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"The Beasts of Tarzan" is a novel by American writer Edgar Rice Burroughs, the third in his series of twenty-four books about the title character Tarzan. Originally serialized in All-Story Cavalier magazine in 1914, the novel was first published in book form by A. C. McClurg in 1916.

Reggie Oliver is a stage actor and playwright. His biography of Stella Gibbons was praised as "a triumph" by Hilary Spurling in the Daily Telegraph, his play Winner Takes All, was described as "the funniest evening in London", by Michael Billington in The Guardian, and his adaptation of Hennequin and Delacour's Once Bitten opened at the Orange Tree Theatre in London in December 2010. A PIECE OF ELSEWHERE: Staying with Auntie Winnie was going to be a treat. That was what I was told, but no valid reason for why it should be had been supplied.

Reggie Oliver is a stage actor and playwright. His biography of Stella Gibbons was praised as "a triumph" by Hilary Spurling in the Daily Telegraph, his play Winner Takes All, was described as "the funniest evening in London", by Michael Billington in The Guardian, and his adaptation of Hennequin and Delacour's Once Bitten opened at the Orange Tree Theatre in London in December 2010. MINOS OR RHADAMANTHUS: The sun was sinking behind the cricket pavilion, extending its long shadows over the grass of what had once been called 'The Great Field'.

Rosalie Parker runs the independent UK publishing house Tartarus Press with R. B. Russell. Her previous collections include The Old Knowledge (Swan River Press 2010) and Damage (PS Publishing 2016). "In the Garden" was selected for Best New Horror 21 (2010), and "Random Flight" for Best British Horror 2015. Rosalie lives in Coverdale, North Yorkshire, the magnificent landscape of which inspires and sometimes provides the settings for her writing. DEAR JOHN: There are times when something affects you deeply and alters the way you look at the world.

Rosalie Parker runs the independent UK publishing house Tartarus Press with R. B. Russell. Her previous collections include The Old Knowledge (Swan River Press 2010) and Damage (PS Publishing 2016). "In the Garden" was selected for Best New Horror 21 (2010), and "Random Flight" for Best British Horror 2015. Rosalie lives in Coverdale, North Yorkshire, the magnificent landscape of which inspires and sometimes provides the settings for her writing. DEAD LETTERS: When Lavinia's attention was fully engaged by the tele-vision, as often as not the pen would lower onto the paper and the words appear.

Reggie Oliver is a stage actor and playwright. His biography of Stella Gibbons was praised as "a triumph" by Hilary Spurling in the Daily Telegraph, his play Winner Takes All, was described as "the funniest evening in London", by Michael Billington in The Guardian, and his adaptation of Hennequin and Delacour's Once Bitten opened at the Orange Tree Theatre in London in December 2010. COUNTESS OTHO: I loathe fans. I realise I shouldn't be saying this. The correct thing for actors to say is that fans are the lifeblood of the theatre: we love and respect them. No, we don't.

VOLUME 1: FANTINE: Although this detail has no connection whatever with the real substance of what we are about to relate, it will not be superfluous, if merely for the sake of exactness in all points, to mention here the various rumors and remarks which had been in circulation about him from the very moment when he arrived in the diocese. True or false, that which is said of men often occupies as important a place in their lives, and above all in their destinies, as that which they do.

VOLUME 2: COSETTE: Last year (1861), on a beautiful May morning, a traveller, the person who is telling this story, was coming from Nivelles, and directing his course towards La Hulpe. He was on foot. He was pursuing a broad paved road, which undulated between two rows of trees, over the hills which succeed each other, raise the road and let it fall again, and produce something in the nature of enormous waves.

Reggie Oliver is a stage actor and playwright. His biography of Stella Gibbons was praised as "a triumph" by Hilary Spurling in the Daily Telegraph, his play Winner Takes All, was described as "the funniest evening in London", by Michael Billington in The Guardian, and his adaptation of Hennequin and Delacour's Once Bitten opened at the Orange Tree Theatre in London in December 2010. MEETING WITH MIKE: It looked as if one of Mad King Ludwig's fantasy castles had developed middle age spread.

Victor-Marie Hugo (26 February 1802 - 22 May 1885) was a French poet, novelist, essayist, playwright, and dramatist of the Romantic movement. During a literary career that spanned more than sixty years, he wrote abundantly in an exceptional variety of genres: lyrics, satires, epics, philosophical poems, epigrams, novels, history, critical essays, political speeches, funeral orations, diaries, and letters public and private, as well as dramas in verse and prose. BOOK 5: GRANDSON AND GRANDFATHER: Some time after the events which we have just recorded, Sieur Boulatruelle experienced a lively emotion.

