Showing results by narrator "Lorene Shyba" in All Categories

In this followup to his hugely popular Midnight Storm Moonless Sky: Indigenous Horror Stories, Blackfoot storyteller Alex Soop plunges us again into enthralling tales that mix reality with dark terror. Within its stories, Whisper at Night and They Will Come reveals ancient theories of the paranormal, post apocalyptic scenarios, impossible wells of grief, and monstrous phobias. Soop scares the wits out of listeners, all the while uncovering overlooked social anxieties and racism affecting Indigenous Peoples across North America.

My Life in Propaganda is Magda Stroińska’s personal account of growing up with communist propaganda in Eastern Europe. She compares the beliefs of her family with what she was taught at school, learning early on about double interpretations and ambiguities through language. Through her chosen field of linguistics, she analyzes ways in which propagandistic language, such as ‘doubletalk,’ Orwellian ‘Newspeak,’ ‘weasel words,’ and, more colloquially, ‘bullshit,’ is used to distort reality. The book demonstrates that democracy can never be taken for granted.

Two murder trials were held in Toronto in the spring of 1962, only 19 days apart. The accused man in each trial, one a pimp accused of stabbing a fellow pimp to death, the other a thief who killed a policeman in a shootout, were the last two men to be hanged in Canada. Toronto criminal lawyer Ross Mackay was the counsel for the accused in both trials, a mere 30 years old when he lost them both to the gallows. But the trials were far from the last times that Mackay defended accused murderers in the most horrendous circumstances.

Blackfoot storyteller Alex Soop plunges us into a shocking well of imagination in this collection of short stories, Midnight Storm Moonless Sky. From hauntings on the Highway of Tears to fearful gatherings of ghosts and the sorrows of racism, Soop combines the social anxieties of Indigenous life with spellbinding flights and frights of speculative fiction. Through these enthralling stories of reality mixed with terror, listeners get a wicked glimpse into the genre of Indigenous horror.

Pine Box Parole, Part One, “The Terry Fitzsimmons Story” begins with convicted murderer Terry Fitzsimmons hanging himself in Ontario’s Kingston Penitentiary. Subsequent chapters explain his background and the senseless killings upon which he embarked after spending years in solitary confinement. Fitzsimmons’ lawyer, and author of this book, John L. Hill, defends the indefensible by putting the blame on the prison system for creating a monster.

Indigenous Justice is Book 10 in the Durvile True Cases series. In the spirit of truth and reconciliation and respectful of Indigenous cultural integrity, judges, lawyers, and law enforcement officers write about working with First Nations, Métis, and Inuit Peoples through their trials and tribulations with the criminal justice system. The stories are a mix of previously published essays from the True Cases anthologies with an equal number of new chapters by legal and law enforcement professionals.

The Little Book was originally published in 1932 and made a vital contribution to the curriculum for Canadian-Ukrainian children in prairie schools. The book features charming parables and poems to help children from kindergarten to grade nine to understand Ukrainian language and culture. This audiobook features Ukrainian narratives with English translations of these lovely rhymes and verses, along with musical accompaniment on guitar of the national anthem and traditional Ukrainian folk songs.

After the Force is a unique and intriguing book where stories are told from the perspective of first contact at crime scenes as observed by police officers who have served in municipal, provincial, and federal police services.

This book is a collection of stories about culture, history, and nationhood as told by Métis women.

Vistas of the West is a collection of poetry and visual art that celebrates the beauty and spirit of the Rocky Mountains, Western foothills, prairie landscapes, and the natural inhabitants of these beautiful environments.

In this Y/A rom-com, enviro-science grad Maeve Wong gets caught up in a bizarre revolution with unscrupulous lawyers and oil barons to take over the government of Oil Land. One love of her life lusts for activism and justice, the other for resource exploitation at all costs. She needs to decide whose side she is on.

Florence Kinrade, dutiful daughter of a wealthy, upper-crust Canadian family in 1909, lives a secret double life as a vaudeville showgirl in Richmond, Virginia. Then sister Ethel shows up dead, with Florence being, apparently, the only one at the scene at the time. Next up, a coroner’s inquest, a mental diagnosis, more vaudeville show business, and a good hard investigative look by investigative journalist, Frank Jones.

Canadian women judges and criminal lawyers tell of cases that they have found particularly challenging in this fourth book of the Durvile True Cases series. Some were disquieting and perplexing or had surprising turns, many are high-profile, and many continue to have interesting social or personal effect.

Olya and Olena Escape the Invaders is about two young Ukrainian ballet students who escape the Russian invasion of Mariupol and embark on a difficult journey to safety. Along the way, they encounter helpers who aid them on their travels, including an angelic Baba grandma and a dog named Rinnie. Although they know they will miss their homeland, they eventually make their way to Canada where they too become important helpers.

The Musician Healer resurrects a long-forgotten role for musicians and provides clear guidance for preparation and self-development as a musician healer in order to reactivate this role for the modern world. It begins with the author’s personal musical story that draws upon her Mi’kmaq/Abenaki First Nations and French Canadian roots, followed by the history of musician healers from ancient Egypt and India. Runningdeer then explores the energetic aspects of music healing, especially the quality of personal energies that a musician channels through her music.

A work in progress since the 1970s, We Remember the Coming of the White Man chronicles the history of the Sahtú (Mountain Dene) and Gwinch’in People in the extraordinary time of the early 20th century. Chapters are transcripts of oral histories by 10 Elders about their recollections of the early days of fur trading, guns, and flu pandemic; dismay about the way oil and uranium discoveries and pipelines were handled on their land; and the emotional and economic fallout of the signing of Treaty 11.

A lawyer, arbitrator, and judge, as well as a politicial activist and feminist, Nancy Morrison practiced law and adjudicated in Ontario, Saskatchewan, British Columbia, Yukon, and the Northwest Territories. For more than 50 years, she has been a public speaker on social and political issues. As a judge, she served for nine years on the British Columbia Provincial court, 1972-1981, including three years as a vice-chair of the BC Labour relations board; and 15 years on the Supreme Court of British Columbia, 1996-2011. Raised in Yorkton, Saskatchewan, she now lives in Vancouver.

Against the Odds chronicles Thomas R. Berger's significant contributions to Indigenous rights advocacy in Canada and the United States. Mid-career, Berger led the Mackenzie Valley Pipeline Inquiry, conducting over thirty community hearings in the Northwest Territories to ensure that First Nations' voices were heard. Later, he also led public hearings on the Alaska Native Claims Settlement Act.

Ascenti: Humans Opening to AI features a diverse group of professionals, known as “creatives,” who specialize in visual art, writing, photography, audiobook performance, music, and computer games. These individuals experimented by inspiring AI apps to generate works based on prompts derived from their original artworks and writings, then interpreted AI’s outcomes. Some of the creatives found that AI provided positive solutions to overcome visual or other challenges they face. Others uncovered methods where AI supplemented or amplified their artistic visions.

The poetry in Love Life Loss and a little bit of hope invites non-Indigenous people to see through the eyes of Indigenous people with topics of peace and humanity, as well as grief, trauma, and a little bit of hope. Chief Stacey Laforme breathes life into every poem and story he shares, drawing from his own experiences. Rich with the essence of his soul, the poems in this book capture the moments and emotions that have shaped his life. His desire is for listener to not just listen, but to truly feel the humour and pain intertwined in these poems.