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"Cos'è giusto? Se si vuole una cosa è giusto prendersela. Se si vuole fare una cosa è giusto farla". Sesso facile, cocaina, feste sempre più trasgressive, auto di lusso, rock a tutto volume: a Los Angeles i giovanissimi che frequentano l'ambiente patinato degli studios cinematografici hanno tutto e non desiderano più niente. In un mondo illuminato dai bagliori spettrali dei videoclip e svuotato di ogni sentimento, Clay, Blair, Daniel e Julian, biondi e abbronzati, esplorano le pieghe infernali del "paradiso" californiano in un crescendo di immoralità e devastazione interiore che presto sconfina nell'orrore.

Shanghai, 1912. Violet Minturn is the privileged daughter of the American madam of the city's most exclusive courtesan house. But when the Ching dynasty is overturned, Violet is separated from her mother in a cruel act of chicanery and forced to become a "virgin courtesan." Half-Chinese and half-American, Violet grapples with her place in the worlds of East and West - until she is able to merge her two halves, empowering her to become a shrewd courtesan who excels in the business of seduction and illusion, though she still struggles to understand who she is.

Bukowski's mad immortal origins, surfaced from the literary underground, have addicted legions of audiences who've recognized Bukowski as one of America's greatest realist writers and poets. Audible Studios narrator and OBIE winner Will Patton ( Remember the Titans, The Good Wife, Armageddon) gives a tour de force performance of Bukowski's greatest work in his prime.

Widely hailed as a milestone in American literature, Sinclair Lewis' Main Street vividly describes a country on the verge of massive change, with traditional values being threatened by progress. The novel's heroine, Carol Milford, is a highly educated, ambitious woman who plans to join a newly enlightened society. But after marrying a small-town doctor, she finds herself trapped in the role of a dutiful wife. Carol's desires for social change conflict with the security of her comfortable married life, as she struggles to understand the cost of conformity...and rebellion. As relevant today as it was upon its 1920 publication, Main Street is both a masterful piece of writing and a fascinating microcosm of America's social evolution.

It is the eve of Earth’s environmental collapse. A single ship carries humanity’s last hope: eighty elite graduates of a competitive program, who will give birth to a generation of children in deep space. But halfway to a distant but livable planet, a lethal bomb kills three of the crew and knocks The Phoenix off course. Asuka, the only surviving witness, is an immediate suspect.

Two giants of the theater, five-time Tony Award® winner Angela Lansbury and three-time Tony Award winner James Earl Jones, star in 1988’s Pulitzer Prize-winner for Drama. Driving Miss Daisy is Alfred Uhry’s tale that follows the complicated friendship between a feisty Jewish widow and her Black chauffeur in mid-century Atlanta over the course of 20 years.

On a hot day in 1960s Maine, six-year-old Joe watches his little sister, Ruthie, sitting on her favourite rock at the edge of the blueberry fields, while their family, Mi’kmaq people from Nova Scotia, pick fruit. That afternoon, Ruthie vanishes without a trace. As the last person to see her, Joe will be forever haunted by grief, guilt, and the agony of imagining how his life could have been.

Callista McCoy is a strong, well-educated werewolf with no desire for a mate. She's seen what happens when you love too deeply and wants to avoid it at all costs. Her work as an environmental scientist and activist is enough to keep her busy. But when one of the new wolves in her pack starts to make her feel things she thought she'd successfully suppressed, her only hope is to ignore him. Wyatt Carter's only concerns are taking care of his sick mother and proving his worth to his new pack. But the moment he gets a look at his new alpha's sister, all bets are off.

Jacob’s Room is Virginia Woolf’s own modernist manifesto. Jacob Flanders is a mere point of contact between a crowd of people, appearing and disappearing in a tableau in which all is flux, without certainty and without a controlling viewpoint. But it seems that the author could not maintain this rigorous impersonality, and the radical technique breaks down, so that we finally see Jacob as a person, just as his world is blown apart.

In The Trip to Echo Spring, Olivia Laing examines the link between creativity and alcohol through the work and lives of six of America's finest writers: F. Scott Fitzgerald, Ernest Hemingway, Tennessee Williams, John Berryman, John Cheever, and Raymond Carver. All six of these men were alcoholics, and the subject of drinking surfaces in some of their finest work, from Cat on a Hot Tin Roof to A Moveable Feast.

Among the autobiographies of great military figures, Ulysses S. Grant’s is certainly one of the finest, and it is arguably the most notable literary achievement of any American president: a lucid, compelling, and brutally honest chronicle of triumph and failure. From his frontier boyhood, to his heroics in battle, to the grinding poverty from which the Civil War ironically rescued him, these memoirs are a mesmerizing, deeply moving account of a brilliant man told with great courage.

Mary Oliver has published fifteen volumes of poetry and five books of prose in the span of four decades, but she rarely performs her poetry in live readings. Now, with the arrival of At Blackwater Pond, Mary Oliver has given her audience what they've longed to hear: the poet's voice reading her own work.

On the shores of this river, all the birds that fly, drink, perch on branches, and disturb siestas with the demonic squawking of the possessed—all those birds were once women. Welcome to Argentina and the fascinating, frightening, fantastical imagination of Mariana Enriquez. In twelve spellbinding new stories, Enriquez writes about ordinary people, especially women, whose lives turn inside out when they encounter terror, the surreal, and the supernatural.

After twenty years of anguish, after twenty years of pain, defense attorney Joe Hennessy has the chance to confront the man who ordered the murder of his ten-year-old son. In Charleston, South Carolina, Hennessy uncovers evidence that Senator Richard Longhouse has links to his son's unsolved murder. Desperate to know the truth, Hennessy digs deep into the past, following the evidence trail into the criminal underworld. Clashing with corrupt cops, dishonest politicians, and ruthless felons, Hennessy uncovers information that has been buried for twenty years.

In the dawn of history, a valiant people forged a pathway from an old world into a new one. Led by a dreamer who followed the spirit of the wolf, a handful of courageous men and women dared to cross the frozen wastes to find an untouched, unspoiled continent.

Longfellow's great narrative poem has been unjustly neglected in recent years though it gives a sympathetic portrait especially of Hiawatha, reared by Nokomis, daughter of the Moon, and his bride Minehaha.

It is 1953. Thomas Wazhushk is the night watchman at the first factory to open near the Turtle Mountain Reservation in rural North Dakota. He is also a prominent Chippewa Council member, trying to understand a new bill that is soon to be put before Congress. The US Government calls it an 'emancipation' bill but it isn't about freedom - it threatens the rights of Native Americans to their land, their very identity. How can he fight this betrayal?

Dumpty: The Age of Trump in Verse is a satirical poetry collection from award-winning actor and best-selling author John Lithgow. Chronicling the last few raucous years in American politics, Lithgow takes listeners verse by verse through the history of Donald Trump's presidency.

The New York Times best-selling author of seagoing epics now celebrates an American classic.Moby-Dick is perhaps the greatest of the Great American Novels, yet its length and esoteric subject matter create an aura of difficulty that too often keeps readers at bay. Fortunately, one unabashed fan wants passionately to give Melville's masterpiece the broad contemporary audience it deserves.

Alma Katsu calls My Heart Is a Chainsaw “a homage to slasher films that also manages to defy and transcend genre.” On the surface is a story of murder in small-town America. But beneath is its beating heart: a biting critique of American colonialism, Indigenous displacement, and gentrification, and a heartbreaking portrait of a broken young girl who uses horror movies to cope with the horror of her own life.