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One afternoon many years ago, James Rebanks met an old woman on a remote Norwegian island. She lived and worked alone on a tiny rocky outcrop, caring for wild Eider ducks and gathering their down. Hers was a centuries-old trade that had once made men and women rich, but had long been in decline. Still, somehow, she seemed to be hanging on. Back at home, Rebanks couldn’t stop thinking about the woman on the rocks. She was fierce and otherworldly – and yet strangely familiar. Years passed. Then, one day, he wrote her a letter, asking if he could return.

For all the attempts to understand the state of American politics and the blue/red divide, we've ignored what economic and cultural loss can do to pride. What happens, Arlie Russell Hochschild asks, when a proud people in a hard-hit region suffer the deep loss of pride and are confronted with a powerful political appeal that makes it feel "stolen"? Hochschild's research drew her to Pikeville, Kentucky, in the heart of Appalachia, within the whitest and second-poorest congressional district in the nation.

This celebration of the English countryside does not only focus on the rolling green landscapes and magnificent monuments that set England apart from the rest of the world. Many of the contributors bring their own special touch, presenting a refreshingly eclectic variety of personal icons, from pub signs to seaside piers, from cattle grids to canal boats, and from village cricket to nimbies.

When writer Simon Barnes heard a Cetti's warbler sing out as he turned up to look at a house for sale, he knew immediately that he had found his new home. The fact that his garden backed onto an area of marshy land only increased the possibilities, but there was always the fear that it might end up in the wrong hands and be lost to development or intensive farming.

For centuries we’ve been sold a lie: that you need to own the land to care for it. Just 1% of the population own half of England, and this tiny landowning elite like to present themselves as the rightful custodians of the countryside. They’re even paid billions of pounds of public money to be good stewards. But what happens when they just don’t care?

In the decades before the First World War, the owners of the nation’s stately homes revelled in a golden age of glory and glamour. Nothing lay beyond their reach in a world where privilege and hedonism went hand-in-hand with duty and honour. This was a time when the ancestral seats of ancient nobility stood side-by-side with the fabulous palaces of Jewish bankers and Indian princes, when dukes and duchesses mixed with aristocratic society hostesses who had learned to dance in the chorus line and self-made millionaires who had been raised in the slums of Manchester and Birmingham.

The Lightning Thread takes the listener on a journey of unexpected delight, personal pleasure and profound discovery. From angling with his father on a spating burn at the height of the Profumo Affair to knocking back mojitos while hunting for Permit, ‘the Robocop of the sea’, off the coast of Cuba. Much more than just another book about fishing, The Lightning Thread is an exploration of joy and a celebration of simple pleasures in a too complicated world.

We may be excluded from the majority of our land, no less than 92 per cent in England, but best-selling nature writer and trespasser Nick Hayes shows how we can reclaim our lost connection. By engaging with the land through craft and learning and by caring for it, our relationship with the countryside will be better for us, and better for nature. Interwoven are testimonials from expert contributors—farmers and land workers, activists and authors—each with deeply personal stories of what a connection to nature means for them.

Thirty-five years after the publication of Ronald Blythe's classic portrait of an English village, Akenfield, Craig Taylor returned to the Suffolk village on which the book was based. He sought out locals who appeared in the original book to learn how their lives had changed, met newcomers, and interviewed Ronald Blythe himself.

Growing up gifted and working-class in the foothills of the Ozarks, Monica and Darci became fast friends. The girls bonded over a shared love of learning as they navigated the challenges of their declining town and tumultuous family lives - broken marriages, shuttered stores and factories. They pored over the giant map in their classroom, tracing their fingers over the world that awaited them, vowing to escape. In the end, Monica left Clinton for university and fulfilled her dreams. Darci, along with many in their circle of friends, did not.

In early 2006, Mike Parker and his partner, Peredur, were witnesses at the first civil partnership ceremony in the small Welsh town of Machynlleth. The celebrants were their friends Reg and George, who had moved to deepest rural Wales in 1972, not long after the decriminalisation of homosexuality. When Reg and George died within a few weeks of each other in 2011, Mike and Peredur discovered that they had been left their home: a whitewashed ‘house from the children’s stories’, buried deep within the hills.

