Eric Dienstfrey, "Making Stereo Fit: The History of a Disquieting Film Technology" (U California Press, 2024)

    Eric Dienstfrey, "Making Stereo Fit: The History of a Disquieting Film Technology" (U California Press, 2024)
    Mar 7 2025
    Surround sound is often mistaken as a relatively new phenomenon in cinemas, one that emerged in the 1970s with the arrival of Dolby. Making Stereo Fit: The History of a Disquieting Film Technology (University of California Press, 2024) reveals that, in fact, filmmakers have been creating stereo and surround-sound effects for nearly a century, since the advent of talking pictures, and argues that their endurance owes primarily to the longstanding battles between stereo and mono technologies. Throughout the book, Eric Dienstfrey analyzes newly discovered archival materials and myriad stereo releases, from Hell’s Angels (1930) to Get Out (2017), to show how Hollywood’s financial dependence on mono prevented filmmakers from seeing surround sound’s full aesthetic potential. Though studios initially explored stereo’s unique capabilities, Dienstfrey details how filmmakers eventually codified a conservative set of surround-sound techniques that prevail today, despite the arrival of more immersive formats. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film
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    1 hr and 19 mins
  • Nadira Khatun, "Postcolonial Bollywood and Muslim Identity: Production, Representation, and Reception" (Oxford UP, 2024)

    Nadira Khatun, "Postcolonial Bollywood and Muslim Identity: Production, Representation, and Reception" (Oxford UP, 2024)
    Mar 7 2025
    In Postcolonial Bollywood and Muslim Identity: Production, Representation, and Reception (Oxford UP, 2024), Nadira Khatun explores the contentious Muslim identity in contemporary India as reflected in recent Bollywood films. She argues that the approach towards Muslim identity in Bollywood films are influenced by the changing political landscape from Nehruvian India to the rise of BJP, which views Hindus and Muslims as separate religious communities instead of recognizing the syncretic culture manifesting in Hindu-Muslim unity. By analyzing the representation of Muslims in various films like Roja, Fanna, Mission Kashmir, Black Friday, New York, A Wednesday, Sarfarosh, she shows that the militant portrayal of Muslims is good for commercial success as opposed to a secular image. Overall, the study problematizes Muslim identity formation in Bollywood against the backdrop of nationalism and communalism in India. Author: Dr. Nadira Khatun, Associate Professor of Communications, Xavier University, India Host: Dr. Nilanjana Paul, Associate Professor of History, Department of History, The University of Texas Rio Grande Valley. She is the author of Bengal Muslims and Colonial Education, 1854-1947: A Study of Curriculum, Educational Institutions and Communal Politics, Routledge, 2022. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film
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    46 mins
  • Chris Alexander, "Art! Trash! Terror! Adventures in Strange Cinema" (Headpress, 2025)

    Chris Alexander, "Art! Trash! Terror! Adventures in Strange Cinema" (Headpress, 2025)
    Mar 6 2025
    ART! TRASH! TERROR! Adventures in Strange Cinema (Headpress 2025) by Chris Alexander is a treasure trove of in-depth essays and edifying interviews that celebrate some of the most eccentric and unforgettable movies in cult cinema history. From recognized classics (George A. Romero's Dawn Of The Dead, David Lynch's The Elephant Man) to misunderstood masterpieces (Michael Mann's The Keep, Boris Sagal's The Omega Man) to unfairly maligned curios (Kostas Karagiannis' Land Of The Minotaur, Brett Leonard's Hideaway), the author takes an alternately serious and playful but always personal look at several strains of international horror, dark fantasy, and exploitation film -- motion pictures that transform, transgress, challenge, infuriate, shock, and entertain. Connecting these passionate and critical essays are insightful interviews with revered talents, such as John Waters (writer/director, Cecil B. Demented), Michael Winner (director, The Sentinel), Nicolas Cage (actor, Vampire's Kiss), Gene Simmons (co-founder/bassist, KISS), William Crain (director, Blacula), William Lustig (director, Maniac), Werner Herzog (director, Nosferatu: Phantom Der Nacht) and many more, as well as witty, heartfelt memoirs charting the author's oddball experiences on the fringes of Hollywood and beyond. Illustrated with more than 200 startling photographs! Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film
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    57 mins
  • Alfie Bown, "Post-Comedy" (Polity, 2025)

    Alfie Bown, "Post-Comedy" (Polity, 2025)
    Mar 5 2025
    Not so long ago, comedy and laughter were a shared experience of relief, as Freud famously argued. At their best, ribbing, roasting, piss-taking and insulting were the foundation of a kind of universal culture from which friendship, camaraderie and solidarity could emerge. Now, comedy is characterized by edgy humour and misplaced jokes that provoke personal and social anxiety, causing divisive cultural warfare in the media and among people. Our comedy is fraught with tension like never before, and so too is our social life. We often hear the claim that no one can take a joke anymore. But what if we really can’t take jokes anymore? Post-Comedy (Polity, 2025) argues that the spirit of comedy is the first step in the building of society, but that it has been lost in the era of divisive identity politics. Comedy flares up debates about censorship and cancellation, keeping us divided from one other. This goes against the true universalist spirit of comedy, which is becoming a thing of the past and must be recovered. Alfie Bown is a Senior Lecturer in Digital Media at Kings College London. His research focuses on psychoanalysis, digital media and popular culture. He has also worked as a journalist, writing for The Guardian, Paris Review, New Statesman, Tribune, and others. His books include The Playstation Dreamworld, Post-Memes, and Dream Lovers: The Gamification of Relationships. He is the founder of Everyday Analysis which publishes pamphlets and essay collections with contemporary social and political issues. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film
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    1 hr and 12 mins
  • Kate Fortmueller and Luci Marzola, "Hollywood Unions" (Rutgers UP, 2024)

    Kate Fortmueller and Luci Marzola, "Hollywood Unions" (Rutgers UP, 2024)
    Mar 4 2025
    Hollywood Unions (Rutgers UP, 2024) is a unique collection that tells the stories of the unions and guilds that have organized motion picture and television labor: IATSE, the DGA, SAG-AFTRA, and the WGA. The Hollywood unions represent a wide swath of the workers making media: from directors and stars to grips and makeup artists. People today know some of these organizations from their glitzy annual awards celebrations, but the unions’ actual importance is in bargaining with the Association of Motion Picture and Television Producers (AMPTP) on behalf of 331,000 workers in the motion picture and television industry. The Hollywood unions are not neutral institutions but rather have long histories of jurisdictional battles, competitions with rival unions, and industry-altering strikes. They have supported the industry’s workers through the Great Depression, World War II, the McCarthy era, the collapse of the studio system, the rise of television, runaway production, fights for gender parity, the digital revolution, and a global pandemic. The history of these unions has contributed to making media work sustainable in the long term and helped shape the conditions and production cultures of Hollywood. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film
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    57 mins