Showing titles in Letters & Correspondence

First, I Believe You is an astonishing memoir of resilience and recovery from severe childhood trauma she had no memory of. Terrifying flashbacks haunted her for decades despite an affluent, advantaged childhood, resulting in severe depression, food addiction, anxiety, and nightmares.

Letters with Smokie captures an epistolic exchange between Dan Goodley and Rod Michalko, or rather, Rod Michalko's late guide dog, Smokie. A lively exploration of human-animal relationships and disability as disruption, disturbance, and art, the book offers a refreshing re-evaluation of cultural misunderstandings of disability.

Ein Porträt der Familie Mann in Briefen. Zärtlich umgarnend, frech zugespitzt und maßlos übertrieben, Tratsch und lebenswichtige Ereignisse mitteilend: Die Vielfalt der Tonlage in den Briefen von Katia und Thomas Mann mit ihren sechs Kindern ist grenzenlos. Tilmann Lahme legt hier zusammen mit Holger Pils und Kerstin Klein eine Sammlung von Briefen vor, die einen ganz unverstellten, intimen und oft überraschenden Einblick in den Familienbetrieb bietet.

Presented as a series of letters between Adams and his former student, Zach, Letters to a Young Progressive reveals how the "education" of college kids across the country is producing a generation of unhappy, unimaginative, and unproductive adults. The perfect book to help parents prevent - or undo - the ubiquitous liberal brainwashing of their children before it is too late.

These letters were arranged in two volumes by Albert Bigelow Paine, Samuel L. Clemens's literary executor, as a supplement to Mark Twain, A Biography, which Paine wrote. They are, for the most part, every letter written by Clemens known to exist at the time of their publication in 1917. They begin with a fragment of a letter from teenaged Sam Clemens to his sister, Pamela, and conclude with a letter to his attorney two weeks before his death. These letters give us some degree of insight into the evolution of Twain's style of speech and prose over the period of his lifetime.

Collected here are some of Dostoyevsky's finest letters to his family and friends, as-well as reminiscences from those close to him. This audiobook also includes thoughts on his life and work from his contemporaries (including Ivan Turgenev and Leo Tolstoy). These letters give an insight into the work, life, and psychology of one of the greatest writers of all time.

Seven-year-old Frankie awakens the morning after her mother’s surgery to learn a horrible truth from her father: “Mommy didn’t make it.” Frankie’s life turns upside down as the house fills with visitors, a funeral is held, and Mommy lies in a satin coffin wearing a dress she’d never be caught—well, dead, wearing. It's powder blue! All wrong, wrong, wrong! Sadness envelops Frankie. She listens to children playing in the neighborhood, instead of joining them. She stays in her room, coloring, or reading, or otherwise drowning herself in grief.

The men and women honored in Tom Brokaw's The Greatest Generation speak in this collection of letters from and about the Depression and World War II.

Before Jon Stewart, Stephen Colbert, Trevor Noah, and Doonesbury, there was Art Buchwald. For more than fifty years, from 1949 to 2006, Art Buchwald’s Pulitzer Prize-winning column of political satire and biting wit made him one of the most widely read American humorists and a popular player in the Washington world of Ethel and Ted Kennedy, Ben Bradlee, and Katharine Graham. Dean Acheson, former U.S. Secretary of State, called Buchwald the “greatest satirist in the English language since Pope and Swift.”

Gaston Gallimard (1881-1975), fondateur des Éditions de la Nouvelle Revue française avec André Gide et Jean Schlumberger, confia un jour à Jean Cau qu'il n'écrirait jamais ses mémoires d'éditeur, craignant de ruiner sa maison en disant tout ce qu'il y avait vu et tout ce qu'il savait des mœurs et pratiques de la vie littéraire. Il ne les écrivit pas et, pour finir, se confia peu. Louable pudeur. Mais les grandes correspondances éditoriales publiées depuis lors sont là qui comblent ce manque.

La Correspondance de Marcel Proust avec sa mère constitue à la fois une véritable biographie de l'écrivain, mais aussi et surtout une porte ouverte sur tous les éléments d'une vie sublimée par l'œuvre à la "Recherche du temps perdu", où on retrouve le narrateur sous un aspect parfois drôle, et souvent provocateur. La sélection de lettres que proposent les Éditions Thélème dresse le portrait vif d'un auteur pour qui "la littérature, c'est la vie".

