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In the last years of his life, the writer Amos Oz talked regularly with Shira Hadad, who worked closely with him as the editor of his final novel, Judas. These candid, uninhibited dialogues show a side of Oz that few ever saw. What Makes an Apple? presents the most revealing of these conversations in English for the first time, painting an illuminating and disarmingly intimate portrait of a towering literary figure.

The ballad is one of the oldest poetic forms in English and are simply poems or songs that tell a story. Maybe it’s because of childhood associations or that we all enjoy a cracking good story told in rhyme but as this volume demonstrates, the ballad has endless appeal. We include favourites such as Coleridge’s The Rime of the Ancient Mariner, Edna St. Vincent Millay’s The Ballad of the Harp Weaver, Edgar Allan Poe’s Annabel Lee as well as classics such as Sir Patrick Spens, the Ballad of Reading Gaol by Wilde and La Belle Dame Sans Merci by Keats.

Suzanne Spaak was born into the Belgian Catholic elite and married into the country's leading political family. Her brother-in-law was the Foreign Minister, and her husband, Claude, was a playwright and patron of the painter Renée Magritte. In Paris in the late 1930s, her friendship with a Polish Jewish refugee led her to her life's purpose. When France fell and the Nazis occupied Paris, she joined the Resistance. She used her fortune and social status to enlist allies among wealthy Parisians and church groups.

Mrs Olga Stych, daughter of an immigrant Ukrainian pig farmer, has finally made it to the top of the social pyramid of Tollemarche, a small town in Canada’s Bible Belt. But to get there, she has not only had to see off her most determined rival, she has also had to neglect her son Hank. With enemies outside her home, and a latchkey kid inside—Hank was left to fend for himself—Olga little realises that the moment of her decline is to arrive just when she appears to be at her most triumphant.

Aging isn’t easy. But it can still be filled with joy—maybe even more joy than we expect. Alive Until You’re Dead offers a Zen approach to aging. Zen teacher and writer Susan Moon’s stories explore being present with what is, not turning away from what’s difficult, wishing for and working for the wellbeing of others, and being willing not to know what’s next. Moon writes of her most personal vulnerabilities in the service of connecting with everyone. These field notes from an old human being invite us to feel more alive in the final stretch, whatever it holds.

Sherry has lived with her family in a sealed bunker since things went wrong up above. But when they run out of food, Sherry and her dad must venture outside. There they find a world of devastation, desolation... and the Weepers: savage, mutant killers. When Sherry's dad is snatched, she joins forces with the gorgeous but troubled Joshua - an Avenger, determined to destroy the Weepers. But can Sherry keep her family and Joshua safe, when his desire for vengeance threatens them all?

The American literary tradition has, in a far shorter span of time than others throughout history, achieved a glowing and glittering reputation. From its transatlantic roots it has absorbed the sons and daughters of other cultures, other lands and made them part of her own. Within this melting pot of styles, genres and wordplay one fact stands out: In the American short story, literary tradition has a strong, vibrant and almost inclusive history, if you know where to look.

The American literary tradition has, in a far shorter span of time than others throughout history, achieved a glowing and glittering reputation. From its transatlantic roots it has absorbed the sons and daughters of other cultures, other lands and made them part of her own. Within this melting pot of styles, genres and wordplay one fact stands out: In the American short story, literary tradition has a strong, vibrant and almost inclusive history, if you know where to look.

When fifteen-year-old Jules Mathis comes home from school to find a strange girl sitting in her kitchen, her psychiatrist mother reveals that Mae is one of her patients at the hospital and will be staying with their family for a few days. But soon Mae is wearing Jules's clothes, sleeping in her bedroom, edging her out of her position on the school paper, and flirting with Jules's crush. And Mae has no intention of leaving. Then things get weird.

Mental illness though can still carry a stigma. A case of ‘you’re not trying hard enough’, ‘or knuckling down and getting on with it’. But in more recent decades mental issues have come to be recognised as an illness, a disease rather than an affliction. We all remember horror stories of lobotomy’s and electric shock being used to ‘cure’ what society viewed as anti-social behaviour but illness, mental or physical is very real. Depression, schizophrenia, breakdown, psychosis are alarming events to have or to witness.

