Showing titles in Genre Fiction

It's summer, 1984, in blue-collar Swaffham, Massachusetts. Mel is thirteen, drinking a Slush Puppie at the drugstore, when she hears a voice, ‘deep and movie-star dramatic, like Lauren Bacall': Sylvia. What follows is a story of transgender awakening. Sylvia's shameless swagger and tough-girl trans femininity is an affront to the Swaffham locals, and her presence triggers hatred and, ultimately, violence. But it is also a catalyst for Mel. Through her friendship with Sylvia, Mel comes to realize that not only is there a world beyond Swaffham, there are other ways of being.

The trip was supposed to be fun. When Kit's best friend gets dumped by his boyfriend, he begs her to ditch her family responsibilities for a quick, idyllic weekend in the Montana mountains. They'll soak in hot springs, then sneak a vape into the local dive bar like old times. But it's soon clear that this getaway only gets Kit closer to something dire and unfathomable that's been building inside her for years, ever since her sister Julie died.

When his mother dies after a lifetime of struggle, Sebastien is obsessed with finding the father he's never met—the commanding officer of a luxury liner. Posing as a member of the ship's crew, Sebastien becomes entangled in a revolt, leading him to uncover a disturbing secret about his identity.

Robin didn’t mean to break the law. Didn’t know at first what law she’d broken. And now she’s on her way to Salt Rock - a new-model prison for a new kind of criminal, way out in the remote Northern Isles of Scotland. On Salt Rock, she'll meet other prisoners like her - men and women from all over the world, spirited away from the lives they knew for crimes they didn’t know they were committing.

What will the end of the world look like? Will it be an old man slowly turned to gold, flowers raining from the sky, or a hole cut through the wire fencing that keeps the monsters out? Is it someone you love wearing your face, or a good old fashioned inter-dimensional summoning? Does it sound like a howl outside the window, or does it look like coming home?

June 8, 1954. Alan Turing, the visionary mathematician, is found dead at his home in sleepy Wilmslow, dispatched by a poisoned apple. Taking the case, Detective Constable Corell quickly learns Turing is a convicted homosexual. Confident it’s a suicide, he’s nonetheless confounded by official secrecy over Turing’s war record. What’s more, Turing’s sexuality appears to be causing alarm among the intelligence services - could he have been blackmailed by Soviet spies?

After an unconventional upbringing, Ben Sedgwick is perfectly content with the quiet, predictable life of a country vicar, free of strife or turmoil. When he’s asked to look after an absent naval captain’s three wild children, he reluctantly agrees, but instantly falls for the hellions. And when their stern but gloriously handsome father arrives, Ben is tempted in ways that make him doubt everything.

Up-and-coming stage actress Margaret Shoard has just taken a bow as Lady Macbeth, the role she has always believed was destined for her. At home, she plays wife to her best friend Wesley, even if she doesn’t hold his sole attention romantically. After a public breakdown threatens all she holds dear, Margaret’s doctor prescribes her uppers—just a little help to get through the days.

The year is 1986, and Yurka Konev, 16, has been sent off for another summer at Pioneer Camp. Impulsive, forthright, and unfairly branded as a troublemaker, he anticipates the weeks ahead of him with boredom and dread. But when he’s pushed into working on the camp’s theater production, he meets serious, thoughtful troop leader Volodya. Yurka finds himself drawn to the slightly older boy, and, surprisingly, Volodya seems to like him, too. The two boys grow closer and closer, and though both fear the consequences of their illegal attraction, its gravity pulls them together.

In their lovely old Cotswolds village, Janet and Susan are known to all the other villagers as “the girls”—a fixture. Partners in love and work, co-proprietors of a picturesque shop specializing in the work of local artisans and farmers, they lead an enviable, enviably settled life. So it’s no catastrophe when Sue, the younger of the two, feels the need to take a month to travel on her own, leaving Jan alone to run their stall at the Inland Waterways Rally Craft Fair.

