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Truth spoken plainly and powerfully is difficult to dismiss and impossible to ignore. Edited with purpose by A. Gregory Frankson, AfriCANthology: Perspectives of Black Canadian Poets brings together some of Canada's most influential dub, page, and spoken word poetic voices and gives them space to speak freely about their personal journeys in piercing verse and unapologetic prose. Just as individual experiences of Blackness are diverse across Canada, each contributor recounts aspects of navigating their unique personal, professional, and artistic paths in Black skin.

This is a book about women and ageism. There are twenty-nine contributing writers, ranging in age from their forties to their nineties. Through essays, short stories, and poetry, they share their distinct opinions, impressions, and speculations on aging and ageism and their own growth as people. In these thoughtful, fierce, and funny works, the writers show their belief in women and the aging process.

With propulsive, intimate stylings and an eye toward Black liberations, pop culture, sports, and familial fractures, Wires that Sputter meets the world with the posture of a portraitist and the deftness of a poet-as-acrobat, as seeker. Here in these wondrous poems is an attentiveness toward that which harrows as well as that which heals, toward the power of space-giving and fragmentation. Rupture and recovery, tribute and tribulation, a revivifying musicality, and room to breathe—all dapple within, where electricity manifests in every line.

Alexander's Bridge was Willa Cather's first novel and one of her best. Bartley Alexander was the world's leading bridge builder, something that was considered an awesome skill in the early 20th century. Alexander has the strength and regret that weave throughout Cather's male characters much as they do through those of her contemporary authors, Fitzgerald, Hemingway, Dreiser, Anderson, Lewis, and others.

Part lyric essay, part prose poetry, Where Things Touch grapples with the manifold meanings and possibilities of beauty. Drawing on her experiences as a physician-in-training, Orang considers clinical encounters and how they relate to the concept and very idea of beauty. Such considerations lead her to questions about intimacy, queerness, home, memory, love, and other aspects of human existence. Throughout, beauty is ultimately imagined as something inextricably tied to care: the care of lovers, of patients, of art and literature, and the various non-human worlds that surround us.

On her first book tour at the age of 26, Lee Maracle was asked a question from the audience, one she couldn't possibly answer at that moment. But she has been thinking about it ever since. As time has passed, she has been asked countless similar questions, all of them too big to answer, but not too large to contemplate. These questions, which touch upon subjects such as citizenship, segregation, labor, law, prejudice and reconciliation, to name a few, are the heart of My Conversations with Canadians.

Kazim Ali is a poet, novelist, and essayist whose work explores themes of identity, migration, and the intersections of cultural and spiritual traditions. His poetry is known for its lyrical and expressive language, as well as its exploration of themes such as love, loss, and the search for meaning in a rapidly changing world. "Sukun" means serenity or calm, and a sukun is also a form of punctuation in Arabic orthography that denotes a pause over a consonant.

Cette fresque familiale canadienne fut l'un des plus grands succès de la littérature nord-américaine, dès la parution en 1927 du premier des seize romans, aussi célèbre que Autant en emporte le vent de Margaret Mitchell. Chargé de trouver une gouvernante pour les enfants de son frère Philip vivant au Canada, Ernest Whiteoak engage Mary Wakefield sur sa bonne mine. C'est en arrivant à Jalna que la jeune fille prend la mesure de son inexpérience mais, si ses élèves ne sont pas des anges faciles à mener, leur père n'a rien non plus du vieux veuf ventru qu'elle imaginait.

Cette fresque familiale canadienne fut l'un des plus grands succès de la littérature nord-américaine, dès la parution en 1927 du premier des seize romans, aussi célèbre que Autant en emporte le vent de Margaret Mitchell. En 1863, durant la guerre de Sécession, la famille Whiteoak, qui s'est agrandie avec la naissance de Philippe, invite à Jalna Lucy et Curtis Sinclair, sudistes et esclavagistes, qui vont secrètement organiser depuis le Canada, un front de résistance. De se trouver mêlée peu ou prou aux conspirations de Curtis enchante Adeline.

Katherin Edwards examines the fine line between what we remember and forget; how the memories we retain become cloudy and altered by the passage of time. This book of poems is also a compilation of the wonder and surprise we discover when we manage to endure in the midst of grief and loss.

With awe and wonder leading the way, Leedahl’s poems chronicle a journey that speaks of resilience, of joy experienced in simple things, and of the solace in discovering—finally, and late in life—exactly where one belongs. Leedahl’s fifth poetry collection lyrically documents major life transitions and reveals how loneliness—the other contemporary epidemic—compels one to keep moving.

A microscopic and intense view of the sometimes invisible and ignored parts of the world we inhabit. Peering into cities and our place within them, the poet searches for meaning after the death of his father, and observes the flora and fauna, which provide beauty and nourish us. This book delights the senses and poses the question, are we contributing to, or ultimately destroying our planet?

Making Believe responds to a remarkable flowering of art by Mennonites in Canada. After the publication of his first novel in 1962, Rudy Wiebe was the only identifiable Mennonite literary writer in the country. Beginning in the 1970s, the numbers grew rapidly and now include writers Patrick Friesen, Sandra Birdsell, Di Brandt, Sarah Klassen, Armin Wiebe, David Bergen, Miriam Toews, Carrie Snyder, Casey Plett, and many more.

We all create false mountains to climb. Gypsy Muse is a collection of free verse poetry chronicling that journey, and how we move beyond.

Harbour Grids is a long poem in four parts that investigates ideas of community and belonging. Beginning as a meditation on the surface of New York Harbor, the poem radiates outward through issues of labor, location, history, belonging, and subjectivity. How do we experience our complex relations to the world we live in?

Spanning forty years and ten previously published collections, Wherever We Mean to Be is the first substantial selection of Robyn Sarah’s poems since 1992. Chosen by the author, the 97 poems in this new volume highlight the versatility of a poet who moves easily between free verse, traditional forms, and prose poems. Familiar favorites are here, along with lesser-known poems that collectively round out a retrospective of the themes and concerns that have characterized this poet's work from the start.

In The Day-Breakers, poet Michael Fraser imagines the selflessness of Black soldiers who fought for the Union during the American Civil War, of whom hundreds were African Canadian, fighting for the freedom of their brethren and the dawning of a new day.

Dans cette époque matérialiste où nous vivons, pour sauvegarder notre capacité de rêve, d’enthousiasme et d’imagination, ne pourrions-nous pas nous réfugier dans un « Ailleurs » ? , celui du monde enchanté de l’harmonie poétique et musicale, l’une des formes d’expression les plus anciennes et les plus spontanées, indispensable à la pensée. humaine.

Cette fresque familiale canadienne fut l'un des plus grands succès de la littérature nord-américaine, dès la parution en 1927 du premier des seize romans, aussi célèbre que Autant en emporte le vent de Margaret Mitchell. La famille s'est agrandie. Mary et Philippe ont eu deux fils : Eden et Piers. Renny, enfant du premier mariage de Philippe, est un adolescent difficile qui méprise les livres et adore les chevaux.