• The Bulwark Goes to Hollywood

  • By: The Bulwark
  • Podcast

The Bulwark Goes to Hollywood

By: The Bulwark
  • Summary

  • Sonny Bunch hosts The Bulwark Goes to Hollywood, a new podcast featuring interviews with folks who have their finger on the pulse of the entertainment industry during this dynamic—and difficult—time.
    Bulwark Media
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Episodes
  • Alfred Hitchcock, Master of Fear and Desire
    Nov 2 2024
    This week I’m joined by Mark Cousins, the writer and director of the new documentary, My Name Is Alfred Hitchcock. We talked about his movie’s unorthodox presentation, why Hitchcock remains eternally relevant, and how he puts together his incredible video essays. (If you’ve never seen his The Story of Film: An Odyssey, you really should.) And then he turned the tables on me with some closing questions! If you enjoyed this episode, please share it with a friend!
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    34 mins
  • The Four Horsemen of the Media Apocalypse
    Oct 26 2024
    Good show, long show today with the Entertainment Strategy Guy (subscribe to his Substack here). I’m going to offer up timestamps here, which I don’t usually do, because there’s a ton of stuff covered in this podcast.

    Amongst the topics we discussed: Marvel vs. DC in the TV realm (:40); Tulsa King’s status as a surprise hit for Paramount+ (11:40); what the data about Netflix’s second season of Monsters suggests about its completion rate and why that matters (16:06); why horror has a lower streaming ceiling than theatrical ceiling (21:29); Prime Video’s moves into sports and news (30:56); the four horsemen of the media apocalypse (38:41); and a cautious defense of embattled WB-Discovery honcho David Zaslav (56:17).

    Phew! If you enjoyed this episode, please share it with a friend!
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    1 hr and 3 mins
  • A Second Look at 'Caligula'
    Oct 19 2024
    On this week’s episode, I’m joined by Thomas Negovan, who oversaw the reconstruction of Caligula: The Ultimate Cut. Combing through 96 hours of the original negatives, Tom rebuilt the film from the ground up in order to bring it closer in line with the vision of writer Gore Vidal, director Tinto Brass, and star Malcolm McDowell. We discussed some of the technical challenges of tracking down source materials, the challenge of reconstructing a film that felt entirely different from every version previously known, and how McDowell and costar Helen Mirren responded to the reconstituted picture.

    The Ultimate Cut debuted at Cannes last year and is available now via streaming, Blu-ray, and 4K from Drafthouse Films and Unobstructed View. (The Blu-ray and 4K sets also include a previous cut of the film; for more on that cut and its odd provenance, I’d recommend reading this note at Diabolik DVD.) And if you enjoyed this episode, please share it with a friend!
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    46 mins

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