Showing results by publisher "audible originals" in United States

Two-time Tony Award nominee Eva Noblezada (Miss Saigon, Hadestown) welcomes you to an intimate evening of songs and storytelling–celebrating everything that is so maddening and magical about following your dreams in New York City. Debuting new music and personal reflections for the very first time–Eva’s one-woman show is an invitation to be transported by her rich, powerful vocals and surrender–just for a moment, to your own sense of wonder and nostalgia.

Imagine living with a fear so visceral each day that simply walking down the street draws terror to one’s core. That’s the best case scenario for a woman on the streets of Juárez, Mexico. Kate del Castillo (La Reina del Sur) delivers a stunning one-woman performance that transports listeners from a New York stage to the treacherous streets of Juárez, Mexico, where thousands of women have been murdered in an ongoing epidemic of violence.

In his provocative new show, Bad Faith, celebrated solo artist Mike Daisey sinks his teeth into a harsh reality: Bad faith is becoming more rampant in today’s culture. From the president and our politics to climate and corporate rule, Daisey unpacks how bad faith - a twisted kind of deception - spreads, why people choose bad faith over goodwill, and how this growing epidemic impacts our lives.

Tori (Grace McLean) aims to be the first woman to row solo across the Atlantic. As a child, she raised her younger brother Lamar (John McGinty), defending him against discrimination and neighborhood bullies. Now, with nothing but her body and a hand-built boat, she squares off with her own tormentor: the ocean.

Ms. Sun is a charming, cash-strapped teaching artist put in charge of a rambunctious group of 10th graders at a public school in the Bronx. While directing her students in a play, Ms. Sun must lift them up while everything around them is falling apart. Written and performed by acclaimed playwright Nilaja Sun and based on her eight-year experience with arts education in New York City, No Child is an inspiring, multi-character solo show that examines America’s broken school system - and reveals the life and love that fill every classroom.

After 40 years with his beloved wife, Henry is alone for the first time. His sudden bachelorhood is a struggle for him and his daughter Lisa, who is feeling pressure to fill the void. To give Henry the companionship he’s craving, Lisa buys him a personal robotic assistant. The device transforms Henry’s life and inspires him to embrace the possibility of romance during his golden years.

Talking While Female & Other Dangerous Acts is a fresh collection of original short stories on themes of risk and resilience, written and performed by Latina womxn across the USA. Curated by Teatro Luna West: America's All Latinx and All Women of Color Theatre Ensemble, these stunning stories are combined with original music by Maria Chavez and poetry by Gabriela Ortega in order to fully transport the listener to each individual life and journey.

What happens when “The show must go on!”meets a global pandemic? In this illuminating four-part podcast, host Faith Salie looks at the lives affected by 2020’s shutdown of Broadway and the subsequent reopening of productions there and across the country.

Fiddler on the Roof revival cast member Alexandra Silber continues the story of the beloved characters from the Broadway classic.

In a quiet suburb of New Delhi, two next-door neighbors develop a friendship: one, a young woman engaged to be married, and the other, Nadine: a woman in her 60s living with her second husband. We follow these two women through their phone calls and visits together, diving deeper into Nadine's storied past: With her larger-than-life personality and proclivity to defy society's conventions, her insight weighs heavily on her young friend, about to face a major turning point of her own.

Meet Mabel Loomis Todd, an inspired conversationalist who routinely invites scandal and ignores the rules of 19th century society. Now in her 70s and living on Hog Island in Maine, the outspoken writer and editor is holding court, entertaining us with musings on her colorful life, spilling secrets, and revealing the truth about how she turned Emily Dickinson into a household name.

When Howard makes a surprise cross-country trip to visit his college-aged, TikTok-loving daughter, he’s forced to confront the realities of their relationship and the rift between them—a rift caused by Howard’s refusal to face memories of his life as a young man in China.

Getting paid $80,000 to stay in bed for 13 weeks? That sounds like a dream job for Vanessa, one of 12 participants chosen for a bedrest study. Played by Karla Souza (How to Get Away with Murder), Vanessa is looking forward to earning extra money while putting her troubles—her mom’s death, an unplanned pregnancy, and a falling out with her cousin/best friend Brigid (Zoë Winters of Succession)—on pause. Vanessa quickly realizes, however, that she cannot outrun her problems...especially with her legs beginning to atrophy.

Bienvenidos a la 4T (cuarta temporada), Desde México con Amor.

Doc Brown hosts a showcase of the best in spoken word, rap and slam featuring poets, musicians, comedians and performers such as Scroobius Pip, Kae Tempest and Murray Lachlan Young among many, many others.

Un viaje absolutamente factual el final de la vida, Mala es una exploración irreverente de cómo vivimos, nos enfrentamos y sobrevivimos en el momento. Establecida en un idioma emocional y un humor agudo, esta ponderosa obra baila entre la creciente fragilidad de una madre y atentos de encontrar la gracia de una hija. Todo durante un épico invierno en Boston.

An utterly unsentimental journey toward the end of life, Mala is an irreverent exploration of how we live, cope, and survive in the moment. Grounded in Lopez’s distinctive emotional language and sharp humor, this powerful one-woman show dances between doctors and urgent 911 calls, a mother’s growing frailty, and a daughter’s quest for grace - all set during an epic Boston winter. Rather than depict a “right way”, the play opens the door for our universal struggle to support those we love in dying, especially when all we’ve ever focused on is surviving.