In 1984, Anthony Burgess published Ninety-Nine Novels, a selection of his favourite novels in English since 1939. The list is typically idiosyncratic, and shows the breadth of Burgess's interest in fiction. This podcast, by the International Anthony Burgess Foundation, explores the novels on Burgess's list with the help of writers, critics and other special guests.

In this episode, we’re getting the intel on Catch-22 by Joseph Heller from our guest Spencer Morrison.

Catch-22 takes us back to the dying days of the Second World War and introduces us to Yossarian, a US Air Force bombardier who is stationed on an island off the coast of Italy. Yossarian’s traumatic missions are contrasted with his life on the base, which is populated by various oddball airmen who all have their own agendas. They are overseen by commanding officers who are more concerned with abstract bureaucracy and arbitrary rules than the reality of the war. When Yossarian attempts to get out of flying any more missions he is faced with the most insidious rule of all, Catch-22, which states if an airman flies missions he is crazy and doesn’t have to, but if he doesn’t want to fly missions then he is sane and has to.

Joseph Heller was born in Brooklyn in 1923. In 1942, he joined the US Air Force and served as a bombardier on the Italian Front, his experiences informing Catch-22. His first published story appeared in Atlantic magazine in 1948 while he was working as a copywriter for an advertising firm. He went on to write seven novels, a collection of short stories, three plays, three screenplays and two volumes of autobiography. In the 1970s he worked alongside Anthony Burgess in the Creative Writing department at City College New York. He died in 1999.

Spencer Morrison is an assistant professor of English Language and Culture at the University of Groningen, in the Netherlands, where he specializes in post-WWII American literature. His writing has been published, or is forthcoming, in journals such as American Literary History, ELH, American Literature, and Genre, and he's currently completing a book manuscript on fifties and sixties American literature and culture that includes a chapter on Joseph Heller.

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BOOKS MENTIONED IN THIS EPISODE:

By Joseph Heller:

Something Happened (1974)

By others:

The Good Soldier Švejk by Jaroslav Hašek (1921)

Journey to the End of the Night by Louis-Ferdinand Céline (1932)

The Gallery by John Horne Burns (1947)

The Naked and the Dead by Norman Mailer (1948)

The Lonely Crowd by David Riesman, Nathan Glazer, and Reuel Denney (1950)

From Here to Eternity by James Jones (1951)

Wise Blood by Flannery O'Connor (1952)

Lucky Jim by Kingsley Amis (1954)

The Organization Man by William H Whyte (1956)

On the Road by Jack Kerouac (1957)

The Thin Red Line by James Jones (1962)

Portnoy's Complaint by Philip Roth (1969)

Slaughterhouse Five by Kurt Vonnegut (1969)

Gravity's Rainbow by Thomas Pynchon (1973)

The White Boy Shuffle by Paul Beatty (1996)

Infinite Jest by David Foster Wallace (1996)

The Sellout by Paul Beatty (2015)

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LINKS

International Anthony Burgess Foundation

The Burgess Foundation's free Substack newsletter

The theme music for the Ninety-Nine Novels podcast is Anthony Burgess’s Concerto for Flute, Strings and Piano in D Minor, performed by No Dice Collective.

Hosted on Acast. See acast.com/privacy for more information.

In 1984, Anthony Burgess published Ninety-Nine Novels, a selection of his favourite novels in English since 1939. The list is typically idiosyncratic, and shows the breadth of Burgess's interest in fiction. This podcast, by the International Anthony Burgess Foundation, explores the novels on Burgess's list with the help of writers, critics and other special guests.

In this episode, we’re learning about The History Man by Malcolm Bradbury, with our guest Joseph Williams.

The History Man tells the story of Howard Kirk, a sociology professor at a modern campus university. Howard is a strident and radical political voice on campus who dominates both his fellow lecturers and his students with his opinions and encourages sit-ins and protests for all manner of causes. Howard is also morally compromised: he has affairs with his female students while simultaneously bullying his male students, and his frequent lies destroy his colleagues’ careers even as they bring him success. Burgess calls The History Man ‘a disturbing and accurate portrayal of campus life in the late sixties and early seventies.’

Malcolm Bradbury was born in 1932. He wrote six novels, of which The History Man is the most well-known, having been adapted for the screen in 1981. He also wrote a novella, a collection of short stories, several well-respected books of literary criticism and many scripts for television. He also set up the famous MA in Creative Writing at the University of East Anglia, which launched the careers of Ian McEwan and Kazuo Ishiguro among others. He was knighted for services to literature in 2000 and died the same year at the age of 68.

