Showing results by author "Renee Pawlish" in All Categories

For Denver Homicide detective Sarah Spillman, a secret from her past haunts each new investigation and could derail her hard-earned career. A missing boy’s body is found in a dumpster in a seemingly idyllic Denver neighborhood, and the list of suspects includes the boy’s mother and father. Sarah barely begins her investigation when a man who lived nearby is also discovered dead, an apparent suicide. Sarah continues to dig deeper, looking for a link between the two deaths, only to find the lies are piling up.

Potential client Brad Webb asks Denver private investigator Reed Ferguson to look into the decades-old murder of Brad's grandfather, Dewey Webb. Dewey was a Denver-based private detective who died mysteriously in 1955, and although Reed is intrigued, he doesn't see much promise in solving the case. After all, the police didn't find Dewey's killer at the time, and 70 years have passed, leaving a cold trail. However, Reed accepts the case, and as he is drawn back into both the underworld and the elite society of 1950s Denver.

Amber is barely holding it together. In the midst of a messy divorce, sometimes the only thing that gets her out of bed is spying on her handsome neighbor Caleb. She fantasizes about trading places with Caleb’s spouse and makes it no secret that she’d kill for that kind of life. Her words come back to haunt her when Caleb’s wife is murdered and Amber becomes a top suspect.

Denver private investigator Reed Ferguson is between cases when a house fire threatens to consume the home of his girlfriend, Willie. The police think it's arson, and they look to Willie - the owner of the building - as the logical suspect. Worse yet, when a body is found in the charred third-floor apartment, the police think Willie is the killer. Reed hops into action to clear her name, but as his own list of suspects grows, so does the danger.

Reed Ferguson returns in his most harrowing adventure yet! Life and the detecting business are running smoothly for private eye Reed Ferguson until one of the Goofball Brothers goes missing. Reed leads the search and soon discovers Deuce's connection to some unscrupulous characters. As Reed learns more about Deuce's activities, the clues point to intrigue, danger, and death. But will Reed find his friend alive, or will it be Farewell, My Deuce?

In a nightmarish turn of events, Reed Ferguson finds himself the prime suspect in the murder of Denver private investigator Noel Farrell. Wrongly accused but unable to provide a convincing alibi, Reed has to work overtime to clear his own name. As Reed untangles a complex trail of clues, he learns that Farrell had discovered something much more disturbing than the usual, run-of-the-mill PI case and had attempted to contact Reed for help.

Lights! Camera! Reed! That's right - Reed Ferguson, the intrepid hero of This Doesn't Happen in the Movies, is back. A mysterious death. A brother searching for the truth. A devious ex-wife. Real estate shenanigans. More danger for Reed than a film noir plot.

Compelled by a dark secret from his past, private investigator Reed Ferguson takes on his most unique case yet: bodyguard for young, spoiled trust-fund baby Stephanie McMahon. As Reed tries to protect her from her father's enemies, he gets more than he bargained for. Things are not what they seem, no one can be trusted, and the past has a way of coming back to haunt us. And when suspicious deaths begin piling up, Reed knows he might be next.

When Charlie Preston, second baseman for the Colorado Rockies, is suspected of murdering his best friend, Pete Westhaven, he turns to Denver private investigator Reed Ferguson for help. Reed believes in Charlie’s innocence, so he takes the case. But as Reed digs into the murder victim’s past, he quickly finds himself ensnared in the clandestine underworld of illegal steroids. As the lists of suspects grows, Reed battles not only to solve the crime, but also to save the person he loves most.

Reed Ferguson loves film noir and classic detective fiction, and he wants more than anything to emulate his hero, Humphrey Bogart. So Reed tries his hand at the detecting business and what follows is a humorous journey into suspense territory.

It's 1949. World War II is over, but it has a way of haunting people for years to come. Gordon Sandalwood suspects his wife Edith is hiding something from him, and he asks Denver private investigator Dewey Webb to find out what. Dewey, toughened by his own war experiences, reluctantly takes the case, certain it will lead to nothing. But when he sees Edith rendezvous with a mysterious man, Dewey realizes his assumptions might be wrong.

Denver homicide detective Sarah Spillman is called to investigate the rape and murder of a young woman. With few clues, Sarah delves into the woman’s life and finds the most recent to see her are an angry ex-boyfriend and a mysterious stranger. But would either kill her? At the same time, Sarah confronts her own past, not realizing how close to home this killer will strike.

Reed Ferguson's first case is a daring adventure, complete with a dose of film noir, and a lot of humor. With a great supporting cast of the Goofball Brothers, Reed's not too bright neighbors, and Cal, Reed's computer geek friend, This Doesn't Happen in the Movies is detective noir at its best. Follow Reed as he solves crime akin to his cinematic hero, Humphrey Bogart.

Marijuana store owner Jodie Lundgren suspects that someone is trying to steal her newly developed process for growing marijuana faster and cheaper. She hires Reed to see if this is true or part of her stoner imagination. Reed goes undercover as an employee in Jodie's store, and he soon discovers that selling weed can be a dangerous business. It doesn't take long before Reed uncovers secrets and lies that lead to murder. But can he find the killer before his secret identity is discovered?

A car found at a park, a woman’s body inside. It appeared Dr. Amy Babbitt had a good life. Did she commit suicide, or did someone want her dead? As Denver Homicide Detective Sarah Spillman delves into Amy’s life, the details don’t add up, but the suspect list does. Everyone is keeping secrets, and someone is willing to kill to keep theirs hidden. And as Sarah investigates, she must confront her own dark past. Revenge is a dish best served dead.

When a Denver judge is brutally slain, Detective Sarah Spillman inherits her biggest case yet. Discovered with the body is a note: Your judgment is coming. Who would want to murder a judge whose reputation for integrity and fairness is well-known? No sooner do Sarah and her team delve into the case than a killer strikes again, the victim another judge. An identical note is found at the crime scene; however, no link appears to exist between the two judges. Sarah’s instincts tell her there is more to the murders than meets the eye.

She was a prostitute, young and alone, a discard of society. No one cared she was dead except Denver Homicide detective Sarah Spillman. As she searches for a killer, Sarah finds that those who knew the woman didn’t care, either. Sarah uncovers few motives and even fewer clues. At the same time, her commander asks her to assist on another investigation, the drowning death of a homeless man, another forgotten member of society. However, he happened to be the son of the lieutenant governor.

Reed's back with a dose of humor and film noir that will keep you turning pages. When an attractive female client begs Reed Ferguson to find her prize-winning Maltese show dog stolen from her back yard, Reed suspects he may be channeling Ace Ventura: Pet Detective rather than his hero, Humphrey Bogart. It sounds like a simple case, but things take a dangerous turn and Reed discovers that man's-best-friend can attract some decidedly unfriendly characters!

When I receive a call from a mysterious woman seeking my help to escape her abusive husband, I can’t refuse, even though I'm supposed to meet my future in-laws in twenty-four hours. Like my hero, Humphrey Bogart, I am a sucker for a damsel in distress, but the woman disappears before I can whisk her to safety, and I feel compelled to find her. As I dig deeper into her identity, I discover her husband, a high-profile attorney, has secrets that could destroy his political aspirations.

Ex-Army Civil Affairs specialist Jo Gunning is a loner. No commitments. No fixed address. She's enjoying her anonymity in Virginia when she crosses paths with a runaway teenage girl in need. Assisting the girl in getting home leads to a phone call for help, and a claim from the girl that her father is holding her hostage. As Jo searches for answers, she finds that nothing is what it seems, and no one is telling the truth.