William Sydney Porter was born on 11th September 1862 in Greensboro, North Carolina. At age 3 his mother died from tuberculosis. From an early age it was clear Porter had a large appetite for reading as he absorbed the world around him. He was a member of several singing and dramatic groups when he met 17 year old Athol Estes, daughter of a wealthy Austin family. Despite her mother’s objection owing to Athol’s tuberculosis, they began courting and in July 1887, they eloped and soon married.

William Sydney Porter was born on 11th September 1862 in Greensboro, North Carolina. At age 3 his mother died from tuberculosis. From an early age it was clear Porter had a large appetite for reading as he absorbed the world around him. He was a member of several singing and dramatic groups when he met 17 year old Athol Estes, daughter of a wealthy Austin family. Despite her mother’s objection owing to Athol’s tuberculosis, they began courting and in July 1887, they eloped and soon married.

William Sydney Porter was born on 11th September 1862 in Greensboro, North Carolina. At age 3 his mother died from tuberculosis. From an early age it was clear Porter had a large appetite for reading as he absorbed the world around him. He was a member of several singing and dramatic groups when he met 17 year old Athol Estes, daughter of a wealthy Austin family. Despite her mother’s objection owing to Athol’s tuberculosis, they began courting and in July 1887, they eloped and soon married.

William Sydney Porter was born on 11th September 1862 in Greensboro, North Carolina. At age 3 his mother died from tuberculosis. From an early age it was clear Porter had a large appetite for reading as he absorbed the world around him. He was a member of several singing and dramatic groups when he met 17 year old Athol Estes, daughter of a wealthy Austin family. Despite her mother’s objection owing to Athol’s tuberculosis, they began courting and in July 1887, they eloped and soon married.

William Sydney Porter was born on 11th September 1862 in Greensboro, North Carolina. At age 3 his mother died from tuberculosis. From an early age it was clear Porter had a large appetite for reading as he absorbed the world around him. He was a member of several singing and dramatic groups when he met 17 year old Athol Estes, daughter of a wealthy Austin family. Despite her mother’s objection owing to Athol’s tuberculosis, they began courting and in July 1887, they eloped and soon married.

In this volume we examine Gothic short stories from the woman’s point of view. More usually in this genre the main examples are almost always given as male. Well, in this volume we prove that view needs severely testing. Here we explore works by classic women authors who, with the sheer breadth of their talents and narratives, can make mere men seem tame by comparison.

Our quoted authority is not the people in white coats but those with a quill, a heart and a soul that can take these feelings of love and loss and with the ink of words put to verse feelings and emotions that can be re-lived and shared by all. As they venture through depression, war, slavery to heartache and the loss of loved ones our eyes may mist and tears gently fall at what collectively we have done, have experienced, have witnessed and lost.

I haven’t spoken to my mother or sisters in years, but everything changes when I lose my husband. And I know it’s finally time to tell them why I’ve pushed them away. But as I approach my childhood home, my heart drops at the sight of police tape across the porch, and it shatters when I’m told my mother’s body has been recovered from the lake behind the house. I’m too late. Pushing all our differences aside, my sisters and I desperately search her house for answers. But something isn’t right. Her clothes are missing, and everything is covered in a thick layer of dust.

Whilst Europe endured the Dark Ages in the 6th & 7th Centuries, devotees of Shiva and Vishnu in Southern India were creating the Bhakti Movement. Some of these exponents, as in our volume, were bestowed with the title of saint but some had the additional title of sant, swami or goswami. Broadly speaking, Bhakti poetry, as in Hinduism itself, is divided into ‘Nirguna’, the idea that the divine is formless as exampled by Kabir and ‘Saguna’, which interprets the divine as having physical form as captured by Mirabai.

Meet Katy Carr. She's Impulsive, gangly, adventurous, awkward, and brave; she loves clambering over fences, sitting on roofs, making up games, or going for picnics with her five brothers and sisters (much to the horror of her Aunt Izzie). But when she falls from a swing, she suddenly has to cope with being stuck indoors - maybe forever.