Showing results by narrator "Richard Mitchley" in All Categories

When his parents move to the small town in New Zealand where his father grew up, ten-year-old Pete can hardly wait to meet all his relatives who live there - especially the four cousins his own age. Will he like them? And, more importantly, will they like him? But his cousins - Tracey, Jackson, Tessa and Lolly - decide that Pete must pass a test before he can join their gang: the Good Fortunes Gang. Now Pete must face a scary ordeal that means facing up to his very worst fears - alone in the dark...

At some point in our lives we believe that creak, that low moan, that whisper is something unnatural, beyond our comprehension. And in these stories our instincts are right. We are afraid. And we should be. Perhaps even terrified. In this volume our classic authors take different approaches, but the result is inevitably the same. We are hooked by these unknowable forces, our emotions heightened and rattled by the expectation - or shock - of the next few words.

The office of Poet Laureate is a high honour amongst poets. The ancient Greeks had the first idea, and their heroes and poets wore wreaths of laurel in honour of the god Apollo. Many countries now have a laureate, as do many societies and organisations. But perhaps ranked first among them all is that of our own Poet Laureate. Unfortunately no single authentic definitive record exists of the office of Poet Laureate of England. In some form it can be traced back to 1189 and Richard Canonicus, who was employed by Richard I with the title 'versificator Regis'.

There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two. Whatever history and culture says WE think 3, a hat-trick of stories, is a great number to explore themes and literary avenues that classic authors were so adept at creating.

There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two. Whatever history and culture says WE think 3, a hat-trick of stories, is a great number to explore themes and literary avenues that classic authors were so adept at creating.

There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two. Whatever history and culture says WE think 3, a hat-trick of stories, is a great number to explore themes and literary avenues that classic authors were so adept at creating.

There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two. Whatever history and culture says WE think 3, a hat-trick of stories, is a great number to explore themes and literary avenues that classic authors were so adept at creating.

There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two. Whatever history and culture says WE think 3, a hat-trick of stories, is a great number to explore themes and literary avenues that classic authors were so adept at creating.

Louisa MacDonald was born in 1845, one of eleven children of part Scottish descent. Together with three of her sisters they were known as the ‘MacDonald sisters’ primarily because of their marriages to well-known men. Her writing career of novels, short stories and poetry is often overlooked, as was the case with so many women, yet her works reveal many talents and a gift for melding odd and weird circumstances into seemingly everyday life.

There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two. Whatever history and culture says WE think 3, a hat-trick of stories, is a great number to explore themes and literary avenues that classic authors were so adept at creating.

There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two. Whatever history and culture says WE think 3, a hat-trick of stories, is a great number to explore themes and literary avenues that classic authors were so adept at creating.

Francis Marion Crawford, an only child, was born on 2nd August 1854 at Bagni di Lucca, Italy. He was a nephew to Julia Ward Howe, the American poet and writer of "The Battle Hymn of the Republic". Crawford was educated at St Paul's School, Concord, New Hampshire, and then on to Cambridge University, the University of Heidelberg and the University of Rome. In 1879, he went to India, to study Sanskrit and then to edit The Indian Herald. In 1881, he returned to America to continue his Sanskrit studies at Harvard University.

The most enduring and popular theme of poems and poets is that of love. Love changes; its rhythms pause and pulse on the tiniest of things and the biggest of thrills. Within its shades all other feelings, all other emotions, gently reside, waiting for their moment. In these 50 poems, the many, many shades of love reveal themselves.

Here, in this volume history’s greatest poets convey thoughts, feelings and sentiments of love to you in quick (or bite-size) conversations of verse that can slip into your day and your partner's heart.

Here, in this volume history’s greatest poets convey thoughts, feelings and sentiments of love to you in quick (or bite-size) conversations of verse that can slip into your day and your partner's heart.

Here, in this volume history’s greatest poets convey thoughts, feelings and sentiments of love to you in quick (or bite-size) conversations of verse that can slip into your day and your partner's heart.

What is love? The question is asked by each of us, but the answer remains elusive. Dictionaries summon up many words, but none fulfill. Love itself is often ethereal, felt but only seen in a glance, a look, a fleeting touch. Part of love’s beauty is perhaps in the fact that the question never can be adequately answered; it's ephemeral, a chimera of the heart and only felt. Our own experiences are unique and personal to ourselves and of little help defining it for another. Love is perhaps best expressed through poetry.

The question is asked by each of us, but the answer remains elusive. Dictionaries summon up many words, but none fulfill. Love itself is often ethereal, felt but only seen in a glance, a look, a fleeting touch. Part of love’s beauty is perhaps in the fact that the question never can be adequately answered; it's ephemeral, a chimera of the heart and only felt. Our own experiences are unique and personal to ourselves and of little help defining it for another.

Ralph Waldo Emerson was born in Boston, Massachusetts on 25th May 1803, the son of Ruth Haskins and the Rev. William Emerson, a Unitarian minister. Emerson was the second of five sons who survived into adulthood. His father died before Emerson was eight, and the young boy was raised by his mother and other female members of the family. Emerson's formal schooling began at the Boston Latin School in 1812 when he was nine. In October 1817 at 14, Emerson went to Harvard College.

Paul Laurence Dunbar was born on 27th June 1872 in Dayton, Ohio. His parents had been slaves in Kentucky before the Civil War. Dunbar wrote his first poem at age six and gave his first public recital at age nine. By 16, he was already published as a poet in The Herald, a local newspaper. After completing his formal schooling in 1891, Dunbar was employed as an elevator operator, at four dollars a week. His hopes of a legal career floundered on a lack of funds and racial discrimination. However, he wrote his poetry and took every opportunity to publish.