Showing titles in Dramatisations

The year is 1964, and it's a week before Hitler's 75th birthday. Nazi Germany won the Second World War, Churchill is living in exile in Canada, Joseph Kennedy is President of the United States, and King Edward and Queen Wallis are puppet monarchs of the United Kingdom. In this dimension, history took a very different turn in 1942 to the one we are familiar with.

Football has come to the ancient city of Ankh-Morpork - not the old fashioned, grubby pushing and shoving but the new, fast football with pointy hats for goalposts and balls that go gloing when you drop them. And now, the wizards of Unseen University must win a football match, without using magic, so they're in the mood for trying everything else. The prospect of the Big Match draws in a street urchin with a wonderful talent for kicking a tin can, a maker of jolly good pies, a dim but beautiful young woman who might just turn out to be the greatest fashion model there has ever been, and the mysterious Mr Nutt.

A mysterious signal from deep space may hold humanity’s last chance of survival. And could reveal the ultimate truth of human origins. The race to unravel the secrets of the Atlantis world has begun.

Pam Ayres' stage show has been a sell-out success throughout the world. With her natural warmth and wit she builds up a rapport with the audience that guarantees an evening of fun and laughter. Pam's reflections on daily life bring a chuckle of recognition from people of all ages. Whether she's reminiscing about the spartan conditions on a caravan holiday in the fifties, or describing her less-than-spectacular prowess in a nineties' gym, her wonderfully accurate wit is always a delight.

When the Doctor and Donna visit London's Technology Museum for a glimpse into the future, things don't go to plan. The most brilliant IT brain in the country can't use her computer. More worrying, the exhibits are attacking the visitors, while outside, people seem to be losing control of the technology that runs their lives. Is it all down to simple human stupidity, or is something more sinister going on?

In the early 1990’s, Hellboy, Liz Sherman, and Abe Sapien are drawn into a bizarre case in New York, linked both to Hellboy’s 1980 adventure with Anastasia in Brazil and to The Lobster’s encounter with the Proteus Club in 1933. A strange community of bizarre humans has been living in secret beneath Manhattan for more than sixty years. Now, though, someone is stalking them, murdering them one by one—someone who claims to be the ancient goddess Sem-Karul. With aid from the now elderly Cynthia Tynan, Hellboy and the BPRD must face the Goddess of Manhattan, and the monsters who serve her.

Underhill is my ruthless mother. Her realm is my deadly home. The brutal creatures here are both foe and friend. But the group of fae that just attacked me? They’re all foe. Dragged from my game of hide-and-seek with a dragon, and my home of twenty-one years, I’m thrust into a weak, ugly realm. Earth. Something is taking the fae children of the Irish court, and an Oracle has declared I must find them. Nope. Not my problem. Bye. Except a three-year-old girl they suspect is the next Queen of All Fae was taken too.

I’m usually alone in my head, and that’s where 90 plus percent of my problems are. When Murderbot's human associates (not friends, never friends) are captured and another not-friend from its past requires urgent assistance, Murderbot must choose between inertia and drastic action. Drastic action it is, then.

This was to be her last day alive. The renowned criminal psychologist Ira Samin prepared her suicide thoroughly. The death of her eldest daughter had weighed too heavily on her conscience for her to carry on and she yearned for one last drink to raise a toast to oblivion. Her morbid plans are interrupted and she is called in to negotiate a gruesome hostage situation at a radio station where a psychopath is playing a morbid game.

The fantasy worlds of Alice in Wonderland and Through the Looking-Glass come to life in these audio theatre presentations with music and sound effects.

David Tennant stars as Malvolio in Shakespeare's comedy of disguise, madness and love. One of Shakespeare's happiest plays, Twelfth Night is both a comedy of misrule and a trenchant attack on puritanism. Disguise and deceit leads to misadventure, madness and mistaken love. Orsino loves Olivia, but she loves Cesario, who really does love Orsino (for Cesario is actually Viola).

Orphaned. Trained to fight. Raised to fear the power of Underhill. Secretly in love with a man who doesn’t want me. I’m still just Alli, aka the half-human orphan fae, but my life is looking up for the first time. It only took me my whole 24 years. But when Underhill—the ancestral home of the fae—shatters, making it impossible for any fae to enter, I’m the only one who knows who did it. A secret that will be the death of me if I do nothing.

Nora Helmer has everything a young housewife could want: Beautiful children, an adoring husband, and a bright future. But when a carelessly buried secret rises from the past, Nora’s well-calibrated domestic ideal starts to crumble. Ibsen’s play is as fresh today as it was when it first stormed the stages of 19th-century Europe.

Joss Ackland, Roger Allam, and Leslie Phillips star in this BBC Radio 4 full-cast dramatisation of Victor Hugo’s classic novel. When poverty drives Jean Valjean to steal a loaf of bread from a baker’s window, it is an action that will haunt him for the rest of his life. A citizen of postrevolutionary France, he is sentenced to nineteen years’ hard labour.

With Charity's fate on the line, Devon and his pack must face the perils of the Realm in search of the elusive warrior fae. With no real experience and against some of the most powerful creatures in existence, they are fighting a losing battle. Thankfully, they don't have to do it alone. Knowing what's at stake, Penny and Emery, the magical powerhouses of the mage world, will lend their aid. Even though Emery is outlawed from stepping foot in the Realm, the pair will try to sneak Charity in the backdoor. If they are caught, they'll all be captured or worse. Much worse.

Fairy magic wreaks havoc and midsummer madness takes over as lovers tread the delicate line between fantasy and reality. Sylvestra le Touzel stars as Titania in this delightful comic fantasy, with Samuel West as Lysander, David Threlfall as Theseus, Richard Griffiths as Bottom and Becky Simpson as Puck.

Acclamata dal Los Angeles Times Magazine come "la più grande saga nella storia delle graphic novel", The Sandman ha cambiato le regole del gioco, con il suo mondo letterario tenebroso, sospeso tra fantasy e horror, creando, nel contempo, un fenomeno culturale globale. Finalmente, Audible e DC presentano la primissima produzione audio della serie best-seller del New York Times scritta dall'acclamato storyteller Neil Gaiman (che ne è anche il co-produttore esecutivo).

Antigone stood defiant in the face of tyranny. Best-selling and award winning author Colm Tóibín wrote this new dramatisation of the Greek tragedy especially to be performed by Irish actor Lisa Dwan. Pale Sister gives voice to Antigone’s sister, Ismene, who recounts her sister’s defiance of the king as pressures mount on her to act to vindicate her sister, or even follow her example. Pale Sister tells Antigone’s story through Ismene: the quiet person in the corner, bearing witness to everything.

From his usurped throne in Ursal, Aydrian, son of former Queen Jilseponie, attempts to conquer the entire world of Corona. Even Aydrian does not fully understand what drives his ambition, the guiding voices he first heard from the shadow of Oracle, or the truth of his birth in the elven land—before it was stained and mortally threatened by the demon dactyl. As armies clash and plots unfold, darkness spreads across the land. Only the gemstone-bearing Pony can hope to free her son from the grip of evil—by any means necessary.

Some of the most stirring scenes Shakespeare ever wrote resonate powerfully in this dramatic radio production. Tortured madness, pure evil and the fatal struggle for power grip the listener until the final, shockingly tragic conclusion. Starring Corin Redgrave as King Lear, with Justine Waddell as Cordelia, Robert Glenister as Edgar, Geraldine James as Goneril and Kika Markham as Regan.