Showing titles in History & Criticism

From the beloved host and creator of NPR's All Songs Considered and Tiny Desk Concerts comes an essential oral history of modern music, told in the voices of iconic and up-and-coming musicians, including Dave Grohl, Jimmy Page, Michael Stipe, Carrie Brownstein, Smokey Robinson, and Jeff Tweedy, among others - published in association with NPR Music.

As a young man, Richard Neer dreamed of landing a job at WNEW in New York - one of the revolutionary FM stations across the country that were changing the face of radio by rejecting strict formatting and letting disc jockeys play whatever they wanted. He felt that when he got there, he’d have made the big time. Little did he know he’d have shaped rock history as well. FM: The Rise and Fall of Rock Radio chronicles the birth, growth, and death of free-form rock-and-roll radio through the stories of the movement’s flagship stations.

Far from being "the quiet one," George Harrison was a writer and arranger of terrific power and beauty, and his guitar playing was fundamental to the Beatles' sound and success. Now fully revised and expanded, this new edition of While My Guitar Gently Weeps: The Music of George Harrison is the most comprehensive evaluation of George Harrison's musical career ever published.

Few rock bands were as successful as the Scorpions by the mid '80s - headlining arenas/stadiums worldwide. German Metal Machine: Scorpions in the '70s is the first-ever book to focus solely on this period of the band. Interviews include such former members as Michael Schenker, Uli Jon Roth, Francis Buchholz, and Herman Rarebell, longtime Scorpions producer Dieter Dierks, plus members of other bands that are major admirers,

Of all the white American pop music groups that hit the charts before the Beatles, only the Beach Boys continued to thrive throughout the British Invasion to survive into the 1970s and beyond. The Beach Boys helped define both sides of the era we broadly call the sixties, split between their early surf, car, and summer pop and their later hippie, counterculture, and ambitious rock.

Take a walk through almost any neighborhood in Manhattan and you’ll likely pass some of the most significant clubs in American music history. But you won’t know it—almost all of these venues have been demolished or repurposed, leaving no record of what they were, how they shaped music scenes, or their impact on the neighborhoods around them. This Must Be the Place examines how these scenes came together and fell apart—and shows how these communal artistic experiences are not just for rarefied geniuses but available to us all.

Music composed for television had, until recently, never been taken seriously by scholars or critics. Catchy TV themes, often for popular weekly series, were fondly remembered but not considered much more culturally significant than commercial jingles. Yet noted composers like John Williams, Henry Mancini, and Jerry Goldsmith learned and/or honed their craft in television before going on to major success in feature films.

From the sugar rush of Tokyo’s idol subculture to the discordant polyrhythms of its experimental punk and indie scenes, this audiobook by Japan Times music columnist Ian F. Martin offers a witty and tender look at the issues that shape Japanese music today. With insights into the evolution of J-pop as well as its history, infrastructure, and (sub)cultures, Martin deconstructs an industry that operates very differently from counterparts overseas.

Salsa is one of the most popular types of music listened to and danced to in the United States. Until now, the single comprehensive history of the music - and the industry that grew up around it, including musicians, performances, styles, movements, and production - was available only in Spanish.

Award-winning music journalist and author Stuart Nicholson takes the listener on an entertaining journey from jazz's early stirrings in America’s south through to the present day, when almost every country in the world has its own vibrant jazz scene. En route we meet a host of jazz heroes past and present, from Louis Armstrong, Benny Goodman and Miles Davis, to Keith Jarrett and Kamasi Washington. Each chapter is accompanied by a playlist designed to provide a stimulating and enjoyable entry point to what has been described as the most exciting art form of all.

Rooted in rhythm-and-blues pioneered by black musicians, 1950s rock and roll was racially inclusive and attracted listeners and performers across the color line. In the 1960s, however, rock and roll gave way to rock: a new musical ideal regarded as more serious, more artistic-and the province of white musicians. Decoding the racial discourses that have distorted standard histories of rock music, Jack Hamilton underscores how ideas of "authenticity" have blinded us to rock's inextricably interracial artistic enterprise.

Award-winning civil rights historian Ray Arsenault describes the dramatic story behind Marian Anderson’s concert at the Lincoln Memorial - an early milestone in civil rights history - on the 70th anniversary of her performance. On Easter Sunday 1939, the brilliant vocalist Marian Anderson sang before a throng of 75,000 at the Lincoln Memorial in Washington - an electrifying moment and an underappreciated milestone in civil rights history.

This is the first study to explore fully the myth of America as reflected in the nation's popular music. Beginning with the songs of the Pilgrims and continuing through more than two centuries of history and music, Born in the U.S.A. shows the emerging American myth and gives a close reading of the compositions of songwriters as diverse as William Billings, Henry Clay Work, Irving Berlin, Woody Guthrie, Bob Dylan, and Bruce Springsteen.

For the first time, Appetite for Self-Destruction recounts the story of the precipitous rise and fall of the recording industry over the past three decades, when the incredible success of the CD turned the music business into one of the most glamorous, high-profile industries in the world - and the advent of file sharing brought it to its knees.

In Simply Stravinsky, Professor Pieter van den Toorn takes a fresh look at the composer and his legacy, providing a compact, exciting, and accessible introduction to the 20th century’s most celebrated composer and his timeless music. From Stravinsky’s apprenticeship in St. Petersburg to his life among the émigré community in Southern California, Professor van den Toorn shows how the composer’s music was tied to his personality and how it came to influence artists from Aaron Copland to Philip Glass.

Born into poverty in Mississippi at the close of the 19th century, Charley Patton and Jimmie Rodgers established themselves among the most influential musicians of their era. In Tune tells the story of the parallel careers of these two pioneering recording artists - one white, one black - who moved beyond their humble origins to change the face of American music.

Children of the Stone chronicles Ramzi's journey - from stone thrower to music student to school founder - and shows how through his love of music he created something lasting and beautiful in a land torn by violence and war. This is a story about the power of music, but also about freedom and conflict, determination and vision.

Hold Tight is the book that kick-started the 'Grime Library'. Bursting into bookshops in July 2017 to rave reviews and a sold-out event at Rough Trade East, Hold Tight paved the way for Grime-related books such as Wiley's Eskiboy, Dan Hancox's Inner City Pressure and DJ Target’s Grime Kids. Celebrating more than 60 key songs that make up Grime’s DNA, Jeffrey Boakye explores the meaning of the music and why it has such resonance in the UK.

This volume opens a new chapter on the guitar in America, considering its cultivated past and documenting how banjoists and mandolinists aligned their instruments to it in an effort to raise social and cultural standing. At the same time, the audiobook considers the BMG community within America's larger musical scene, examining its efforts as manifestations of this country's uneasy coupling of musical art and commerce.

Woodstock, more accurately entitled the Woodstock Music Festival; An Aquarian Exposition: Three Days of Peace and Music, represents one of the most enduring symbols of the youth movement of America's late 1960s and early '70s. As the public pinnacle of that social phenomenon, the giant festival that overwhelmed a section of an upstate New York farm for a week during a time of national and international upheaval evolved from a typical speculative financial venture to a defining historical monument.