Showing titles in History & Criticism

First there was Buffy the Vampire Slayer; then its spin-off, Angel; then the cult hit Firefly and its follow-up film, Serenity. They all had two things in common: their creator, Joss Whedon...and their surprising psychological depth. Revisit the worlds of Joss Whedon...with trained psychologists at your side. What are the psychological effects of constantly fighting for your life? Why is neuroscience the Whedonverse's most terrifying villain? How can watching Joss' shows help you take on your own psychological issues?

The Watergate scandal began with a break-in at the office of the Democratic National Committee at the Watergate Hotel on June 17, 1971, and ended when President Gerald Ford granted Richard M. Nixon a pardon on September 8, 1974, one month after Nixon resigned from office in disgrace. Effectively removed from the reach of prosecutors, Nixon returned to California, uncontrite and unconvicted, convinced that time would exonerate him of any wrongdoing and certain that history would remember his great accomplishments—the opening of China and the winding down of the Vietnam War.

This book examines important themes about American politics the film Citizen Kane provokes. Citizen Kane is widely believed by many critics to be the greatest movie of all time. What about the film resonates so deeply with those who can appreciate great art and film? And also for this book, what does Citizen Kane say about American politics, power, and who gains influence in America?

When he was 17 years old, Audie Murphy falsified his birth records so that he could enlist in the army and help defeat the Nazis. When he was 19, he single-handedly turned back the German army at the Battle of Colmar Pocket by climbing on top of a tank with a machine gun, a moment immortalized in the classic film To Hell and Back, starring Audie himself.

While every new TV series has to face some problems, no show had to overcome greater obstacles than Gilligan's Island. In spite of that, no series has achieved greater success, as measured by the fact that Gilligan's Island has given rise to three TV movies, two animated series, and is the most rerun program in the entire history of television.

Encompassing the 35 year span between the initial development of film technology in the mid-1890s and the adoption of synchronized sound in the late 1920s, the cinema's silent era is both one of the most important epochs of film history and one of the most misunderstood within the popular imagination. In this brief, engaging account, these formative decades come vividly to life.

Perhaps no actor has been able to retain their popularity into old age as well as Sean Connery. Despite retiring in 2006, Connery remains a venerable figure who continues to receive accolades for his handsome virility and status within the Hollywood elite. onsidering his personal acclaim as an actor, it is perhaps surprising that despite his status, most of the films in which Connery has appeared are not particularly acclaimed. Even the James Bond franchise initially received a largely lukewarm critical reception.

A presence in Third Reich cinema, Adolf Hitler also personally financed, ordered, and censored films and newsreels and engaged in complex relationships with their stars and directors. Here, Bill Niven offers a powerful argument for reconsidering Hitler's fascination with film as a means to further the Nazi agenda. In this first English-language work to fully explore Hitler's influence on and relationship with film in Nazi Germany, the author calls on a broad array of archival sources. Niven also explores Hitler's representation in Third Reich cinema, personally and through films focusing on historical figures with whom he was associated

From King Kong to Candyman, the boundary-pushing genre of horror film has always been a site for provocative explorations of race in American popular culture. This book offers a comprehensive chronological survey of Black horror from the 1890s to present day. In this second edition, Robin R. Means Coleman expands upon the history of notable characterizations of Blackness in horror cinema, with new chapters spanning the 1960s, 2000s, and 2010s to the present, and examines key levels of Black participation on screen and behind the camera. The book addresses a full range of Black horror films.

Damn good coffee, cherry pie, and the “big bang of auteur television”―why Twin Peaks deserves to be a pop culture classic In 1990, avant garde filmmaker David Lynch (Eraserhead, The Elephant Man, Dune, Blue Velvet) and acclaimed television writer Mark Frost (Hill Street Blues) teamed up to create a television show that would redefine what the medium could achieve in a one-hour drama.

How did The Simpsons, one of the most popular television shows in history, go from being attacked by many religious leaders for its lack of family values to being called one of the most theologically relevant programs in prime time? Religion journalist Mark Pinsky explores the individual characters, interviews several of the show's writers and producers, and concludes with a theological discussion.

Susie Bright, “The Pauline Kael of Porn” (SF Chronicle), rips open the history of erotic cinema before the internet— from the Golden Age of lavish 35mm hardcore, to the video-inspired “Porno Spring”, initiated by none other than punk, feminist, and lesbian video-makers.

Once, in a theater long ago and far, far away, young audiences who watched the nostalgic space epic of yesteryear, known then only as Star Wars, were duly enthralled. So much goodwill, so much affection, and so much love has rarely been lavished on any franchise. So much money from so many eager fans was never so readily available. Yet, with one potent death star-like blast of mind-breakingly awful filmmaking, the Disney Corporation has managed to alienate that goodwill, spurn that affection, and lose that money.

Between 1934 and 1968, no Hollywood studio could make a movie without the permission of, and a seal of approval from, the Production Code Administration. Formed in 1930 but not enforced until 1934, the Production Code was Hollywood’s official censorship system. Screenplays, books, plays, costumes, and even story ideas and song lyrics had to be cleared by the Code before they could be filmed, and Code staffers watched at every stage of the production process to ensure compliance.

It's one of the greatest movie romances of all time. Yet the friction and controversy surrounding The Way We Were was so enormous, the movie was nearly never made at all. Drawing on Laurents's and Pollack's unpublished writings, as well as interviews with Streisand, Redford, and other key players, this is the definitive account of a film that changed the rules of moviemaking and defined romance ever since.

Whether it is a director insisting on a final cut, a star demanding a bigger motor home, a producer holding the line on a budget, or a grip with a gripe, it seems that the world of moviemaking is nothing but Sturm und Drang. Shoot Out presents a raucous look at how movies get made and the players involved, from writers, producers, directors, and stars to agents and marketers. For film buffs, aspiring filmmakers, students, and anyone else intrigued by the inner workings of Hollywood, this is the quintessential take on the how, who, what, and why of the film business.

Will we ever get tired of watching Cher navigate Beverly Hills High School and discover true love in the movie Clueless? As if! Written by Amy Heckerling and starring Alicia Silverstone, Clueless is an enduring comedy classic that remains one of the most streamed movies on Netflix, Amazon, and iTunes even 20 years after its release. In the first book of its kind, Jen Chaney has compiled an oral history of the making of this iconic film using recollections and insights collected from key cast and crew members.

Eddie Mannix and Howard Strickling are virtually unknown outside of Hollywood and little-remembered even there, but as General Manager and Head of Publicity for Metro-Goldwyn-Mayer Studios, they lorded over all the stars in Hollywood’s golden age from the 1920s through the 1940s—including legends like Garbo, Dietrich, Gable and Garland. When MGM stars found themselves in trouble, it was Eddie and Howard who took care of them—solved their problems, hid their crimes, and kept their secrets. They were “the Fixers.”

The 10 best Bond movies...ever? It doesn't get much more subjective than this. Or much more fun!

Behold the history of a film so scandalous, so outrageous, so explosive it disappeared from print for more than a quarter century! A film so dangerous half its cast and crew met their demise bringing it, eccentric billionaire Howard Hughes’ final cinematic vision, to life! Starring all-American legend John Wayne in full Fu Manchu makeup as Mongol madman Genghis Khan and sultry seductress Susan Hayward as his lover, The Conqueror is possibly the worst movie ever made.