Showing results by narrator "Sarah Durham" in All Categories

London, 1944. Clara Button is no ordinary librarian. While the world remains at war, in East London, Clara has created the country's only underground library, built over the railway tracks in the disused Bethnal Green tube station. Down here, a whole community thrives: with hundreds of bunk beds, a café and a theatre offering shelter from the bombs that fall above. Along with her glamorous best friend and assistant librarian, Ruby Munroe, Clara ensures the library is the beating heart of life underground.

I was the other woman. The mistress. Everyone blamed Doctor Drew Devlin’s death on me. And I’ve paid the price for loving the wrong man. Now, I have dark circles under my eyes because I can’t sleep at night. I lost everything–friends, family, my home and even my freedom. Drew’s devious wife Fern tore my whole world apart. And she thinks she’s got away with murder.

Your daughter isn't answering your calls. She's not replying to your messages. You rush to her house. She's slumped in the basement, dying and alone. You desperately call for help. She whispers a single word. Someone is keeping secrets. And it must be someone you know.

I loved my husband, Doctor Drew Devlin, but he betrayed me. And now he’s dead. As I put the key in the lock and open the door to the luxurious new home I’ve purchased with Drew’s life insurance money, I’m certain the worst days are behind me. My secret is safe, and I can’t wait to enjoy my new wealth and freedom.

The students of Royal Hastings University's new Multimedia Art course have been trouble from day one. The year-long course is blighted by accusations of theft, students setting fire to one another's artwork, a rumoured extra-marital affair and a disastrous road trip. ut finally they are given their last assignment: to build an interactive art installation for a local manufacturer. With six students who have nothing in common except their clashing personal agendas, what could possibly go wrong? The answer is: murder.

"There’s someone I want you to meet," Belle says, as a man draws up to her side. He’s tall with dark hair and stubble on his square jaw. He’s not exactly smiling, but the corner of his mouth curls upwards as he slides his hand around my daughter’s waist.

Moments before she dies, Nicola's grandmother Betty whispers to her that there are babies at the bottom of the garden. Nicola's mother claims she was talking nonsense. However, when Nicola's daughter finds a bone while playing in Betty's garden, it's clear that something sinister has taken place.

Sylvie and Donna travel on the same train to work each day but have never spoken. Their families are on different sides of the bitter Brexit divide, although the tensions and arguments at home give them much in common. What they don't know is that their eldest children, Rachid and Jodie, are about to meet for the first time and fall in love. Aware that neither family will approve, the teenagers vow to keep their romance a secret. But as Sylvie's family feel increasingly unwelcome in England, a desire for a better life threatens Rachid and Jodie's relationship.

When the broken body of a seventy-one-year-old woman is found beneath the Humber Bridge, a sign around her neck with the words ‘Pure Evil’ spray-painted in red, Detective Hollie Turner can’t help but wonder–who would want this frail elderly woman dead? As she starts to delve into the victim’s personal life, Hollie discovers that the woman, Sister Brennan, ran a local mother and baby home at the Church of St Mary and the Angels. The unit may have shut down years ago, but the pain and anguish of those who were forced to give up their babies remains.

You trust them with your child. You shouldn’t. Each Monday after school, I look after my daughter Coralie and four other kids from her class. We go to the park when it’s sunny, snuggle on the sofa reading books when it rains. Tuesdays to Fridays, the other parents take them. It’s perfect–a circle of free childcare, of fun and friendship for our children. But this morning, we all received an anonymous note. And now I’m terrified.

My husband is a doctor. He’s smart and charming, and everybody trusts him. Except me. On the surface, it looks like I have it all–the perfect marriage, the perfect husband, the perfect life. But it’s far from the truth. Doctor Drew Devlin is not the respectable figure he makes out to be. The reason we moved to this beautiful, old property with a gorgeous view of the sea was because we needed to put our past behind us. It should’ve been a fresh start for us both.

Today we move into our new houses, right next door to each other. My ex-husband and me. He’s with someone else. So am I. We’re still the best of friends. We’re making sure we’re not like every other separating couple. We know we will make it work. We’ve even knocked down the fences between the houses, so the children can all run between both homes. But it seems not everyone likes this big, blended stepfamily. I try to ignore the scary note in the "new home" card and the red pen scrawled through my divorce paperwork.

Friends for over 30 years, Kerry and Pat’s worlds came crashing down when their teenage sons were both diagnosed with life-threatening illnesses within weeks of each other.

Jen is turning 30 and has spent her entire life jumping from man to man. So, when her latest relationship ends without warning, she decides to stop pleasing others and focus on herself. And where better to do that than the famously picturesque Canadian ski resort of Whistler? Okay, she can't ski and desperately needs to find a job fast, but it's nothing she can't handle. Her only rule is to stay single for the entire ski season. While Jen is throwing herself into Whistler life, Art is doing his best to keep his distance from the people who remind him of everything he once lost.

For Iris, each visit to her mother in St Mabon’s Cove, Cornwall has been the same—a serene escape from the city. But today, as she breaths in the salt air on the doorstep of her beloved childhood home, a heavy weight of anticipation settles over her. Iris knows she’s adopted, but any questions about where she came from have always been shut down by her parents, who can’t bear to revisit the past. Now, Iris can’t stop thinking about what she’s read on the official paperwork: BABY GIRL, FRANCE, 1939 – the year war was declared with Nazi Germany.

When Grace’s husband passed away, there was no guidebook for the 27-year-old widow. Crippled with heartbreak, she was also clueless. Was she allowed to wear denim? Should she be shrouded in a black veil? What about T-shirts printed with Tom’s face? Three years later, things look a little different for Grace. She’s adopted two precious girls, and she’s learned some life lessons.

When I got pregnant, Will and I didn’t have a clue what we were signing up for. It turns out that there’s loads we weren’t warned about. But even if I feel like I’m waiting for my motherhood powers to come in the post, at least I’ve got Will. Our old life - festivals, sambuca shots, an actual sex life - might be a distant memory, but we can get through anything together, can’t we? At least that’s what I thought until, one day, Will walked out on us.... If I’m on my own (apart from Siri, obviously) can I do this whole parenting thing?

From the outside, Emma has the dream life–a loving husband, a beautiful house, two gorgeous children. But something is keeping Emma awake. Scratching at her sanity at 1am. She’s tried so hard to bury the past, to protect her family. But witching hour loves a secret–and Emma’s is the stuff of nightmares . . .

Abandoned as a baby on the steps of a remote inn, Ruby Blake has been raised by the innkeeper’s wife, Martha Metcalfe, unknowing of the family searching for her. One wild stormy night, Ruby is reunited with her long-lost father, who wants to whisk her away to Banksgill Farm for a happy life with her true family. Feeling betrayed by Martha, Ruby follows her father for the chance of a new life. However, Ruby is quickly outcast from her real family for being born of Romani blood by everyone but the charming stable hand, Tom Adams.

This is not a taste, nor an anti-taste, manual. This is an interrogation of the importance we place on seemingly objective ideas of taste in a culture that is saturated by imagery, and the dangerous impact this has on our identities, communities and politics. This book is dedicated to understanding the industries of taste. From the food we eat to the way we spend our free time, Olah exposes the shallow waters of 'good' and 'bad' taste and the rigid hierarchies that uphold this age-old dichotomy.