Showing titles in Shakespeare

Proteus loves Julia in Verona, Valentine loves Silvia in Milan. But when Proteus meets Silvia, he falls for her too, and the heartbroken Julia sets out in pursuit. This delightful and sometimes disquieting early comedy of love lost and found offers lyrical poetry, disguise, clowning, outlaws, and a most unreliable dog.

In this BBC full-cast production of Richard II, the male ego and narcissism of monarchs are hung out to dry.... Written entirely in verse, the rhythms of the language in this epic tragedy encompass its themes of dignity and kingship with fitting grandeur and pathos, as the capricious and narcissistic Richard is brought to his own destruction. Starring Samuel West as Richard II.

A classic performance of one of the Bard's classics.

Henry V, which dates from 1599, is the last in Shakespeare's series of plays based on English history. It is also, of course, among the Bard's best-known and most-performed works. It's given rich new life here by a full-cast presentation that combines classic literature with classical music.

Pericles, Prince of Tyre, undergoes a tyrant's fury, storm, and shipwreck. He wins love and suffers loss, but what is lost may also be found. With the ancient poet Gower acting as narrator, we follow the adventures of Pericles from young manhood to maturity. This strange and powerful tale of loss and recovery is the first in the group of romance comedies created by Shakespeare at the end of his dramatic career.

The multi-award winning SmartPass full-cast, unabridged performance with comprehensive commentary and analysis for any student to fully understand and appreciate the play.

Rebellion still simmers in England and King Henry's health is failing. Prince Hal has proved his courage but the king still fears that his son's pleasure-loving nature will bring the realm to ruin. Meanwhile, Falstaff and his ribald companions waste the nights in revelry, anticipating the moment when Hal will ascend the throne. Falstaff is in Gloucestershire when news arrives that the king has died. Has the dissolute old knight's hour come at last?

Mark Antony, one of the three rulers of the Roman world, has become the thrall of the fascinating Cleopatra. Affairs of state call him to Rome, but the attractions of the queen of Egypt prove impossible to resist. From one of history's greatest love stories Shakespeare builds this magnificent tragedy of the clash between love and duty.

A performance of the tragi-comedy by the Royal Shakespeare Company. When a young woman is offered the choice of saving a man's life at the price of her own chastity, what should she do? The political and moral corruption of Vienna has driven Duke Vincentio into hiding while his deputy governor, Angelo, is left to revive the old discipline of civic authority. Angelo's first act is to imprison Claudio, a young nobleman who has gotten his betrothed, Juliet, with child.

Bassiano, a noble Venetian, hopes to woo the beautiful heiress Portia. However, he requires financial assistance from his friend Antonio. Antonio agrees, but he, in turn, must borrow from the Jewish moneylender Shylock. As recourse for past ills, Shylock stipulates that the forfeit on the loan must be a pound of Antonio’s flesh. In the most renowned onstage law scene of all time, Portia proves herself one of Shakespeare’s most cunning heroines, disguising herself as a lawyer and vanquishing Shylock’s claims....

The all-conquering King Henry V is dead, and the throne is occupied by his infant son, Henry VI. The good Duke Humphrey of Gloucester has been appointed protector, but a struggle for power soon develops between the young king's Lancastrian relatives and the powerful house of York under Richard Plantagenet. Meanwhile the French, led by Joan of Arc, the maid of Orleans, threaten to win back the territories lost to Henry V.

Young King Henry VI has married the beautiful Margaret of Anjou but the new queen is ruthless and ambitious. Supported by the powerful Duke of Suffolk, Margaret plots the overthrow of her enemies, chief among them the Duke of Gloucester. But the Duke of York also aspires to the crown, and the common people, led by Jack Cade, are in rebellion. To the despair of the mild young king, England descends into civil war.

Troy is besieged by the invading Greeks, but the young Trojan prince Troilus can think only of his love for Cressida. Her uncle Pandarus brings the two together, but after only one night news comes that Cressida must be sent to the enemy camp. There, as Troilus looks on, she yields to the wooing of the Greek Diomedes. The tragic story is undercut by the commentary of Thersites, who provides a cynical chorus.

In this BBC full-cast production of Romeo and Juliet, the two star-crossed lovers fight for each other until their dying breath. Can their two feuding families reconcile? With the intimacy of radio, the full beauty and meaning of some of the most lyrical lines ever written can be truly heard: tenderness and passion, betrayal and bigotry are brilliantly evoked as the tale comes to its tragic conclusion. Douglas Henshall stars as Romeo, with Sophie Dahl as Juliet and Susannah York as Lady Capulet in Shakespeare's passionate story of doomed love.

Lovers lives are complicated by city law, feuding faerie royalty, and, yes, love. Sir Ian McKellen, Prunella Scales, Frank Duncan, and Joan Hart perform Shakespeare's A Midsummer Night's Dream.

A BBC Radio 4 full-cast adaptation of Christopher Marlowe's notorious portrait of a weak king in thrall to his passions, who pays the ultimate price for choosing his heart over his political responsibilities. Originally broadcast 13 September 2009 in the Drama on 3 slot.Edward, preoccupied by the banishment of his lover, Gaveston, barely acknowledges the nascent crises that threaten his realm.

In A Midsummer Night's Dream, Shakespeare stages the workings of love in unexpected ways. In the woods outside Athens, two young men and two young women sort themselves into couples - but not before they form first one love triangle, and then another. The king and queen of fairyland, Oberon and Titania, battle over custody of an orphan boy. Oberon uses magic to make Titania fall in love with a weaver named Bottom, in an effort to distract Titania from the custody battle.

Shipwrecked on the shores of Illyria, Viola assumes the role of a male page to Duke Orsino. The Duke sends Viola, now disguised as ‘Cesario’ to press his suit with the beautiful Olivia–who promptly falls in love with Cesario. Confusion reigns until the truth is untangled and true love triumphs.

The Yorkists have been temporarily victorious and the Duke of York has assumed the throne, but the Lancastrians, led by Queen Margaret, counter-attack. As the fortunes of war shift, both the innocent and the guilty are swept up in the maelstrom. And increasingly dominant amid the chaos is the sinister figure of the crook-backed Richard, Duke of Gloucester.

This production of Hamlet, directed by Sir John Gielgud and starring Richard Burton, was recorded in the Lunt-Fontanne Theatre, and with the actors performing just as they would if you went to see a production tonight. "The particular intensity and nerves of this is probably the same kind of thing that excites an audience in live theater," says Richard Burton.