After a lifetime of taking care of his impossible but irresistible sister and his cherished niece, Tom is ready to put himself first. An architect specializing in tiny houses, he finally has an opportunity to build his masterpiece—“his last shot at leaving a footprint on the dying planet.” Assuming, that is, he can stick to his resolution to keep the demands of his needy family at bay. Naturally, that’s when his phone rings.

Laurence Fitzroy is trapped in a golden cage. The only son of a wealthy London baronet, he's struggling to escape his father's suffocating world. But Laurie is losing his fight. At 19 years of age, bright and imaginative, he's no match for the brutal Sir William. Laurie wants to be an actor - bad enough as far as Sir William is concerned, but, worse than that, he's gay.

Frances was not looking for a relationship when she met Elaine in a bar. She was, in fact, looking to drown her sorrows in a pint or 12 and nurse a broken heart that was shattered by the gorgeous, electric Adrienne. But somehow (it involved a steady stream of beer and weed, as things often did with Frances) Elaine ended up in Frances’s bed and never left. Now, faced with mounting pressure from her drug dealer, Dom, Frances comes up with a terrible idea: ask Elaine to move in with her to split the rent.

In early 20th-century Belfast, working class Meg Preston struggles to accept her own sexuality and yearns for forbidden love. Battling the customs and hardships of their time, Meg pursues a relationship with her childhood friend Lillian Watson. But soon, tribulations of war, violence, and emigration threaten to tear everything apart.

After Matthew’s grandfather dies suddenly, four friends struggle to face the trauma of their pasts in the wake of this fresh tragedy. Leah and Jay, a couple since their school days, find their relationship tested, while Nathan deals with a vast and unrequited love and Matthew grapples with his sexuality. In the days that follow, Matthew begins to unearth his grandfather’s past. He finds a different life, full of secrets, and discovers that he and his grandfather may have had more in common than he once thought.

Bettina and Bart have grown up as best friends, so surely they will end up together? After all, Bettina is young, rich, headstrong...and gay. Bart is young, rich, charismatic...and also, definitely, gay. Any doubts are dispelled by, in short order: that ghastly kiss; a torrid encounter for Bettina in the school boiler-rooms; and an eye-opening Parisian visit for Bart. Society will never stand for it. What else can they do but enter into a ‘lavender marriage’ and carry on indulging their true natures in secret?

Damani is tired. Every day she cares for her mom, drives ride shares to pay the bills and is angry at a world that promised her more before spitting her out. That is until the summer she meets Jolene and life opens up. Jolene seems like she could be the perfect girlfriend—attentive, attractive, liberal—and their chemistry feels genuine. So maybe Damani can look past the one thing that's holding her back: Jolene is white. But Jolene really doesn't seem like one of the bad ones—she's done the reading, she goes to every protest, she even listens.

On his 40th birthday, Frank decides his chance for love has passed. But when an old friend treats him to a night with a beautiful escort, Frank is not about to say no. In fact, Ezra proves to be so intoxicating, he doesn’t want to let go. So he’ll pay.

Three young brothers leave Los Angeles in the dead of night for Iran, taken by their father from their mother to a country and an ancestral home they barely recognize. They return to the Valley months later, spit back into American life and changed in inexorable ways. Under the California sun, our protagonist, the youngest brother, begins to piece together a childhood shattered by his father's violence, a queer adolescence marked by a shy, secret love affair with a boy he meets on the basketball court, and his ever-changing status as a Muslim in America.

When Anastasia’s beloved mother dies, she has no choice but to go to rural Skimpole and move in with ‘the Aunt’ – too fearsome for a first name, an outcast from the village who lives in a dilapidated mansion with two servants and an unruly pack of dogs. The many mysteries of Skimpole are irresistibly intriguing: how did Anastasia’s father really die? Who wrote the extremely raunchy love letters she has found in the Aunt’s bedroom, signed ‘Big Willy’? And why does everyone in the village hate the Aunt so much?