What Editors Want

By: Philip Connor Finn
  • Summary

  • What Editors Want is a new podcast in which I interview a different editor each week from the world of publishing. It’s aimed at readers who want to hear the behind the scenes story of how their favourite books get made, and aspiring authors who want to know how to get published.


    I’ve spoken to everyone from the biggest names in the industry to independent publishers taking a dynamic and innovative approach to making books. Along the way I’ve met the editors behind Nobel and Booker Prize winning authors (and practically every other literary prize), ground-breaking non-fiction (from The Panama Papers to Why I'm No Longer Talking to White People About Race), with everything from kid’s books to cookbooks in between.


    My dream is that this podcast will make the world of books more approachable and inclusive for the authors and publishing professionals of tomorrow by hearing about the career paths of industry leading editors, and how they choose their books.


    Philip Connor Finn is an editor at award-winning publisher Unbound. He is the winner of the Faber & Faber Scholarship to UCL and the Cuirt Festival’s New Writing Prize. He writes for publications including Boundless, Caught by the River and The Times Literary Supplement.


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    Philip Connor
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Episodes
  • Season 1 Teaser
    Jul 4 2019
    A little preview of what's coming up.

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    1 min
  • Faber & Faber - Louisa Joyner
    Jul 16 2019

    In the inaugural episode I visited Faber & Faber, the iconic publishers of authors like Sylvia Plath, William Golding, TS Eliot and Ted Hughes.


    This week's guest is Louisa Joyner, Faber's Publishing Director. We discussed her background as an academic and the difference (or rather lack thereof) between publishing commercial and literary fiction.


    Louisa's books include some of the most successful novels of recent times like Call Me By Your Name, The Shock of the Fall and Milkman, winner of the 2018 Booker Prize. We also discuss some of her non-fiction, such as working with the likes of Samantha Irby and Jay-Z.


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    50 mins
  • Scott Pack
    Jul 23 2019

    Scott (@meandmybigmouth) and I met in the run up to Christmas to discuss our mutual love of experimental fiction (although not, as you'll hear, the novels of Haruki Murakami). Scott explains why he thinks newspaper’s literary review pages are massively restrictive, and how publishers throw away millions of pounds a year on publishing hardbacks. We discussed his time as Head of Buying at Waterstones and how it is books end up in bookshops (or don't).


    At the heart of this episode, and this podcast, is that crucial question: is an editor the author’s representative to the publisher, or the publisher's representative to the author?


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    1 hr and 4 mins

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