A way of life that once encompassed most of humanity is vanishing in one of the greatest transformations of our time: the eclipse of the rural world by the urban. In this new history of peasantry, Patrick Joyce tells the story of this lost world and its people. In contrast to the usual insulting stereotypes, we discover a rich and complex culture: traditions, songs, celebrations, and revolts, across Europe from the plains of Poland to the farmsteads and villages of Italy and Ireland, through the 19th century to the present day.

As seen on the BBC’s This Farming Life. The inspirational story of Lynbreck Croft - a regenerative Scottish farm rooted in local food, community, and the dreams of two women. Lynn and Sandra left their friends, family, and jobs in England to travel north to Scotland to find a bit of land that they could call their own. They had in mind keeping a few chickens, a kitchen garden, and renting out some camping space; instead, they fell in love with Lynbreck Croft - 150 acres of opportunity and beauty, shrouded by the Cairngorms and deep in the Highlands of Scotland.

Cider with Rosie is a wonderfully vivid memoir of childhood in a remote Cotswold village, a village before electricity or cars, a timeless place on the verge of change. Growing up amongst the fields and woods and characters of the place, Laurie Lee depicts a world that is both immediate and real and belongs to a now-distant past.

Polly Morland was clearing her late mother’s house when she found a battered paperback fallen behind the family bookshelf. Opening it, she was astonished to see an old photograph of the remote, wooded valley in which she lives. The book was A Fortunate Man, John Berger’s classic account of a country doctor working in the same valley more than half a century earlier. This chance discovery led Morland to the remarkable doctor who serves that valley community today, a woman whose own medical vocation was inspired by reading the very same book as a teenager.

Between 1821 and 1826, the prolific writer and journalist William Cobbett travelled the countryside of the South of England on foot and horseback. Rural Rides is a fascinating account of his journeys, and depicts a way of life in transition, juxtaposing lyrical descriptions of the countryside with criticism of the poverty of agricultural workers. A man of radical politics who encouraged the rural rising of 1830, Cobbett went on to become MP for Oldham and sought to represent the interests of both industrial and agricultural workers. Above all, Rural Rides celebrates agrarian England.

1917. Virginia Woolf arrives at Asheham, on the Sussex Downs, immobilized by nervous exhaustion and creative block. 1930. Feeling jittery about her writing career, Sylvia Townsend Warner spots a modest workman’s cottage for sale on the Dorset coast. 1941. Rosamond Lehmann settles in a Berkshire village, seeking a lovers’ retreat, a refuge from war, and a means of becoming ‘a writer again’. Rural Hours tells the story of three very different women, each of whom moved to the country and were forever changed by it.

As the sun set slowly on the British Empire in the years after the Second World War, the nation's stately homes were in crisis. Tottering under the weight of rising taxes and a growing sense that they had no place in 20th-century Britain, hundreds of ancestral piles were dismantled and demolished. Perhaps even more surprising was the fact that so many of these great houses survived, as dukes and duchesses clung desperately to their ancestral seats and tenants' balls gave way to rock concerts, safari parks and day trippers.

The countryside is almost sacred to many Britons. There is a depth of feeling about rural places, the moors and lochs, valleys and mountains, cottages and country houses. Yet the British countryside, so integral to our national identity, is rarely seen as having anything to do with British colonialism. In Our Island Stories, Corinne Fowler brings rural life and colonial rule together with transformative results. Through ten country walks with varied companions, Fowler combines local and global history, connecting the Cotswolds to Calcutta, Dolgellau to Virginia, and Grasmere to Canton.

Zoë Colville spent years in a fancy hair salon with a long list of clients, living on cigarettes, croissants, and a shoestring. It was everything she'd ever wanted. But when an unexpected and overwhelming loss caused her life to shift unexpectedly, she found herself on a different path. One where the only use for a hairdryer is warming new-born lambs; where the cycle of life on a farm gives new meaning on purpose, and where nature is both a strict teacher and a balm to soothe the pressures of everyday life.