Showing results by narrator "Nina Richmond" in Literature & Fiction

Using the richness of braided essays, Theresa Kishkan thinks deeply about the natural world, mourns and celebrates the aging body, gently contests recorded history, and considers art and visual phenomena. Gathering personal genealogies, medical histories, and early land surveys together with insights from music, color theory, horticulture, and textile production, Kishkan weaves a pattern of richly textured threads, welcoming listeners to share her intellectual and emotional preoccupations.

This is an imaginary drama in verse in which US Supreme Court Justice Clarence Thomas pleads with President George Bush, Jr., to be allowed to chronicle the glorious presidency of Mr. Bush after his second inauguration. Of course, he is allowed to do so. Thus emerges a gentle satire which is also a social commentary of our time, replete with a large cast which includes Dick Cheney, Paul Wolfowitz, the Ghost of Saddam Hussain, and others, not to mention a sombre 'Chorus of the Homeless' providing a rational commentary throughout. An echo of Greek tragedies of yore.

Kate, a somewhat clumsy widow of 32, flees her stifling hometown on Vancouver Island to live alone on an even smaller island in the Salish Sea. In so doing, she has vague expectations of solace and sanctuary, despite past experience. Instead she meets Ivy, a woman who through their conversations transports her to the intoxicating world of 1926 Cuba. Within the context of their friendship, Ivy’s past begins to unravel from a long-held silence, just as Kate finds herself confronting her relationship with the colorful community she’s known all her life.

Claudia, single mom of two, pines for her past independent life. Her ex, after all, has moved on to a new wardrobe, new hobbies and—worst of all—new adult friends. But in Claudia's house she's still finding bananas in the sock drawer, cigarettes taped to wrestling figures, and colourful doodles on her MasterCard bills. Then Claudia receives the unexpected news that her mother has died.

This picture of Devin, alive when she should not be alive, triggers of a journey of grief and discovery as the young woman convinced that she caused Devin's death sets out to discover whether Devin may actually be alive, and whether she can be forgiven. Along the way she steals identities, picking up and discarding the people she may or may not be as she struggles with her guilt, and to come to terms with her own bisexuality. As her sense of self unravels, she meets Calgary hippies, a car thief, and an ice cream loving corpse.

The kid called Chatter has an affliction. Perhaps it is a gift. He attracts dying jackrabbits. Orphaned by parents whose names he never knew, he was worshiped and savaged in the institutions that raised him. Pushed out by his peers, trailed by the dying, the kid called Chatter fled. In an isolated river valley on the western frontier, as the Great Depression drags on, the jackrabbits are undeterred and the kid called Chatter is trapped inside the choice to survive. Moonshiner Ruddy Lou offers him a future as a messianic faith healer, as long as he never asks questions or exposes the con.