Showing results by author "Leonid Andreyev" in All Categories

The best collection of Russian short stories includes: Fyodor Dostoevsky: Notes from the Underground, The Dream of a Ridiculous Man, The Beggar Boy at Christ's Christmas Tree. Leo Tolstoy: The Death of Ivan Ilyich, Kholstomer, the Story of a Horse, Alyosha the Pot, A Letter to a Hindu, A Confession, God Sees the Truth, but Waits, A Russian Christmas Party. Anton Chekhov: Kashtanka, Gusev, The Darling, The Lady with the Dog, A Slander, The Horse-Stealers, The Petchenyeg, A Dead Body, A Happy Ending, The Looking-GlassOld Age, Darkness, The Beggar, In Trouble, Frost, Minds in Ferment, Gone Astray.

Whilst faith can be practiced anywhere religious faith is usually at a church or temple. The stories in this volume are centered both in houses of worship and with those with a strong association to its calling. Of course, short story authors have a determined belief in their undoubted talents to make us look at this subject from different angles. In this volume they take us on literary journeys that are revealing and challenging yet always entertaining.

This audiobook includes 10 Great Russian Short Stories: The Mantle by Nikolai Gogol, Mumu by Ivan Turgenev, First love by Ivan Turgenev, An Avenger by Anton Chekhov, Darkness by Anton Chekhov, The Death of Ivan Illyich by Leo Tolstoy, Notes from the Underground by Fyodor Dostoevsky, The Little Angel by Leonid Andreyev, The Dream of a Ridiculous Man by Fyodor Dostoyevsky, A Troublesome Visitor by Anton Chekhov.

There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two. Whatever history and culture says WE think 3, a hat-trick of stories, is a great number to explore themes and literary avenues that classic authors were so adept at creating.

Centering on the picaresque realism of Nikolai Gogol’s (1809-1852) mid-19th-century visions of the extraordinary in everyday life, this collection mines the ambiance and mind of pre-Revolutionary Russia. These seven stories take us from the Miracle Mile of St. Petersburg’s Nevsky Prospekt, and a summer night in a Ukrainian village, to the fantastical psychological geographies of fathers, sons, and madmen. Augmenting Gogol’s visions are two disturbing tales by the foremost storyteller of Russia’s “Silver Age”.

Mental illness though can still carry a stigma. A case of ‘you’re not trying hard enough’, ‘or knuckling down and getting on with it’. But in more recent decades mental issues have come to be recognised as an illness, a disease rather than an affliction. We all remember horror stories of lobotomy’s and electric shock being used to ‘cure’ what society viewed as anti-social behaviour but illness, mental or physical is very real. Depression, schizophrenia, breakdown, psychosis are alarming events to have or to witness.

In this novella, an elderly man, who has endured a lengthy period of imprisonment for murder, relates how he has become reconciled with his incarceration. Prison has not made him bitter or robbed him of his intellectual acuity, but it may have put at risk his ability to function effectively as a free man after his release.

Leonid Andreyev was one of the major literary artists at the turn of the 20th century and is widely regarded as perhaps the most talented and prolific representative of the "Silver Age" period of Russian literature. The Seven Who Were Hanged is considered by many to be his masterpiece.

Short stories have always been a sort of instant access into an author’s brain, their soul and heart. The Russian Literary Tradition has justly earned a magnificent reputation. The Russian Empire of the Czars was a huge and disparate patchwork of peoples ruled by an overbearing elite that employed a middle-class bureaucracy to keep the working class firmly underfoot. Within its vaulted ranks are a role call of many of the greatest literary talents of the ages.

In this volume our classic authors turn their words to the religion of Christianity. It’s a fascinating subject for our authors who can explore faith and belief in ways that we rarely subject ourselves to. Whatever your faith these stories raise questions and that are of interest to us all.

In the ancient lands of Judea, where the boundary between life and death is both sacred and feared, one man crosses that divide and returns irrevocably changed. Lazarus, raised from the grave by the hand of Christ, emerges not as the man he once was but as a shadow of his former self, haunted by the specter of death. The miracle of Lazarus's resurrection reverberates across the land, drawing pilgrims and skeptics alike. Yet, as Lazarus walks among the living, he carries with him an unsettling aura that instills dread and despair in all who encounter him.

Leonid Nikolaievich Andreyev was born on 21st August in Oryol, Russia, to a middle-class family of Polish, Ukranian and Finnish ancestry. In 1898 his first short story ‘Bargamot and Garaska’, published in the ‘Kurier’ newspaper, caught the attention and friendship of Maxim Gorky. Andreyev now discarded any other career path apart from that of author. His classic story ‘Lazarus’ brilliantly tells the story of Christ’s disciple, forced to wander the earth for all time; it is both chilling and heart-breaking in its Russian setting.

Rusya’da 1905’de patlak veren ve ancak 1907’de bastınlabilen ilk devrimden sonra, o karanlık, karışık yıllarda (19071917) idamlar, intiharlar salgın şeklini almıştı. Rusya’nın dört bir yanında darağaçları kuruldu. Cellatlar gece gündüz, durmadan çalışıyor, cellat yetişmiyordu.O mahut Schlüsselburg kalesi ve çoğunluğu kale şeklinde olan diğer hapishaneler, mahpuslarla dolup dolup taşıyordu. Çar mahkemeleri ara vermeden çalışıyordu. Ve bir gece geçmiyordu ki şafak vakti bir kaç genç insan asılmasın.

Leonid Andreyev spent most of the last decade of his life in the Finnish village Vammelsu, near the Black Rivulet, where he built for himself a villa. The village was close to the sea, and Andreyev spent many hours exploring the local seas in his yacht.

Many great writers have written about war, but few have explored the personal trauma endured by combatants as did Leonid Andreyev in this tale of the traumatic experiences of a soldier in the Russo - Japanese war in 1905.

In this typically gloomy novella, Andreyev explores the stunning finality of death and the futility of regret.

In this novella, set in the French Revolution, Leonid Andreyev explores the behavior of a people as it prepares to exchange one form of public servitude for another. As with most of the works of Andreyev, the mood is somber and reflects the author's extreme disillusion with the fallout from the Russian revolution, which he had initially greeted with enthusiasm.

Having assumed the form of an American multimillionaire, Satan sets out on a tour through Europe in quest of amusement and adventure. He observes a panopoly of subversive and hypocritical behaviors, the abhorrent cruelty of men and the deceptive innocence of women. Within a short time, Prince of Hell finds himself outwitted, deceived, relieved of his millions, mocked and humiliated, and beaten by man by the use of his own devilish devices.

The collection consists of three stories related to the Gospel narrative. All three stories feature the writer's characteristic view of the bleakness of human endeavor in an uncaring world.

A terrorist on the run hides in a brothel. Desperate for respite after evading authorities for days, he hires a prostitute even though he has lived his life as a chaste man. The well-off idealistic young man and the poor woman doing what she can to survive clash but also inspire each other in this dark tale of failed dreams.