Showing titles in Canadian

Devant la chute drastique de la fécondité, la république de Gilead, récemment fondée par des fanatiques religieux, a réduit au rang d'esclaves sexuelles les quelques femmes encore fertiles. Vêtue de rouge, Defred, "servante écarlate" parmi d'autres, à qui l'on a ôté jusqu'à son nom, met donc son corps au service.

In collaboration with the Festival of Literary Diversity (FOLD), Audible is illustrating the power of the spoken word with Power in Poetry: Moods That Move. Five spoken word artists created unique pieces of poetry connected by the mood themes of the 2021 FOLD and rooted in the oral traditions of African, Indigenous, and other communities. Their poems serve as an anthem to not just the festival but to the power of diverse voices.

Tom and Charlie are living out what's left of their lives on their own terms in a remote forest, two pot growers their only connection to the outside world. But then two women arrive - a photographer on the trail of survivors of a decades-ago forest fire and an elderly escapee from a psychiatric institution - and everything changes. And the Birds Rained Down, the recipient of several prizes, is a haunting meditation on aging and self-determination.

By turns moving, playful and wise, the poems gathered in Dearly are about absences and endings, ageing and retrospection, but also about gifts and renewals. They explore bodies and minds in transition, as well as the everyday objects and rituals that embed us in the present. Werewolves, sirens and dreams make their appearance, as do various forms of animal life and fragments of our damaged environment.

Demonstrating once again why he is one of Canada's most loved jokesters, Black masterfully captures the laughter that often bursts out of the seams of everyday life. From an unexpected drag race to a Google search for a picture of the illusive "Arthur the Meek", you just never know when a regular day is going to turn into comedic genius. Black provides uproarious insight into uses a matador might have for a teacup, mango, or simply some paper towel....

Inspired largely by the poet's experiences as a young man working in the Saskatchewan oilfields, Mathew Henderson's The Lease explores masculinity and the roles morality, violence, and hard labor play in it. Equal parts character study, cultural documentary, and coming-of-age narrative, Henderson's poems make it clear that however we may try to stay apart from them, the stubborn and often unflattering realities of masculine culture persist, not just in isolated, dangerous environments like this, but in our very idea of what work is.

Innermost is a collection of both free-verse and fixed-verse poetry written over a period of half a decade about every emotion felt inside the human heart. These poems will transport you to a whole other world within the innermost depths of the human soul.

Things aren't going Milo's way. His acting career is floundering, he got dumped, his miserable father vanished, and people keep moving into his house. He finally decides to take action - to help the only person he really likes, the autistic boy next door who's being bullied. But, well, that doesn't really go his way either.

The first murder of a child raised eyebrows; the second raised alarms. Ten-year-old Dewey is moving, and he couldn't be more excited; though, he's alone in his enthusiasm. Lisa, his mother, and recently retired Avriel, his next door neighbor and best buddy, don't share in his excitement regarding the move from their suburban bungalow to a dirty basement level apartment in the lower class area, where two murders have recently occurred.

Cette fresque familiale canadienne fut l'un des plus grands succès de la littérature nord-américaine, dès la parution en 1927 du premier des seize romans, aussi célèbre que Autant en emporte le vent de Margaret Mitchell. En 1863, durant la guerre de Sécession, la famille Whiteoak, qui s'est agrandie avec la naissance de Philippe, invite à Jalna Lucy et Curtis Sinclair, sudistes et esclavagistes, qui vont secrètement organiser depuis le Canada, un front de résistance. De se trouver mêlée peu ou prou aux conspirations de Curtis enchante Adeline.

Cette fresque familiale canadienne fut l'un des plus grands succès de la littérature nord-américaine, dès la parution en 1927 du premier des seize romans, aussi célèbre que "Autant en emporte le vent" de Margaret Mitchell. Dès leur première rencontre, le capitaine Philippe Whiteoak et la pétulante Irlandaise Adeline Court tombent amoureux. Leur mariage dépasse en splendeur ce qu'a connu la ville indienne de Jalna.

Like a series of Penthouse letters penned by Kathy Acker, Lie with Me recounts a woman's sexual escapades, picking up random men in bars for a series of increasingly extreme encounters, hoping to understand love from the far side of sluttiness. In The Way of the Whore, Mira, an introverted Jewish girl obsessed with Jean Genet, allows herself to be seduced by the sex industry, determined to find meaning in her tormented relationships with cruel men.

Cap the narrator makes a deal with his pal Sam McGee that he will cremate him when he dies. Now the problem is where to do this deed in the frozen Yukon.

This is both a single novel and three separate novels in one. In the first, Mauve Desert, 15-year-old Mélanie drives across the Arizona desert in a white Meteor chasing fear and desire, cutting loose from her mother and her mother's lover, Lorna, in their roadside Mauve Motel. In the second book, Maudes Laures reads Mauve Desert, becomes obsessed with it, and embarks on an extraordinary quest for its mysterious author, characters and meaning. The third book - Mauve, the Horizon - is Laures's eventual translation of Mauve Desert.

On a mangy beach in Key West, 16-year-old Myra meets Elijah, a Tanzanian musician twice her age. Trapped on a Spring Break family vacation, Myra longs to lose her virginity to Elijah, and is shocked to learn he lives with Gayl, a secretive, violent woman with a strange power over him. When Myra and her splitting-up family return home, she falls in with a pot-smoking anarchist crowd. But when Gayl and Elijah follow her north, she walks willingly into their world, engaging in more and more abject sexual games. As Myra enters unfamiliar worlds of sex, porn, race, and class, she explores territories unknown in herself.

Kazim Ali is a poet, novelist, and essayist whose work explores themes of identity, migration, and the intersections of cultural and spiritual traditions. His poetry is known for its lyrical and expressive language, as well as its exploration of themes such as love, loss, and the search for meaning in a rapidly changing world. "Sukun" means serenity or calm, and a sukun is also a form of punctuation in Arabic orthography that denotes a pause over a consonant.

In 2004, boldly original poet Lisa Robertson published a chapbook, Rousseau’s Boat, poems culled from years of notebooks that are, nevertheless, by no means autobiographical. In 2010, she expanded the work into a full-length book, R’s Boat. During the pandemic, she was drawn back into decades of journals to shape Boat. These poems bring fresh vehemence to Robertson’s ongoing examination of the changing shape of feminism, the male-dominated philosophical tradition, the daily forms of discourse, and the possibilities of language itself.

In the early 1980s, serial killer Clifford Olson rampaged through the lower mainland of British Columbia, raping and murdering 11 victims. His heinous cash-for-bodies deal foreshortened his trial, and resulted in the law currently on Canadian books that forbids criminals from benefiting financially from their crimes. Olson was just the pimple on the hide of a misogynist culture, as this long poem sequence attests.

This new and revised edition of poems about the men and women of the North features the most loved ballads by Robert Service, and is narrated by Michael Puttonen. While living in Whitehorse, Robert Service wrote The Cremation of Sam McGee, and other well-known poems. He wrote and published into his mid-eighties. He was quoted as saying, "I just go for a walk and come back with a poem in my pocket."

This debut poetry collection from acclaimed novelist Farzana Doctor is both an intimate deep dive and a humorous glance at the tumultuous decade of her forties. Through crisp and vivid language, Doctor explores mid-life breakups and dating, female genital cutting, imprints of racism and misogyny, and the oddness of sex and love, and urges us to take a second look at the ways in which human relationships are never what we expect them to be.