Showing titles in Dramatisations

In a tale of fate, fulfilment and ego, Macbeth and his wife desire the Scottish kingship. Macbeth's temptation and descent into evil, his wife's ruthlessness and subsequent madness and the overarching presence of the supernatural charge this gripping production. Will their conscience, and the prophecy, catch up with them before the crown can be secured? Ken Stott stars as Macbeth and Phyllis Logan as Lady Macbeth.

There's a serial killer targeting the streets of Newcastle, seemingly picking his victims at random but subjecting them all to the same torturous end. When the Chief Inspector on the case goes missing, it falls on DCI Ryan to track down the man who is brutally murdering women and goading the police to 'catch me if you can'. As everyone becomes a suspect, Ryan and his team get drawn further and further into the case, but for Ryan the nightmare gets closer to home than he could ever have imagined.

Bryce Quinlan never expected to see a world other than Midgard, but now that she has, all she wants is to get back. Everything she loves is in Midgard: her family, her friends, her mate. Stranded in a strange new world, she's going to need all her wits about her to get home again. And that's no easy feat when she has no idea who to trust.

Set 300 years after the events of Alien: Out of the Shadows and Alien: River of Pain, Alien: Sea of Sorrows deals with the rediscovery of dormant Xenomorphs (Aliens) in the abandoned mines of LV-178, the planetoid from Alien: Out of the Shadows, which has now been terraformed and renamed New Galveston. The Weyland-Yutani Corporation, reformed after the collapse of the United Systems Military, continue their unceasing efforts to weaponise the creatures.

Hollywood icon Laura Dern breathes new life into Louisa May Alcott’s classic. With their father away at war, Meg, the oldest and prettiest sister, and Jo, the tomboy, take care of Beth, the shy one, and Amy, the artist. When their beloved 'Marmee' must leave to nurse Father, who is badly wounded in the war, the girls sustain themselves by putting to use the lessons of loyalty and patience they had learned from their family.

Feyre, Rhysand, and their friends are still busy rebuilding the Night Court and the vastly altered world beyond, recovering from the war that changed everything. But Winter Solstice is finally approaching, and with it, the joy of a hard-earned reprieve. Yet even the festive atmosphere can't keep the shadows of the past from looming. As Feyre navigates her first Winter Solstice as High Lady, her concern for those dearest to her deepens. They have more wounds than she anticipated-scars that will have a far-reaching impact on the future of their court.

Everything Poppy has ever believed in is a lie, including the man she was falling in love with. Thrust among those who see her as a symbol of a monstrous kingdom, she barely knows who she is without the veil of the Maiden. But what she does know is that nothing is as dangerous to her as him. The Dark One. The Prince of Atlantia. He wants her to fight him, and that's one order she's more than happy to obey. He may have taken her, but he will never have her.

Chosen from birth to usher in a new era, Poppy’s life has never been her own. The life of the Maiden is solitary. Never to be touched. Never to be looked upon. Never to be spoken to. Never to experience pleasure. Waiting for the day of her Ascension, she would rather be with the guards, fighting back the evil that took her family, than preparing to be found worthy by the gods. But the choice has never been hers.

Bryce Quinlan and Hunt Athalar are trying to get back to normal—they may have saved Crescent City, but with so much upheaval in their lives lately, they mostly want a chance to relax. Slow down. Figure out what the future holds. The Asteri have kept their word so far, leaving Bryce and Hunt alone. But with the rebels chipping away at the Asteri's power, the threat the rulers pose is growing. As Bryce, Hunt, and their friends get pulled into the rebels' plans, the choice becomes clear.

Swashbuckling classic adventure, with an updated twist placing Milady in the role of narrator. Young D'Artagnan arrives in Paris to join the King's elite guards but almost immediately finds he is duelling with some of the very men he has come to swear allegiance to - Porthos, Athos and Aramis, inseparable friends: the Three Musketeers. Soon part of their close band, D'Artagnan's loyalty to his new allies puts him in the deadly path of Cardinal Richlieu's machinations.