In 1762, 22-year old James Boswell left Edinburg for London. This portion of his personal journals documents the nine months that followed. Filled with detail, description, and zest for life, Boswell's London Journal provides a frank and accurate picture of both the young man and London in the early 1760s. While many of Boswell's journals have been published, this one gained popularity for its racier entries as well as its descriptions of Boswell's first encounter with Samuel Johnson.

Edited by Krishna Ramanujan and Guillermo Rodríguez, Journeys offers access to Ramanujan's personal diaries and journals, providing a window into his creative process. It will include literary entries from his travels, his thoughts on writing, poetry drafts, and dreams. His diaries and journals served as fertile ground where he planted the seeds for much of his published work....

Quiero escribirte esta noche una carta de amor», escribe Katherine Mansfield al amante que más tarde se convertiría en su marido. A través de sus cartas, inéditas hasta ahora en español -al igual que muchas otras que recoge este libro-, su voz más íntima se une a la de otras grandes escritoras que sintieron la urgencia de revelar lo inconfesable, el poder del deseo, la insoportable incertidumbre, la desesperación, el dolor de una pasión no correspondida o la inmensa felicidad de amar y ser amado.

Un Mirage. Un Ancrage. Un Souvenir. Et puis, peut-être, certainement, une disparition, une dissolution. Jouant de mémoires et de rêves, danseuse de guérison et d'être, dans le voilage coloré du temps et de l'ailleurs, sur la vague, dans la vague, à travers la vague des émotions, au creux du coeur et de l'âme, Lucie fuit, cherche, appelle, retrouve, surnage, danse, guérit, erre et assouvit le désir d'un autre monde, d'un autre soi. Transcender le temps, le mental et l'ombre. Devenir Une.

Franz Kafka'nın 'Babaya Mektup' adlı eseri, edebiyat dünyasının en çarpıcı itiraflarından birini barındırır. Kafka'nın kendi babası Hermann Kafka'ya yazdığı bu mektup, yazarın iç dünyasının derinliklerine bir yolculuk sunar. Mektup, Kafka'nın babasıyla karmaşık ilişkisini, ondan aldığı baskıyı ve bu baskının yazarın kişiliği ile yaratıcılığı üzerindeki etkisini detaylı bir şekilde ele alır.

Eat, Pray, Love meets Claude Monet in this epistolary ode to Paris. What started as a whim in a Latin Quarter café blossomed into Janice MacLeod’s years-long endeavor to document and celebrate life in Paris, sending monthly snippets of her paintings and writings to the mailboxes of ardent followers around the world. Now, Dear Paris collects the entirety of the Paris Letters project: 140 illustrated messages discussing everything from macarons to Montmartre.

Marcel Proust fut un correspondant maniaque. Dès l'enfance, puis dans le monde, jusqu'à sa mort, sans trêve il a écrit : à ses proches, à ses amis, aux lecteurs de ses livres, à ses éditeurs, ses banquiers... Les milliers de lettres qu'il a écrites traitent des sujets les plus variés : souvenirs, confidences intimes, politique, impressions de lecture, critiques d'art. Ce livre audio rassemble ses premières lettres depuis son enfance jusqu'à son adolescence.

Drawing on the wisdom and personal experience of its esteemed contributors, this first-of-its-kind anthology tackles complex questions of our times to provide a rich tapestry of Indigenous life, past, present, and future. These peace offerings—to settlers, to one another, to listeners—explore the histories that have brought us to this moment, the challenges and crises faced by present-day communities, and the visions that will lead us to a new architecture for thinking about Indigeneity.

في العام 1903 كان راينر ماريا ريلكه في الثامنة والعشرين من عمره، وكان وطّد لنفسه مكانة في عالم الشعر والثقافة الألمانية في شكل عام. لكنه كان يشعر بالسأم... ولما كان السأم بالنسبة إليه لا يتناسب أبداً مع النشاط الإبداعي الذي كان يتوقعه لنفسه في تلك السن، لم يجد أمامه إلا أدب الرسائل يزجي به الوقت، مستخدماً تلك الرسائل للتعبير عن نفسه...