Showing titles in Art & Literature

Beginning with the story of a simple burglary at Democratic headquarters and then continuing with headline after headline, Bernstein and Woodward kept the tale of conspiracy and the trail of dirty tricks coming - delivering the stunning revelations and pieces in the Watergate puzzle that brought about Nixon's scandalous downfall. Their explosive reports won a Pulitzer Prize for The Washington Post and toppled the president. This is the book that changed America.

Home is a vital base for us to thrive, yet, for some, the question of where home is isn't as simple as an address. Depending on circumstance, 'home' may not simply be where we rest, eat and sleep. With the concept of home comes questions of ancestry, identity and belonging, and the understanding that there is no one fixed idea of what or where home is. In No Place Like Home, Charlene White boldly shares her own story and understanding of home as a Jamaican Londoner exploring all the smells, memories and voices from her childhood.

Samantha Harvey’s insomnia arrived, seemingly, from nowhere; for a year she has spent her nights chasing sleep that rarely comes. She’s tried everything to appease it. Nothing is helping. What happens when one of the basic human needs goes unmet? For Samantha Harvey, extreme sleep deprivation resulted in a raw clarity about life itself. Original and profound, The Shapeless Unease is a startlingly insightful exploration of memory, writing and influence, death and grief, and the will to survive.

Much attention has been paid to so-called late style—but what about last style? When does last begin? How early is late? When does the end set in? In this endlessly stimulating investigation, Geoff Dyer sets his own encounter with late middle age against the last days and last achievements of writers, painters, athletes and musicians who've mattered to him throughout his life.

His books have sold millions and include classics like Mere Christianity, The Screwtape Letters, and The Lion, the Witch and the Wardrobe. Yet C. S. Lewis was not always a literary giant of Christian faith. How did he evolve from staunch atheism to become one of the most beloved and renowned Christian authors of our time?

One name links Betrand Russell and Axel Munthe, Augustus John and Henry Lamb, H.H. Asquith and Duncan Grant, Aldous Huxley and Lytton Strachey. To some she was a lover, to others a confidant and adviser. To many she was a mother substitute. But wherever the phrase ‘Bloomsbury group’ is spoken, Lady Ottoline Morrell’s name is not far behind.

Nanako Hanada's life is in crisis. Recently separated from her husband, living in youth hostels and internet cafes, her work is going no better. Book sales at the eccentric Village Vanguard bookstore in Tokyo, which Nanako manages, are dwindling. Fallen out of love in all aspects of her life, Nanako realises how narrow her life has become, with no friends outside of her colleagues, and no hobbies apart from reading and arranging books. That's when Nanako joins a meet-up site where people meet for 30-minute bursts to find romance, build a network, or just share ideas.

From his impoverished childhood in a working-class English family, to his determination to educate himself at any cost, to the serious ill health that dominated his 20s and 30s, his complicated marriages, and love affair with socialism, the first 40 years of H. G. Wells' extraordinary life would set him on a path to become one of the world's most influential writers. In this remarkable, empathetic biography, Claire Tomalin paints a fascinating portrait of a man like no other.

In the early 1980s, when punks and Rastas were on the streets protesting about unemployment, homelessness and the National Front, Benjamin’s poetry could be heard at demonstrations, outside police stations and on the dance floor. His mission was to take poetry everywhere and to popularise it by reaching people who didn’t read books. His poetry was political, musical, radical and relevant. By the early 1990s, Benjamin had performed on every continent in the world (a feat which he achieved in only one year), and he hasn’t stopped performing and touring since.

In his memoir Waypoints, Heughan digs into his Scottish heritage by hiking the West Highland Way, and along the journey he recounts the life and career events that have shaped him and his personal values. We spoke to Sam Heughan about the joys and trials of West Highland Way, his journey towards processing the absence of his dad, and how the creation of his Outlander family came at just the point he needed in his career.

Still considered one of the best books ever written about bullfighting, Death in the Afternoon reflects Hemingway's belief that bullfighting was more than mere sport. Here he describes and explains the technical aspects of this dangerous ritual, and "the emotional and spiritual intensity and pure classic beauty that can be produced by a man, an animal, and a piece of scarlet serge draped on a stick."

Miranda Seymour’s biography reveals a proud and fiercely independent artist, one who experienced tragedy and extreme poverty, alcohol and drug dependency, romantic and sexual turmoil—and yet was never a victim. I Used to Live Here Once enables one of our most excitingly intuitive biographers to uncover the hidden truth about a fascinatingly elusive woman. Persuasive, surprising and compassionate, this unforgettable biography brings Jean Rhys to life as never before.

Artists have learnt to pay attention. The rest of us spend most of our time on auto-pilot, rushing from place to place, our overfamiliarity blinding us to the marvellous, life-affirming phenomena of our world. But that doesn't have to be the case. In his typical engaging style, Will Gompertz takes us into the minds of artists - from contemporary stars to old masters, the well-known to the lesser-so, and from around the world - to show us how to look and experience the world with their heightened awareness.

In this fascinating document, one of Japan's best known - and controversial - writers created what might be termed a new literary form. It is new because it combines elements of many existing types of writing, yet in the end, fits into none of them. The road Mishima took to salvation is a highly personal one. Yet here, ultimately, one detects the unmistakable tones of a self transcending the particular and attaining to a poetic vision of the universal.

In the first major history of crime fiction in 50 years, The Life of Crime: Detecting the History of Mysteries and Their Creators traces the evolution of the genre from the 18th century to the present, offering brand-new perspective on the world’s most popular form of fiction.

It is the story of a boy growing up in the war-torn Jerusalem of the 40s and 50s in a small apartment crowded with books in 12 languages and relatives speaking nearly as many. His mother and father, both wonderful people, were ill-suited to each other. When Oz was 12 and a half years old, his mother committed suicide - a tragedy that was to change his life. He leaves the constraints of the family and the community of dreamers, scholars, and failed businessmen to join a kibbutz.

Marie Colvin was glamorous, hard-drinking, braver than the boys, with a troubled and rackety personal life. With fierce compassion and honesty, she reported from the most dangerous places in the world, fractured by conflict and genocide, going in further and staying longer than anyone else. In Sri Lanka in 2001, Marie was hit by a grenade and lost the sight in her left eye - resulting in her trademark eye patch - and in 2012 she was killed in Syria. Like her hero, the legendary reporter Martha Gellhorn, she sought to bear witness to the horrifying truths of war..

In his late 30s, Edward Parnell found himself trapped in the recurring nightmare of a family tragedy. For comfort, he turned to his bookshelves, back to the ghost stories that obsessed him as a boy, and to the writers through the ages who have attempted to confront what comes after death. In Ghostland, Parnell goes in search of the ‘sequestered places’ of the British Isles, our lonely moors, our moss-covered cemeteries, our stark shores and our folkloric woodlands.

In London during the interwar years, five women's lives intertwined around one address. Mecklenburgh Square, on the radical fringes of Bloomsbury, was home to activists, experimenters and revolutionaries; among them were the modernist poet H. D., detective novelist Dorothy L. Sayers, classicist Jane Harrison, economic historian Eileen Power, and author and publisher Virginia Woolf.

Sarah Polley's work as an actor, screenwriter and director is celebrated for its honesty, complexity and deep humanity. She brings all those qualities, along with her exquisite storytelling chops, to these six essays. Each one captures a piece of Polley's life as she remembers it, while at the same time examining the fallibility of memory, the mutability of reality in the mind, and the possibility of experiencing the past anew, as the person she is now but was not then. As Polley writes, the past and present are in a “reciprocal pressure dance”.