Joseph Williams is finishing a PhD at the University of East Anglia, researching the creative, critical and educational work of Malcolm Bradbury, Lorna Sage, David Lodge, and the journal Critical Quarterly. He has taught at UEA and now teaches for the Workers Educational Association, most recently a course on Ulysses. As a reviewer he has written for Literary Review, The Times Literary Supplement, the Spectator, and Tribune, and in 2023 he was appointed reviews editor at Critical Quarterly.

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BOOKS MENTIONED IN THIS EPISODE

By Malcolm Bradbury:

Eating People is Wrong (1959)

Stepping Westward (1965)

The Social Context of Modern English Literature (1971)

The Modern American Novel (1983)

The Modern World: Ten Great Writers (1988)

The Modern British Novel (1993)

By others:

Ulysses by James Joyce (1922)

Finnegans Wake by James Joyce (1939)

Loving by Henry Green (1945)

The Great Tradition by F.R. Leavis (1948)

Lucky Jim by Kingsley Amis (1954)

The Rachel Papers by Martin Amis (1973)

Heat and Dust by Ruth Prawer Jhabvala (1975)

Gossip from the Forest by Thomas Keneally (1975)

Changing Places by David Lodge (1975)

How Far Can You Go? by David Lodge (1980)

Midnight's Children by Salman Rushdie (1981)

Money by Martin Amis (1984)

Small World by David Lodge (1984)

White Noise by Don DeLillo (1985)

Nice Work by David Lodge (1988)

The Secret History by Donna Tartt (1992)

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LINKS

International Anthony Burgess Foundation

Burgess Foundation Newsletter

The theme music for the Ninety-Nine Novels podcast is Anthony Burgess’s Concerto for Flute, Strings and Piano in D Minor, performed by No Dice Collective.

Hosted on Acast. See acast.com/privacy for more information.

In 1984, Anthony Burgess published Ninety-Nine Novels, a selection of his favourite novels in English since 1939. The list is typically idiosyncratic, and shows the breadth of Burgess's interest in fiction. This podcast, by the International Anthony Burgess Foundation, explores the novels on Burgess's list with the help of writers, critics and other special guests.

In this episode, we’re exploring the complex, controversial and language-rich novel Darconville’s Cat by Alexander Theroux with our guest, writer George Salis.

The novel tells the story of Alaric Darconville, an English instructor at an all-girls’ college in Virginia. He is intensely romantic and intellectual, and eventually falls in love with one of his students. He views their relationship as a great love affair, but his romanticism blinds him to reality. Eventually, he meets the mysterious Dr Crucifer, an unrepentant misogynist who attempt to brainwash the younger man to his way of thinking.

Alexander Theroux was born in Massachusetts in 1939, and is the author of four novels, four collections of poetry, three collections of short stories and several works of non-fiction. His most recent publication is the collection of poetry, Godfather Drosselmeier’s Tears & Other Poems.

George Salis is a novelist, literary critic and editor. His novel Sea Above, Sun Below was praised by Alexander Theroux as having ‘electricity on every page’. He is the editor of The Colliderscope, an online publication that celebrates innovative literature, and the host of its companion podcast. He has recently completed his maximalist novel Morphological Echoes.

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BOOKS MENTIONED IN THIS EPISODE

By Alexander Theroux

Three Wogs, including 'Theroux Metaphrastes' (1972)

Laura Warholic (2007)

By others:

Moby-Dick by Herman Melville (1851)

Ulysses by James Joyce (1922)

Lolita by Vladimir Nabokov (1955)

Girls at Play by Paul Theroux (1969)

Plus by Joseph McElroy (1977)

Love in a Dead Language by Lee Siegel (1999)

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LINKS

Sea Above, Sun Below by George Salis at Amazon

The Collidescope, George Salis's website

The Collidescope Podcast

International Anthony Burgess Foundation

The theme music for the Ninety-Nine Novels podcast is Anthony Burgess’s Concerto for Flute, Strings and Piano in D Minor, performed by No Dice Collective.

Hosted on Acast. See acast.com/privacy for more information.

In 1984, Anthony Burgess published Ninety-Nine Novels, a selection of his favourite novels in English since 1939. The list is typically idiosyncratic, and shows the breadth of Burgess's interest in fiction. This podcast, by the International Anthony Burgess Foundation, explores the novels on Burgess's list with the help of writers, critics and other special guests.

In this episode, Graham Foster discovers Nadine Gordimer’s 1966 novel The Late Bourgeois World, with guest Jeanne-Marie Jackson.

The Late Bourgeois World tells the story of Johannesburg suburbanite Liz Van Den Sandt, who finds out her ex-husband has committed suicide after betraying his comrades in the burgeoning rebellion against apartheid. Though she lives a privileged life with her new partner, she begins to feel drawn towards political action. When she is asked to help the Black Nationalist movement with their finances, she has to choose between her own safe but boring life and the exciting but risky act of rebellion. But does her ex-husband’s failure prove the futility of political action?

