Episodes

  • What Makes a Good Producer and Why the Haitian Revolution Matters w/ Stephanie Malson

    What Makes a Good Producer and Why the Haitian Revolution Matters w/ Stephanie Malson
    Sep 17 2024
    Several important topics this week as we talk to White Meat producer Stephanie Malson about what she believes makes for a good film producer, the experience of being a Black woman in film, and what she learned about the Haitian Revolution by helping make a documentary about Haitian painter Ulrick Jean-Pierre, who through his work has documented the revolution for decades.

    Learn more about White Meat at whitemeatmovie.com
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    55 mins
  • Why We Should Take "Blacula" Seriously

    Why We Should Take "Blacula" Seriously
    Sep 10 2024
    On this week's episode I talk about why Blacula, seemingly just a disposable Blaxploitation film from the 70's, is a landmark in respect and dignity for the depiction of Black characters and especially Black characters of African descent. No, seriously.

    Learn more about White Meat the movie at https://whitemeatmovie.com/
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    7 mins
  • How to Edit Horror w/ Stephen Boyer

    How to Edit Horror w/ Stephen Boyer
    Sep 4 2024
    On this episode we talk to film editor Stephen Boyer who's cut such horror fare as The Wrath of Becky and The Boy Behind the Door about the tricks of the trade when it comes to editing horror versus comedy or other genres.

    Learn more about White Meat at https://whitemeatmovie.com/
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    48 mins
  • The White Meat Manifesto

    The White Meat Manifesto
    Aug 27 2024
    In this episode, White Meat writer/director David Dylan Thomas walks through The White Meat Manifesto, a document created to keep everyone involved in the making of White Meat honest about creating an equitable filmmaking experience.

    Learn more about White Meat at https://whitemeatmovie.com/
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    18 mins
  • What Is White Meat? w/ Maurice Gaston

    What Is White Meat? w/ Maurice Gaston
    Aug 21 2024
    On our pilot episode, White Meat producer Maurice Gaston talks about his creative partnership with the film's writer/director David Dylan Thomas, the lessons he's learned from multiple 48 hour film projects, and the process of signing on to do something bigger than anything either of them have tried before.
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    58 mins