Victor-Marie Hugo (26 February 1802 - 22 May 1885) was a French poet, novelist, essayist, playwright, and dramatist of the Romantic movement. During a literary career that spanned more than sixty years, he wrote abundantly in an exceptional variety of genres: lyrics, satires, epics, philosophical poems, epigrams, novels, history, critical essays, political speeches, funeral orations, diaries, and letters public and private, as well as dramas in verse and prose. BOOK 4: JAVERT DERAILED: Javert passed slowly down the Rue de l'Homme Armé.

Victor-Marie Hugo (26 February 1802 - 22 May 1885) was a French poet, novelist, essayist, playwright, and dramatist of the Romantic movement. During a literary career that spanned more than sixty years, he wrote abundantly in an exceptional variety of genres: lyrics, satires, epics, philosophical poems, epigrams, novels, history, critical essays, political speeches, funeral orations, diaries, and letters public and private, as well as dramas in verse and prose. BOOK 6: THE SLEEPLESS NIGHT: The night of the 16th to the 17th of February, 1833, was a blessed night. Above its shadows heaven stood open. It was the wedding night of Marius and Cosette.

Victor-Marie Hugo (26 February 1802 - 22 May 1885) was a French poet, novelist, essayist, playwright, and dramatist of the Romantic movement. During a literary career that spanned more than sixty years, he wrote abundantly in an exceptional variety of genres: lyrics, satires, epics, philosophical poems, epigrams, novels, history, critical essays, political speeches, funeral orations, diaries, and letters public and private, as well as dramas in verse and prose. BOOK 9: SUPREME SHADOW, SUPREME DAWN: It is a terrible thing to be happy.

Victor-Marie Hugo (26 February 1802 - 22 May 1885) was a French poet, novelist, essayist, playwright, and dramatist of the Romantic movement. During a literary career that spanned more than sixty years, he wrote abundantly in an exceptional variety of genres: lyrics, satires, epics, philosophical poems, epigrams, novels, history, critical essays, political speeches, funeral orations, diaries, and letters public and private, as well as dramas in verse and prose. VOLUME 3: MARIUS: Paris has a child, and the forest has a bird; the bird is called the sparrow; the child is called the gamin.

Victor-Marie Hugo (26 February 1802 - 22 May 1885) was a French poet, novelist, essayist, playwright, and dramatist of the Romantic movement. During a literary career that spanned more than sixty years, he wrote abundantly in an exceptional variety of genres: lyrics, satires, epics, philosophical poems, epigrams, novels, history, critical essays, political speeches, funeral orations, diaries, and letters public and private, as well as dramas in verse and prose. BOOK 8: FADING AWAY OF THE TWILIGHT: On the following day, at nightfall, Jean Valjean knocked at the carriage gate of the Gillenormand house. It was Basque who received him.

BOOK 7: THE LAST DRAUGHT FROM THE CUP: The days that follow weddings are solitary. People respect the meditations of the happy pair. And also, their tardy slumbers, to some degree. The tumult of visits and congratulations only begins later on. On the morning of the 17th of February, it was a little past midday when Basque, with napkin and feather-duster under his arm, busy in setting his antechamber to rights, heard a light tap at the door.

What effect do the places where we live or work have on us? Historian Roberta Rio, who researches the history of buildings, apartments and properties for her clients, regularly comes across astonishing and recurrent patterns. In this book she reveals what the Etruscans, the Romans and Cathedral architects all knew about the effects of places, what we ourselves should know and how we can find it out. Rio offers us a refreshingly down-to-earth summary of the findings of her research, and makes it practicable for our own personal use.

"Mirror Dead" is a thoroughly contemporary novel which demonstrates the rude health of the ghost story at the beginning of the twenty-first century. When Simon falls for fairytale-obsessed Rose, he sees a chance to move on from his girlfriend's death the year before. But can he trust Gray, the cross-dressing ghost of his twin brother, who shares his body and sees Rose as lunch? They set out to infiltrate her life, but soon find that they have bitten off more than either of them can chew. Rose has thorns. Her psycho ex is one of them.

The Robinsons arrived late in the evening; he in black tie and she in a long cocktail dress of sheer red silk. Neither Rachel nor Clive could remember inviting them, but they hoped the couple might enliven what was threatening to become a rather dull event.

When an unidentified "monster" threatens international shipping, French oceanographer Pierre Aronnax and his unflappable assistant Conseil join an expedition organized by the US Navy to hunt down and destroy the menace. After months of fruitless searching, they finally grapple with their quarry, but Aronnax, Conseil, and the brash Canadian harpooner Ned Land are thrown overboard in the attack, only to find that the "monster" is actually a futuristic submarine, the Nautilus, commanded by a shadowy, mystical, preternaturally imposing man who calls himself Captain Nemo.