Nadine Gordimer was born in the Transvaal region of South Africa in 1923. She moved to Johannesburg in 1948 and lived in the city for the rest of her life. She published her first novel, The Lying Days, in 1953 and went on to publish 14 more novels and over 20 books of short stories. Gordimer won the Nobel Prize for Literature in 1991. She died in 2014.

Jeanne-Marie Jackson is Professor of English at Johns Hopkins University. Her research focusses on African literature and intellectual history. Her first book, South African Literature’s Russian Soul: Narrative Forms of Global Isolation was published by Bloomsbury in 2015. Her most recent book, The African Novel of Ideas: Philosophy and Individualism in the Age of Global Writing was published by Princeton University Press in 2021. She has written for the New York Times, New Left Review, and The Conversation, among others. Her latest book, as editor, is a critical edition of J.E. Casely Hayford’s Ethiopia Unbound.

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BOOKS MENTIONED IN THIS EPISODE

By Nadine Gordimer:

The Lying Days (1953)

Burger's Daughter (1979)

July's People (1981)

'Living in the Interregnum' in The Essential Gesture: Writing, Politics and Places (1988)

By others:

Fathers and Sons by Ivan Turgenev (1862)

The Stranger by Albert Camus (1942)

The Ripley Series by Patricia Highsmith (1955-91)

The Necessity of Art by Ernst Fischer (1959)

Muriel at Metropolitan by Miriam Tlali (1975)

Edith's Diary by Patricia Highsmith (1977)

Amandla by Miriam Tlali (1980)

Disgrace by J.M. Coetzee (1999)

The Theory of Flight by Siphiwe Gloria Ndlovu (2018)

The History of Man by Siphiwe Gloria Ndlovu (2019)

The Quality of Mercy by Siphiwe Gloria Ndlovu (2022)

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LINKS

South African Literature’s Russian Soul: Narrative Forms of Global Isolation by Jeanne-Marie Jackson

The African Novel of Ideas: Philosophy and Individualism in the Age of Global Writing by Jeanne-Marie Jackson

International Anthony Burgess Foundation

The Burgess Foundation's free Substack newsletter

Hosted on Acast. See acast.com/privacy for more information.

In 1984, Anthony Burgess published Ninety-Nine Novels, a selection of his favourite novels in English since 1939. The list is typically idiosyncratic, and shows the breadth of Burgess's interest in fiction. This podcast, by the International Anthony Burgess Foundation, explores the novels on Burgess's list with the help of writers, critics and other special guests.

In this episode, Andrew Biswell talks to Brian Boyd about Vladimir Nabokov’s novel Pale Fire, which Anthony Burgess called ‘a brilliant confection’.

Pale Fire is unlike any other novel. The first section of the novel takes the form of a 999-line poem, by a murdered poet called John Shade. The second section concerns the discursive commentary and notes by Shade’s supposed editor, Charles Kinbote. Seemingly unconnected to the poem, Kinbote’s notes describe his belief that he is Charles the Beloved, the exiled king of a country called Zembla. Can this be true, or is Kinbote a fantasist? Does Shade’s poem really reference the revolution in Zembla? Is Shade even real? These are just some of the questions raised by this rich and puzzling novel.

Vladimir Nabokov was born in St Petersburg in 1899, and being of aristocratic heritage, was exiled from Russia when the Bolsheviks seized power. Having studied in Britain, he settled in America in 1940, lecturing in Russian literature at Wellesley College in Massachusetts and Cornell University in New York State. His novel Lolita, published in 1955, brought him fame, and was filmed by Stanley Kubrick, from Nabokov’s own screenplay, in 1962. Nabokov died in Switzerland in 1977.

Brian Boyd is University Distinguished Professor of English Emeritus at the University of Auckland, New Zealand and one of the leading experts in Nabokov’s work. His writings about Nabokov include Nabokov’s Ada: The Place of Consciousness, Nabokov’s Pale Fire: The Magic of Artistic Discovery, and two volumes of biography subtitled The Russian Years and The American Years. He is currently working on a biography of the philosopher Karl Popper, along with a follow-up to his On the Origin of Stories: Evolution, Cognition, and Fiction; a book on Shakespeare’s plays; two books on Lolita; and a continuation of his annotations, a chapter at a time, to Ada, already almost 2500 pages, with about 500 to go. He is also co-editing Nabokov’s Lectures on Russian Poetry, Prose, and Drama.

