In this bonus episode Leah and Andrew talk with Blake Chastain, the first person to use "exvangelical" as a hashtag (and host of the Exvangelical podcast) about his book, "Exvangelical and Beyond: How American Christianity Went Radical and the Movement That's Fighting Back." He shares about his time as a "bookstore guy" and how the academic concepts of "counter public" and "hyperobject" are helpful in understanding what's happening in American evangelicalism.

In the Patreon-only version of this episode, he also shares a story about a song that left him temporarily paralyzed at work once. Plus we discuss not one, but two different songs by Ray Boltz.

Do you have a Christian rock story to tell? Leave us a message at (629) 777-6336.

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Today we're sharing an episode from another Big Questions Project podcast: Mother Is A Question.

"This episode is called "Mother Is A Song," and we’re traveling to a place and time when mama was the muse–back when musicians in the U.S. were constantly singing about “the one who’s always true,” as one of these songs goes. One hundred years ago in the U.S., in the early days of recorded music, a lot of the songs people were listening to were about one particular person: mother.

Thanks to Sarah Bryan, the Association for Cultural Equity, and to Dust to Digital for inspiring this episode.

Mother is a Question is created by Natasha Haverty and Julia Metzger-Traber

Our editor is Rob Rosenthal

Original Music by Raky Sastri and Julia Read"

If there's one music genre lampooned more than Christian rock, it might just be ska. And Christian ska? Expect next level ridicule. But a lovable band of misfits from Denver, Colorado managed to do something that might seem unthinkable: combine two maligned genres and become a cultural phenomenon with an enduring cult following. On the season two finale of Rock that Doesn't Roll, music journalist Andrew Gill (Sound Opinions), and historian Leah Payne (God Gave Rock and Roll to You: a History of Contemporary Christian Music) follow the unlikely rise of Five Iron Frenzy, with insight from Leanor Ortega Till, aka "Jeff the Girl," aka the saxophonist from one of the best-loved bands in the Christian rock universe.

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Picture this. It's 1986. The Cold War is at a fever pitch. The whole world is locked into a conflict between the Forces of Freedom, and the Commies... at least that's how it felt to 80s kids. But the Cold War wasn't the only threat facing American society. Many feared that a much more sinister enemy lurking in the shadows: the devil himself. During the so-called satanic panic, parents worried that their kids would get caught by the Lord of Darkness, and rock - specifically heavy metal from notoriously debauched bands like Motley Crüe - was a big threat. What was an evangelical teen metal fan to do when the whole genre was tainted by Beelzebub? You fight fire with fire, and send Satan straight to hell with the legendary band Stryper. With insight from Stryper's Michael Sweet, and White Lion's Mike Tramp, music journalist Andrew Gill (Sound Opinions), and historian Leah Payne (God Gave Rock and Roll to You: a History of Contemporary Christian Music) follow the epic battle for the soul of Stryper, the undisputed kings of 1980s Christian Metal who wanted to fight Satan on his home turf - the raucous world of mainstream metal. Along the way, they found that the battle lines between demons and angels can get a bit blurry. How do you win the war when you aren't exactly sure who is friend or foe?

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How do you make fake Contemporary Christian Music? Creating fictional Christian music that feels authentic without crossing the line into parody or pastiche is a tricky artistic challenge. But we found the creators up to the task. Joseph Stephens, composer for HBO's The Righteous Gemstones, a crime-comedy about a family of musical televangelists, and composer Daniel Smith (Danielson) and filmmaker Chris White of Electric Jesus, an independent film about an aspiring 80s Christian metal band, pay homage to Christian music makers of the past and create catchy Christian music that's feels and sounds an awful lot like the real thing. On this episode of Rock that Doesn't Roll, music journalist Andrew Gill (Sound Opinions), and historian Leah Payne (God Gave Rock and Roll to You: a History of Contemporary Christian Music), immerse themselves in the Southern Gospel strains of The Righteous Gemstones and glam-band anthems of Electric Jesus, and get a behind-the-scenes look at the artistry, craftsmanship, and heart involved in creating convincing fake CCM songs for the screen.

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KUOW's podcast Let The Kids Dance! is the story of Seattle's Teen Dance Ordinance in a seven-part docuseries chronicling an untold chapter of pop-culture history. It’s a story about moral panic, grassroots activism and an unstoppable music community that fought for its freedom, created and hosted by Jonathan Zwickel.

The TDO made it impossible for venue owners to turn a profit while hosting all-ages shows. But the law contained a few exceptions, allowing concerts at nonprofit spaces and religious institutions. Savvy promoters take full advantage. In the latter half of the 90s, two all-ages venues sent a lifeline to the all-ages community by hosting unforgettable shows, leading to dramatically different results.

One of those venues was Mars Hill's The Paradox. It was one of Mark Driscoll's early footholds in Seattle and hosted all ages concerts by secular and Christian bands- as well as worship services.

Listen to the official Let the Kids Dance! playlist on Spotify.

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What happened to the kids raised during the peak era of Christian rock? For insight into the state of Christian rock's late 1990s-early aughts evangelicalism you need not look any further than members of DC Talk, the pinnacle of youth group music. Their trajectory as artists and public figures roughly maps on to the trajectories of the millions of teens raised in American evangelicalism. In this episode, journalist and producer Andrew Gill (Sound Opinions) surprises historian Leah Payne (God Gave Rock and Roll to You: a History of Contemporary Christian Music) with a fan-made quiz that asks: are you a Toby Mac, a Michael Tait, or a Kevin Max? Together with two Christian rock aficionados, journalist Jason Kirk (author of Hell Is a World Without You) and comedian Kevin T. Porter (co-host of Good Christian Fun), Rock That Doesn't Roll explores the aftermath of the peak youth group band era.

Take the quiz for yourself!

Listen to the Hell Is a World Without You playlist on Spotify.

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Purity culture wasn’t just for youth group “purity girls.” “Purity bros” were also a part of the project! No one knows that more than Joshua Harris, a CCM fan who helped turn purity culture into an extreme sport. Together with his friend, Christian music superstar Rebecca St. James, they created media that inspired a generation of evangelicals to say no to sex outside of marriage, but also to things like dating, kissing, holding hands, and a lot of other things. In this episode, journalist and producer Andrew Gill (Sound Opinions), and historian Leah Payne (God Gave Rock and Roll to You: a History of Contemporary Christian Music) follow the story of Josh Harris, one-time icon of purity culture. Josh found that the X-games of evangelicalism included the thrill of victory, the agony of defeat, and eventually, a life beyond the world of purity bros and purity girls.

Do you have a Christian rock story to tell? Leave us a message at (629) 777-6336.

RSVP for our virtual event June 11th at 6pm Central time.

If you want more seasons of Rock That Doesn’t Roll, you can support us on Patreon. https://www.patreon.com/rtdr

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