We return to our series on historical counterfactuals with the big one: how might WWI have been avoided? David talks to Chris Clark, author of The Sleepwalkers, the definitive history of the July crisis of 1914, to explore how it might have turned out differently. What would have happened if Franz Ferdinand had survived the assassination attempt in Sarajevo? Why did his death spark the greatest European conflict of them all?

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Part 2 with Chris Clark will be out on PPF+ tomorrow.

Next time: What if… The Russian Revolution Hadn’t Been Bolshevik?

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Our Great Political Fictions re-release concludes with a musical: Lin-Manuel Miranda’s wildly popular and increasingly controversial Hamilton (2015). What does it get right and what does it get wrong about America’s founding fathers? How fair is it to judge a Broadway musical by the standards of academic history? And why does a product of the Obama era still resonate so powerfully in the age of Trump and Biden?

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The penultimate episode in our Great Political Fictions re-release is about Curtis Sittenfeld’s American Wife (2008), which re-imagines the life of First Lady Laura Bush.One of the great novels about the intimacy of power and the accidents of politics, it sticks to the historical record while radically retelling it. What does the standard version leave out about the Bush presidency? How does an ordinary life become an extraordinary one? And where is the line between fact and fiction?

Tomorrow: Lin-Manuel Miranda’s Hamilton

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Today’s Great Political Fiction is Alan Hollinghurst’s The Line of Beauty (2004), which is set between Thatcher’s two dominant general election victories of 1983 and 1987. A novel about the intersection between gay life and Tory life, high politics and low conduct, beauty and betrayal, it explores the price of power and the risks of liberation. It also contains perhaps the greatest of all fictional portrayals of a real-life prime minster: Thatcher dancing the night away.

Tomorrow: Curtis Sittingfield’s American Wife

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For the twelfth episode in our Great Political Fictions re-release, David discusses Margaret Atwood’s The Handmaid’s Tale (1985), her unforgettable dystopian vision of a future American patriarchy. Where is Gilead? When is Gilead? How did it happen? How can it be stopped? From puritanism and slavery to Iran and Romania, from demography and racism to Playboy and Scrabble, this novel takes the familiar and the known and makes them hauntingly and terrifyingly new.

Tomorrow: Alan Hollinghurst’s The Line of Beauty

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In today’s Great Political Fiction David explores Salman Rushdie’s 1981 masterpiece Midnight’s Children, the great novel about the life and death of Indian democracy. How can one boy stand in for the whole of India? How can a nation as diverse as India ever have a single politics? And how is a jar of pickle the answer to these questions? Plus, how does Rushdie’s story read today, in the age of Modi?

Tomorrow: Margaret Atwood’s The Handmaid’s Tale

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In today’s episode David discusses Ayn Rand’s insanely long and insanely influential Atlas Shrugged (1957), the bible of free-market entrepreneurialism and source book to this day for vicious anti-socialist polemics. Why is this novel so adored by Silicon Valley tech titans? How can something so bad have so much lasting power? And what did Rand have against her arch-villain Robert Oppenheimer?

Tomorrow: Salman Rushdie’s Midnight’s Children

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Our ninth Great Political Fiction is Bertolt Brecht’s classic anti-war play, written in 1939 at the start of one terrible European war but set in the time of another: the Thirty Years’ War of the 17th century. How did Brecht think a three-hundred-year gap could help us to understand our own capacity for violence and cruelty? Why did he make Mother Courage such an unlovable character? Why do we feel for her plight anyway? And what can we do about it?

Tomorrow: Ayn Rand’s Atlas Shrugged

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