A Murder of Quality, set in the early 1960s, sees George Smiley investigating a murder in a public school. When the wife of one of the masters is found bludgeoned to death, Smiley, out of loyalty to an old friend, agrees to look into the case. But his investigation raises a multitude of questions. Who could have hated Stella Rode enough to kill her? Why was her dog put down shortly before the murder? And what did Mad Janie see on that fatal night?

Stranded on prehistoric Earth, Arthur Dent and Ford Prefect find escape in the form of a time-travelling sofa. But as eleven homicidal, bat-wielding robots proceed to blow up Lord’s Cricket Ground, it seems that Arthur is far from Home and Dry. In fact, he is not even Home and Vigorously Towelling Himself. Off. Soon he is on an explosive quest to save the Universe, equipped with only a rabbit bone, a worn dressing gown, and a spaceship which looks remarkably like an Italian bistro.

Carla Lemarchant was a child of five when her mother was accused and convicted of poisoning her father, the famous painter Amyas Crale. After Caroline Crale dies in prison, Carla is sent to live with her uncle and aunt in Canada. Only on her 21st birthday does Carla learn of her family history when she reads a letter written by Caroline before her death, in which she denies murdering her husband. But if her mother didn't kill Amyas Crale, who did?

The Celestial Heirs think the stars are on their side. But they don't know what's coming. We have to be smart. Fighting them one on one isn't an option so we have to be stealthy. Remaining under the radar won't be easy, but if we pull it off, they'll never suspect our involvement when their lives start falling apart.

Bryce Quinlan and Hunt Athalar are trying to get back to normal—they may have saved Crescent City, but with so much upheaval in their lives lately, they mostly want a chance to relax. Slow down. Figure out what the future holds. The Asteri have kept their word so far, leaving Bryce and Hunt alone. But with the rebels chipping away at the Asteri's power, the threat the rulers pose is growing. As Bryce, Hunt, and their friends get pulled into the rebels' plans, the choice becomes clear: stay silent while others are oppressed, or fight for what's right.

I’m a Gemini. Impulsive. Curious. Headstrong. A twin. Heir to a throne I know nothing about. And it turns out, I’m Fae. But of course there’s a catch—all I have to do to claim my birth right is prove that I’m the most powerful supernatural in the whole of Solaria. And sure, technically that’s true as I’m the daughter of the Savage King. But the bit they didn’t put in the brochure was that every single Fae in this Kingdom would claim my throne if they could.

Mercy Thompson is a shapeshifter, and while she was raised by werewolves, she can never be one of them, especially after the pack ran her off for having a forbidden love affair. So she’s turned her talent for fixing cars into a business and now runs a one-woman mechanic shop in the Tri-Cities area of Washington State.

Chosen from birth to usher in a new era, Poppy’s life has never been her own. The life of the Maiden is solitary. Never to be touched. Never to be looked upon. Never to be spoken to. Never to experience pleasure. Waiting for the day of her Ascension, she would rather be with the guards, fighting back the evil that took her family, than preparing to be found worthy by the gods. But the choice has never been hers. The entire kingdom’s future rests on Poppy’s shoulders, something she’s not even quite sure she wants for herself. Because a Maiden has a heart. And a soul. And longing.

When H. G. Wells first published The War of The Worlds in 1898, the novel quickly became a sci-fi classic. The story of extraterrestrials from Mars invading Earth captured the public’s imagination, inspiring a famed 1938 radio broadcast with Orson Welles, several feature films, countless video games, and a best-selling musical concept album by Jeff Wayne in 1978, among others.

The only life Tress has known on her island home in an emerald-green ocean has been a simple one, with the simple pleasures of collecting cups brought by sailors from faraway lands and listening to stories told by her friend Charlie. But when his father takes him on a voyage to find a bride and disaster strikes, Tress must stow away on a ship and seek the Sorceress of the deadly Midnight Sea. Amid the spore oceans where pirates abound, can Tress leave her simple life behind and make her own place sailing a sea where a single drop of water can mean instant death?