It’s the eve of the mayoral election, and the kids of Hamelin aren’t happy. The mayor and owner of the local pie factory has imposed a music ban, and to make matters worse, there’s a serious rat problem. But, there have been whispers of a mysterious rat catcher in town. Can this curious stranger help Hamelin to find its voice once more?

Pied Piper is a raucous musical re-imagining of a medieval fairy-tale. Featuring a hugely talented cast of beatboxers, musicians and special guest performances from the local community, get ready for an electrifying night of vocal wizardry for all the family.

Featuring songs ‘Welcome to Hamlin’ performed by the cast (Lead Rap Conrad Murray) and ‘I Wanna Sing’ performed by the cast (Lead Vocal Kate Donnachie).

Conrad Murray (he/him) Writer & Co-Director

Conrad Murray is a theatre maker, director, musician, rapper, beatboxer, writer and composer. As artistic director, he has led the BAC Beatbox Academy since 2008, innovating in hop hop/ beatbox theatre with various projects.

His recent production Romeo & Juliet with the Polka Theatre and Beats & Elements , which he Co Directed and wrote, has been nominated for four Off West End awards including best music and production.

His production company for making new hip hop shows is called rODIUM LTD.

He was recently the Musical Director and Composer on Michael Rosens’ An Unexpected Twist’, book by Roy Williams.

His production with the BAC Beatbox Academy, Frankenstein: How to Make a Monster got 5 star reviews from The Stage, The Guardian and others. It won the Off West End award, Total Theatre award, and was the highest rated show of the Edinburgh Fringe, and won pick of the fringe at the Adelaide fringe festival. It was adapted into a BBC film in 2020. Pilots’ Crongton Knights (Musical Director was picked as one of the top theatre shows of the year by the Guardian in 2020.

He was chosen as part of the Stage’s top 100 people in their 2020 list which highlighted his show High rise State Of Mind with his theatre company Beats & Elements, and a finalist in The Arts Foundations theatre makers category.

He was Beatbox Coach on Giles Terera’s The Meaning Of Zong for the Bristol Old Vic.

He was director for Connor Allen’s autobiographical Grime theatre experience Making Of A Monster for the Wales Millennium Centre.

In 2022, his first published works were published by Bloomsbury/Methuen Drama, Making hip hop theatre and three original texts Beatbox & Elements – A Hip Hop Theatre Trilogy.

He has collaborated and/or made work for various venues and institutions including Battersea Arts Centre, The National Theatre Studio, The Lyric Hammersmith, Mountview School of Theatre Arts, The Tate, Royal Central School of Speech and Drama, Camden People’s Theatre, Roundhouse, Theatre Royal Stratford East, UCL, The Courtyard Theatre.

@ rODIUMRecords/rODIUM

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