The stories we read as children are indelible in our memories; reaching far beyond our childhoods, they are a window into our deepest hopes, joys and anxieties. They reveal our past – collective and individual, remembered and imagined – and invite us to dream up different futures.

In a pioneering history of the children’s literary canon, The Haunted Wood reveals the magic of childhood reading, from the ancient tales of Aesop, through the Victorian and Edwardian golden age to new classics.

Excavating the complex lives of our most beloved writers, Sam Leith offers a humane portrait of a genre and celebrates the power of books to inspire and console entire generations.

Sam met Jack at Pizza Express in Euston, London

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Technology has delivered a world that we expect to revolve around us, our needs and preferences, and our unique personalities. We willingly hand over intimate information about ourselves in return for a world that’s easier to navigate.

We live in the Personalised Century, where we view ourselves in terms of what rather than who we are – the objects of others’ recognition, rather than the subjects and authors of our own lives. Is this a sign of our shrinking sense of self?

Interrogating the historical currents that have brought us here, Timandra Harkness envisages a messier, riskier and less comfortable world than the one into which we’re sliding. Challenging readers to look at what’s missing from their personalised menus, Technology is not the Problem encourages us to look afresh at the familiar: not just the technology we use every day, how we relate to the world and those around us. (Harper Collins)

Timandra and Jack met at Jamaica Wine House in the City of London.

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On the surface, David Baddiel’s childhood was fairly standard: a lower-middle-class Jewish family living in an ordinary house in Dollis Hill, north-west London. But David came to realise that his mother was in fact not ordinary at all.

Having escaped extermination by fleeing Nazi Germany as a child, she was desperate to make her life count, which took the form of a passionate, decades-long affair with a golfing memorabilia salesman. David’s detailing of the affair – including a hilarious focus on how his mother turned their household over to golf memorabilia, and an eye-popping cache of her erotic writings – leads to the inescapable conclusion that Sarah Baddiel was a cross between Jack Niklaus and Erica Jong.

Meanwhile, as Baddiel investigates his family’s past, his father’s memories are fading; dementia is making him moodier and more disinhibited, with an even greater penchant for obscenity. As with his mother’s affair, there is both comedy and poignancy to be found: laughter is a constant presence, capable of transforming the darkest of experiences into something redemptive. (HarperCollins)

David and Jack met at Dar's in Hampstead, North London.

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