Showing titles in Genre Fiction

Growing up in a Russia plagued by homophobia, Maxym wrestles with his conflicting emotions toward Muslims and his own suppressed homosexuality. Alongside his innate psychopathic tendencies and an unsettling fascination with killing, his exceptional marksmanship skills make him a coveted asset. Trained to be an unrelenting assassin, he walks a precarious tightrope, embodying a paradoxical blend of tender affections and unwavering loyalty to the nation that nurtured him—an enigmatic figure in the tapestry of contemporary Russia.

At a meatpacking facility in Missouri, Dee-Dee and her coworkers kill and butcher 40,000 chickens in a single shift. The work is repetitive and brutal, with each stab and cut a punishment to her hands and joints, but Dee-Dee's more concerned with what is happening inside her body. After a series of devastating miscarriages, Dee-Dee has found herself pregnant, and she is determined to carry this child to term.

Award-winning producer Courtney Southerland turned down lucrative career opportunities to learn the truth about the legend of Palo Duro Canyon. Determined to track down the famous Black Panther and the girl that had been seen with it, Court devoted two years of her life living in caves and tents as she tracked the pair through the second largest canyon in the United States. She was about to relegate the panther’s legend to the category of Big Foot and the Loch Ness Monster when the girl appeared from nowhere to save her life.

It’s the final years of the Troubles in Northern Ireland, and Bríd and her sister, Ina, try to maintain a stable life in a divided country. Pushed by her mother’s fanaticism and a family tragedy, Bríd joins the IRA and makes a devastating choice. Frightened and guilt ridden, she flees, leaving behind Ireland and her family for America. Years later, her guilt and tragic history still buried, Bríd is an overprotective mother raising her sensitive daughter, Bernie, in Southern California.

Gavin Gregory often stares into the abyss - that's his job. An elite profiler at the FBI's Behavioral Analysis Unit, he hunts serial killers for a living. He knows how they behave, how they think, what motivates them. Considered the best at what he does, Gavin goes to investigate when it appears a dormant psychopath has reactivated. The case takes a bizarre turn when psychiatrist Debra Esteves contacts him and says she knows who the enigmatic killer is. It soon becomes apparent that what she means is that she knows what the killer is.

Meet Sofie. The history of her sexuality begins when she loses her virginity to Walter the recruitment consultant. So, naturally, she thought that things could only improve from there. But she was wrong. It seems Sofie's been wrong about a lot of things. First, she thought she was into men: wrong. Then she met Frida and thought she was set for life: wrong again. Turns out, facing up to everything she thought she knew about herself requires a lot of trial and error.

It is June and our ten-year-old heroine is sad. She knows she will not get to leave her neighbourhood that summer, and the beach is far, far away. And that clouds like the bottom of a donkey's belly will hover all summer over her town, high among the volcanoes of northern Tenerife. But she has a best friend, Isora. And she likes everything about Isora. The colour of her arms and her hair and her eyes. Her handwriting and the way she writes the letter g with a huge tail. The way she calls her Shit because poop is a beautiful thing like the mist round the pines.

A virus tears across the globe, transforming its victims in nightmarish ways. As the world collapses, dark forces pull a small group of women together. Erin, once quiet and closeted, acquires an appetite for a woman and her brain. Why does forbidden fruit taste so good? Savannah, a professional BDSM switch, discovers a new turn-on: committing brutal murders for her eldritch masters. Mareva, plagued with chronic tumors, is too horrified to acknowledge her divine role in the coming apocalypse, and as her growths multiply, so too does her desperation.

Angela has everything she thought she ever wanted—a successful husband, a lavish house, and a bottomless fortune. But the sight of a strange man in a grocery store one night reawakens her dormant sexuality, and soon Angela embarks on a dangerous descent into the world of underground pornography and back-alley plastic surgery. As the stakes get higher, long-buried memories resurface, and Angela finds herself enamored with Reena, a fetish film performer.

When Myriam and Allison fall in love at a show in a run-down punk house, their relationship begins to unfold through a series of hypotheticals. What if they became mothers by finding a baby in an alley? What if the only cure for Myriam’s depression was Allison’s flesh? What if they were B-list celebrities, famous for writing a book about building healthy lesbian relationships? How much darker - or sexier - would their dynamic be if one were a power-hungry CEO, and the other her lowly employee?

