Showing titles in Satire

In the sequel to Portuguese Irregular Verbs, our hero, Moritz-Maria von Igelfeld, is the unlikely choice to address veterinarians in the Ozark mountains of Arkansas; is dogged by dachshunds; becomes embroiled with that notorious Coptic schismatic, the Duke of Johannesburg (and his victim the Patriarch of Alexandria); and finally ends up being mobbed as the star attraction on a Mediterranean cruise ship.

My husband is dead. I attended his funeral. I watched his casket be lowered six feet into the ground. (Actually, it may have been only five feet, but that still seems like more than enough.) And then we ate an array of finger sandwiches and deviled eggs and miniature beef wellingtons that cost more than my first car. My point is, Grant is gone. And so are all his many, many deep, dark secrets which I never really ever bothered to ask him about. He is never coming back.

She’s a fashion model who has everything: a boyfriend, a career, a loyal best friend. But when a sudden freeway "accident" leaves her disfigured and incapable of speech, she goes from being the beautiful center of attention to being an invisible monster, so hideous that no one will acknowledge she exists. Enter Brandy Alexander, Queen Supreme, one operation away from becoming a real woman, who will teach her that reinventing yourself means erasing your past and making up something better. And that salvation hides in the last places you’ll ever want to look.

Since its publication in 1996, George Saunders’ debut collection has grown in esteem from a cherished cult classic to a masterpiece of the form, inspiring an entire generation of writers along the way. In six stories and a novella, Saunders hatches an unforgettable cast of characters, each struggling to survive in an increasingly haywire world.

More preoccupied with drinking, sleeping, and writing, an unnamed student neglects his studies and invents three separate openings for a novel. The first introduces the Pooka MacPhellimey, "a member of the devil class", the second involves Mr. John Furriskey, a character belonging to another of the student's creations (writer Dermot Trellis), while the final opening features legendary Irish heroes Finn Mac Cool and Mad King Sweeny. Soon, Trellis' creations rebel against him, doing as they like while he sleeps, and the characters begin wandering in and out of each other's tales.

When two childhood best friends blow up their respective romantic relationships, they make a time-sensitive pact: serial-cheater Chuck cannot sleep with anyone as she attends a three-month-long recovery group for cheaters, while sex-deprived Sofia vows to hook up with as many people as possible before recommitting to monogamy and tying the knot with her long-time fiancé. To keep things interesting, Chuck and Sofia decide to revive a past tradition from their summer camp days—also known as the dawning of sluthood.

The only lie told more often than "no, that looks totally cute on you" and "I got AIDS through oral" is "it gets better". Well, a lotta times it don't. Sometimes it just sucks less. But I promise you: Where there's a Willam, there's a way. But this isn't all about me (for once). It's about you and how you can suck less at a variety of things drag queens are so much better at than the average person.

When the Little Didney Animal Rescue Centre is threatened with closure, the fate of the animals rests entirely on a quiz team from the local pub. The Farmhouse Five, the collective leftovers rejected by the other teams. Can these five quiz team refugees beat 2,000 other teams in a massive quiz chase across the South West of England? The prize is a 1,000 acre estate left in the will of an eccentric millionaire, but the challenge is huge. Not only have the Farmhouse Five never once won their local pub quiz, but now, somebody else isn’t playing fair.

Meet Otto and Cecil. Two brothers who grew up privileged in the Welsh countryside. They enjoyed watching nature shows, playing with their pet pony, impersonating their Grandfather…and killing the help. Murder is the family business after all. Downton Abbey, this is not. However, it’s not so easy to continue the family legacy with the constant stream of threats and distractions seemingly leaping from the hedgerow.

Harold Walker, desperately average, is in the throes of a mid-life depression. His wife Audrey clings to an illusory sense of control—over their home, their teenaged sons, Dylan and John, and her own explosive secret. The death of a long-estranged friend triggers a series of perturbing events that catapults Harold out of his La-Z-Boy and throws the household into chaos. Things go flying when the dead begin communicating with Harold, leaving Audrey's secret vulnerable to exposure, and Harold more confused than ever.

