Showing titles in Film & TV

You don't have to miss out just because you don't like to be frightened! Stop trying to read nonsensical Wikipedia plot summaries (we know you're doing it), and let an expert tell you everything you need to know about the most influential horror films of the past sixty years—without a single jump scare or a drop of gore.

You may have watched hundreds of episodes of The Simpsons (and its sister show Futurama) without ever realising that they contain enough maths to form an entire university course. In The Simpsons and Their Mathematical Secrets, Simon Singh explains how the brilliant writers, some of the mathematicians, have smuggled in mathematical jokes throughout the cartoon’s 25-year history, exploring everything from p to Mersenne primes, from Euler’s equation to the unsolved riddle of P vs. NP, from perfect numbers to narcissistic numbers and much more.

Charlotte Stewart is known by millions of fans worldwide for her role as the beloved schoolteacher, Miss Beadle, on the iconic TV show, Little House on the Prairie, currently broadcast in syndication in more than 100 countries around the world. Here for the first time an adult cast member writes about the experience of making the show - the challenges, the joys, and the sometimes-turbulent behind-the-scenes relationships.

Most screenwriting books tend to focus on story structure, scene writing, navigating the business, and other parts of the craft that come after the initial choice of the central concept for a story. Multiple Emmy- and Golden Globe-winning writer/producer Erik Bork (HBO’s Band of Brothers) takes a different approach. His experience in the industry and as a screenwriting professor and coach have led him to recognize that it's the selection of the initial idea that is the most important part of the process - with the most impact on the project's chance of success.

For more than six decades, she has been part of our lives. An American icon, Elizabeth Taylor has been surrounded by fame and notoriety since childhood. Now acclaimed biographer J. Randy Taraborrelli looks past the tabloid version of Elizabeth's life to the person she really is, and how she evolved from a child star to a woman in her own right.

The Blues Brothers hit theatres on June 20, 1980. Their scripted mission was to save a local Chicago orphanage; but Aykroyd, who conceived and wrote much of the film, had a greater mission: to honour the then-seemingly forgotten tradition of rhythm and blues, some of whose greatest artists.

How does an immortal deal with death? What kind of person makes the best companion? Why does the Doctor say he and Freud "got on very well"? How do the Daleks and Cybermen reflect concerns about losing our humanity? And what can looking at an ancient Time Lord teach us about real human nature? Doctor Who Psychology: A Madman with a Box explores these questions and many more.

Career highlights from one of this country’s funniest satirists and comedy men.

Willie Rushton’s career spanned decades, from the cutting edge satire of television’s That Was the Week That Was to the razor-sharp punnery and verbal wizardry of radio’s I’m Sorry I Haven’t a Clue.

From former screen legends who have faded into obscurity to new revelations about the biggest movie stars, Valderrama unearths the most fascinating little-known tales from the birth of Hollywood through its Golden Age. The shocking fate of the world's first movie star. Clark Gable's secret love child. The film that nearly ended Paul Newman's career. A former child star who, at 93, reveals her #metoo story for the first time. Valderrama unfolds these stories, and many more, in a volume that is by turns riveting, maddening, hilarious, and shocking.

In It's Only a Movie, the incomparable Mark Kermode took us into the weird world of a film critic's life lived in widescreen. Now, The Good, The Bad and the Multiplex takes us into the belly of the beast to ask: 'What’s wrong with the modern movie business – and how can we make it right?'

Now a major film written and directed by the Coen Brothers. There is no knowing what lies in a man's heart. On a trip to buy ponies, Frank Ross is killed by Torn Chancy, who shoots him down for a horse, $150 cash, and two gold pieces. Ross's single-minded teenage daughter, Mattie, travels to claim his body... Then she meets Rooster - a man with grit - and persuades him to join her on a deadly quest to avenge her father's murder.

When did you last hang out with Jim, Pam, Dwight, Michael, and the rest of Dunder Mifflin? It might have been back in 2013, when the series finale aired...or it might have been last night, when you watched three episodes in a row. But either way, long after the show first aired, it’s more popular than ever, and fans have only one problem - what to watch, or listen to, next. Fortunately, writer Andy Greene has that answer. In his brand-new oral history, The Office: The Untold Story of the Greatest Sitcom of the 2000s, Greene takes listeners behind the scenes.

Celebrate the greatest saga ever told: All of us who are deeply influenced by the epic saga of Star Wars have our favorite moments. Each time the screen goes black and you see those words - "a long time ago, in a galaxy far, far away" - the music blasts through you, and you're a kid again. Ken Napzok, expert appreciator of Star Wars, counts down each one of those special moments that makes this series not just the best movies of all time, but the greatest saga ever told.

Columbo was arguably the most popular and most unique television mystery series ever - even though, within two minutes of the titles, the audience already knew the murderer’s identity. The show captivated tens of millions of viewers for 69 adventures produced over 35 years. Yet if star Peter Falk had gotten his way, it would have run far longer. The “shooting” of Columbo was filled with backstage intrigue and larger-than-life personalities who, through it all, created unforgettable classic television.

Leonard Nimoy and William Shatner first crossed paths as actors on the set of The Man from U.N.C.L.E. Little did they know that their next roles, in a new science-fiction television series called Star Trek, would shape their lives in ways no one could have anticipated. In 79 television episodes and six feature films, they grew to know each other more than most friends could ever imagine.

In 1956, fresh from Eton and Oxford, the 23-year-old Colin Clark (son of ‘Lord Clark of Civilisation’, brother of maverick Tory MP and diarist Alan) worked as a humble ‘gofer’ on the set of The Prince and the Showgirl, the film that disastrously united Laurence Olivier with Marilyn Monroe. Forty years on, his diary account was chosen as book of the year by Jilly Cooper, Joan Collins and others. But one week was missing. This is the story of that week, a delicious idyll in which he escorted a Monroe desperate to escape from the pressures of stardom.

In September 1994, six friends sat down in their favourite coffee shop and began bantering. A quarter of a century later, new fans are still finding their way into the lives of Rachel, Ross, Joey, Chandler, Monica and Phoebe, and thanks to a combination of talented creators, its intimate understanding of its youthful audience and its reign during network television's last moment of dominance, Friends has become the most influential and beloved show of its era....

In this brutally candid memoir, Academy Award and Golden Globe nominee Eric Roberts pulls no punches about the ups and downs of his career and his sometimes stormy relationship with his famous sister, Julia.

The Big Bang Theory is a television phenomenon. To the casual viewer, it’s a seemingly effortless comedy, with relatable characters tackling real-life issues, offering a kind of visual comfort food to its millions of dedicated fans. But the behind-the-scenes journey of the show from a failed pilot to a global sensation is a fascinating story that even the most die-hard fans don’t know in its entirety. The Big Bang Theory:The Definitive, Inside Story of the Epic Hit Series is a riveting, entertaining look at the sitcom sensation.

For decades, the backbone of film criticism has been the hatchet job - the entertaining trashing of a film by professional reviewers, seen by many as cynical snobs. But with the arrival of the internet, have the critics finally fallen under the axe? With movie posters now just as likely to be adorned by Twitter quotes as fusty reviewer recommendations, has the rise of enthusiastic amateurism sounded the death knell of a profession? Are the democratic opportunities of the internet any more reliable than the old gripes and prejudices of the establishment?