What happens when a Daddy's girl grows up to be crowned the first female underboss of the mafia? What an excellent question. Thank you so much for asking. No, seriously, I've been waiting twenty years to be able to answer this. Trust me, being hidden away in another country with a nanny, a groundskeeper, his son (my ex-best friend), and the wicked witch of the west—a.k.a. my stepmother. I'm dying to spill the tea.

Three women, united by love and kinship, struggle to conform to the social norms of the times in which they live. In 1931 Katherine Henderson leaves behind her small town in Kansas and the marriage proposal of a local boy to live on her own and work at the Sears & Roebuck glove counter in Chicago. There she meets Annie - a bold, outspoken feminist who challenges Katherine's idea of who she thinks she is and what she thinks she wants in life.

Travesti este un studiu de caz despre un copil hermafrodit, dar şi o explorare a întunecatei sexualităţi adolescentine. Mai presus de orice, însă, acest mic roman, care m-a obsedat şi m-a chinuit mai mult decât orice altă carte a mea, e anabasis-ul meu, drumul meu ascuns şi întortochiat către centrul adânc îngropat al fiinţei mele. Travesti este şi portalul către Orbitor. Trilogia mea n-ar fi putut exista fără exerciţiul de sinceritate aproape sinucigaşă de aici. Nu e uşor să afli cine eşti, nici să te priveşti în ochi după ce ai aflat.

Eight stories of literary dark fiction from a master storyteller. Exploring the shadow side of love, these are tales of grief, obsession, control. Intricate examinations of trauma and tragedy in raw, poetic prose. In these narratives, a woman imagines horrific scenarios whilst caring for her infant niece; online posts chronicle a cancer diagnosis; a couple in the park with their small child encounter a stranger with horrific consequences; a toxic relationship reaches a terrifying resolution . . .

Buying into the dream that education is the road out of poverty, a teen mom takes a chance on bettering herself, gets on welfare rolls, and talks her way into college. But once she's there, phallocratic narratives permeate every subject, and creative writing professors depend heavily on Freytag's pyramid to analyze life. So Ariel turns to a rich subcultural canon of resistance and failure, populated by writers like Audre Lorde, Tillie Olsen, and Kathy Acker. Wryly riffing on feminist literary tropes, We Were Witches documents the survival of a demonized single mother.

LIKE WATER LIKE SEA is an immersive novel of self-discovery, resilience, and the unifying power of love. It follows the life of Nia, a queer, bi/pansexual naturopath in London, as her life unfolds across three pivotal moments, spanning from her 28th year to a life-altering realization at the age of 50.

Chaotic bisexual Wendy is trying to find her place in the queer community of San Lazaro, Arizona, after a bad breakup—which is particularly difficult because her ex is hooking up with some of her friends. And when the people around them start turning into violent, terrifying mindless husks, well, that makes things harder. Especially since the infection seems to be spreading.

When his grandfather dies, a boy named Jay travels south with his family to the property he left them, a once flourishing farm that has fallen into disrepair. The trees are diseased, the fields parched from months of drought. Still, Jay’s father, Jack, sends him out to work the land, or whatever land is left. Over the course of these hot, dense days, Jay finds himself drawn to Chuan, the local son of the farm’s manager, different from him in every way except for one.

Robin and Kessie have been best friends since childhood when their families fractured. Now, in their mid-thirties, they are keen to have children themselves, but each faces daunting obstacles. In stepping up to support each other, they begin to negotiate unconventional routes towards motherhood, challenging assumptions about ‘normal’ family relationships along the way.

Until twenty-four hours ago, Mickey Hayward was living the life she’d always dreamed of: Working as a full-time writer for a trendy media company (tick). In a committed, loving relationship (tick). Now she’s fired, tossed aside for a more ‘agreeable’ younger Black writer. Sick of always being overlooked and undervalued, she responds with an online letter detailing the racism she’s faced within the industry. But when it’s met with overwhelming silence, and her girlfriend suggests they go on a break, Mickey’s carefully crafted life starts to fall apart.