Never meddle with unidentified spying objects...The year is: The Future. Mars and Earth are like that divorced couple who don’t exactly like each other but have at least stopped fighting in public. Floating somewhere in between them, amid all the garbage and Gene Roddenberry’s ashes, a transport vessel called the SS Jefferson is homeward bound. Its crew might have even made it on time for once, too...

All across Britain, a generation of grown-up children are graduating from university, moving back in to their old bedrooms and showing their gratitude by berating their parents for their out-of-date politics. But for proud and high-profile left-wingers Emma and Eddie Hughes, the return of their only child is a far greater challenge than they ever could have anticipated. Young Dylan had warned them there was something personal he needed to tell them, but nothing could have prepared his right-on parents for the shocking revelation he delivers. Their son is a Conservative.

In a reality not too distant from our own, where the so-called Mental Parity Movement has taken hold, the worst thing you can call someone is 'stupid'. Everyone is equally clever, and discrimination based on intelligence is 'the last great civil rights fight'. Best friends since adolescence, Pearson and Emory find themselves on opposing sides of this new culture war. Radio personality Emory – who has built her career riding the tide of popular thought – makes increasingly hard-line statements while, for her part, Pearson believes the whole thing is ludicrous.

The Freaks of Mayfair by E.F. Benson is a series of satirical sketches introducing us to some bizarre inhabitants of Edwardian High Society of Mayfair, which was, and still is today, the stamping ground of the very wealthy. Each sketch introduces a different type of "freak". Sir Louis and Lady Mary Marigold turn snobbism into fine art; Sarah Whitehand is the social-climbing wife of an American toilet bowl magnate, and the so-called "Grizzly Kittens", Babs Begum and Charlie Gordon, cling desperately to their youth as they totter toward old age.

Galapagos takes the listener back one million years to A.D. 1986. A simple vacation cruise suddenly becomes an evolutionary journey. Thanks to an apocalypse, a small group of survivors stranded on the Galapagos Islands are about to become the progenitors of a brave new, and totally different, human race.

Thelonious 'Monk' Ellison's once-acclaimed writing career has bottomed out: his latest manuscript has been rejected by seventeen publishers. He seethes on the sidelines of the literary establishment as he watches the meteoric success of We's Lives in Da Ghetto, a first novel by a woman who once visited 'some relatives in Harlem for a couple of days'. Meanwhile, Monk struggles with real family tragedies – his aged mother is fast succumbing to Alzheimer's, and he still grapples with the reverberations of his father's suicide seven years before.

Imagine a world where your position in society depended on what bit of the colour spectrum you could see. This is the world inhabited by Eddie Russett (red, middle-level) and Jane Grey (monochromatic, lowest in society). Eddie and Jane must negotiate the delicate Chromatic politics of society to find out what the 'Something that Happened' actually was, how society got to be this way, and crucially, is there Somewhere Else beyond their borders?

When Sam’s wife first tells him about Vitek, a twenty-first-century fertility lab, he sees it as the natural next step in trying to help their future child get a “leg up” in a competitive world. But the more Sam considers the lives that his child could lead, the more he begins to question his own relationships and the choices he has made in his life.

Anthony Trollope's classic novel centers on Mr. Harding, a clergyman of great personal integrity whose charitable income far exceeds the purpose for which it was intended. On discovering this, young John Bold turns his reforming zeal toward exposing what he regards as an abuse of privilege, despite the fact that he is in love with Mr. Harding's daughter, Eleanor.

Remy and Alicia, a couple of insecure service workers, are not particularly happy together. But they are bound by a shared obsession with Jen, a beautiful former coworker of Remy’s who now seems to be following her bliss as a globe-trotting jewelry designer. In and outside the bedroom, Remy and Alicia's entire relationship revolves around fantasies of Jen, whose every Instagram caption, outfit, and new age mantra they know by heart. Imagine their confused excitement when they run into Jen, in the flesh, and she invites them on a surfing trip to the Hamptons.