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BOOKS MENTIONED IN THIS EPISODE

By Vladimir Nabokov:

The Defense (1930)

Lolita (1955)

Ada or Ardor: A Family Chronicle (1969)

Transparent Things (1972)

'The Vane Sisters' in The Stories of Vladimir Nabokov (1995)

By others:

Gradus ad Parnassum by Johann Joseph Fux (1725)

Ulysses by James Joyce (1922)

The Joy of Gay Sex by Edmund White (1977)

A Strangeness in My Mind by Orhan Pamuk (2015)

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LINKS

Nabokov's Pale Fire: The Magic of Artistic Discovery by Brian Boyd (affiliate link)

International Anthony Burgess Foundation

International Anthony Burgess Foundation Newsletter

The theme music for the Ninety-Nine Novels podcast is Anthony Burgess’s Concerto for Flute, Strings and Piano in D Minor, performed by No Dice Collective.

Hosted on Acast. See acast.com/privacy for more information.

In this episode, Andrew Biswell explores Anthony Burgess’s new collection of essays on music, The Devil Prefers Mozart, with editor Paul Phillips.

The Devil Prefers Mozart is the first collection of Anthony Burgess’s essays on music and musicians. This wide-ranging anthology covers classical, modern and operatic works, as well as jazz, pop, heavy metal and punk. This episode of the podcast discusses the versatility of Burgess’s writing on music, the different sorts of essays in the new collection and what Burgess really thought of the work of the Beatles.

Paul Phillips is the Gretchen B. Kimball Director of Orchestral Studies and Associate Professor of Music at Stanford University, and author A Clockwork Counterpoint: The Music and Literature of Anthony Burgess, the definitive study of Burgess’s music and its relationship to his writing. Paul has contributed essays to six books on Burgess, including the Norton Critical Edition of A Clockwork Orange, and is an Honorary Patron of the International Anthony Burgess Foundation and its Music Advisor.

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LINKS

The Devil Prefers Mozart: On Music and Musicians by Anthony Burgess, edited by Paul Phillips at Carcanet

The Clockwork Counterpoint: The Music and Literature of Anthony Burgess by Paul Phillips (affiliate link)

International Anthony Burgess Foundation

Anthony Burgess News, our free weekly Substack newsletter.

Hosted on Acast. See acast.com/privacy for more information.

In this episode, Andrew Biswell talks to writer and publisher Richard Cohen about his memories of working with Anthony Burgess in the 1980s.

Richard Cohen is the former publishing director of Hutchinson, and was instrumental in publishing some of Burgess’s best known novels of the 1980s, beginning with The Pianoplayers in 1986. After working at Hutchinson, Richard moved to Hodder, and eventually set up his own company Richard Cohen Books. During his time in publishing he worked with authors as varied as Jeffrey Archer, John Le Carre, Kingsley Amis, Fay Wheldon. Sebastian Faulks, and Rudy Giuliani.

As a writer, Richard has published four books of non-fiction: By the Sword, a history of swordplay; Chasing the Sun, an epic history of the Sun; How to Write Like Tolstoy, a guide for writers; and Making History, a history of historians from Herodotus to the present day.

Richard was also an Olympic fencer, competing in Munich, Montreal and Los Angeles between 1972 and 1984. He won both a gold and bronze medal for fencing at the 1970 Commonwealth Games in Edinburgh.

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LINKS

Making History: Making History: The Storytellers Who Shaped the Past by Richard Cohen (affiliate link)

By the Sword: A History of Gladiators, Musketeers, Samurai, Swashbucklers, and Olympic Champions by Richard Cohen (affiliate link)

Chasing the Sun: The Epic Story of the Star that Gives Us Life by Richard Cohen (affiliate link)

How to Write Like Tolstoy by Richard Cohen (affiliate link)

International Anthony Burgess Foundation

Subscribe to the Burgess Foundation's free newsletter for weekly news, event listings and writing by and about Anthony Burgess.

Hosted on Acast. See acast.com/privacy for more information.

In this episode, Andrew Biswell exploring the making of the new documentary film, A Clockwork Orange: The Prophecy, with the directors Elisa Mantin and Benoit Felici.

A Clockwork Orange: The Prophecy, is the first new documentary to focus on Burgess for 25 years. Drawing on archive footage, startling new animations, and interviews with major cultural figures such as Will Self and Ai Weiwei, this documentary reconsiders the 60-year history of A Clockwork Orange as a novel, film, stage play and cultural influence.

LINKS:

To watch the French version, Orange méchanique: les rouages de la violence, click here.

To watch the German version, Clockwork Orange: Im Räderwerk der Gewalt, click here.

International Anthony Burgess Foundation

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Hosted on Acast. See acast.com/privacy for more information.