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This story is excerpted from The Pied Piper of Hamelin: And Other Tales by Geoffrey Thomas. These short stories are brimming with the big-heartedness, warmth, and homespun humor that the author is known for.

The Legendary Casey Jones brings together many of Geoffrey Thomas’s short stories for the first time, each brimming with the big heartedness, warmth, and homespun humor that he is known for. Sweeping through southern deltas, western prairies and colonial outposts, Geoffrey Thomas introduces a host of extraordinary characters in his mesmerizing tales of American heritage: blacksmiths, farmers, frontiersmen try to get by; a brave railroad engineer becomes a national hero; a Native American girl changes the course of history.

Rübezahl, der Beschützer des Riesengebirges, verliebt sich in die Magd Rosa und nähert sich ihr in unterschiedlichen Gestalten. Die Baronin von Harrant nutzt die Unaufmerksamkeit des verliebten Geistes, um einen niederträchtigen Plan umzusetzen. Ihre Absicht ist, nicht nur die Wälder, sondern auch Rübezahls Goldschätze im Berg zu plündern. Sie erpresst Rosa, indem sie deren Mutter verhaften lässt, und entlockt ihr das Geheimnis, wie sie den Berg öffnen kann. Als Rübezahl das Komplott durchschaut, ist es schon fast zu spät.

The Boy Who Shouted “Wolf!” But There Wasn’t a Wolf and Other Fables brings together more of Geoffrey Thomas’s short stories, each brimming with the big-heartedness, warmth and homespun humor that he is known for. From both the ancient and modern world, Geoffrey Thomas introduces a host of extraordinary characters in his fantastical tales based on Aesop’s fables: a slave escapes death in the lion’s den; a donkey and a dog compete for attention; the sun and the wind battle to see who’s stronger.

An artist unknowingly creates a drawing that involves him in a spiritual death experience. Eighteen years in the making, The Endless Hour is an intense, emotionally wrenching true story about the struggles of an unusual, adventurous boy named Jesse in search of himself and truth. At a young age he is gifted with a creative imagination and drawing ability. In 1988, as an adult, Jesse completes an illustration that becomes reality two years later, an event that was destined yet unforeseen. This touching and terrifying true story is not only about him. It's also about...you.

Do you question whether God really exists? Have you considered walking away from your faith because you’ve been hurt by someone in the Church or because you struggle with some of its teachings? Or maybe you’ve already left? Are you carrying around guilt for something you’ve done and don’t feel you are worthy of God’s love?

Jesus didn't see a sick woman, he saw a daughter of God. He didn't see an outcast from society, he saw a child of Israel. He didn't see a sinner, he saw a person in the image of the Creator. Are we able to see others with the eyes of Jesus? Seeing rightly is the beginning of renewal, forgiveness, healing and grace. Seeing rightly, says Mark Labberton, is the beginning of how our hearts are changed. Through careful self-examination in the Spirit, we begin to bear the fruit of love toward others that can make a difference.

What's at stake in our worship? Everything. Worship is the dangerous act of waking up to God and God's purposes in the world. But something has gone wrong with our worship. Too often worship has become a place of safety and complacency, a narrowly private experience in which solitary individuals only express their personal adoration. Even when we gather corporately, we often close our eyes to those around us, focusing on God but ignoring our neighbor. But true biblical worship does not merely point us upward—it should turn us outward as well.

The most urgent call upon God?s people is to live as followers of Jesus. The most indicting critique against the church is as simple: its failure to do so. We long to renew our hope for a world broken and hurting. And it is we, God's people living in the power of the Holy Spirit, who are called to become this hope and flourish while in exile. Here is the crisis: we are made and redeemed for this calling, but it slides through our fingers.

Der Autor gestaltet in Form einer Reportage einen Prozess, der vor der Seprema Corte in Rom vom 03.06.1947-10.06.1947 gegen den des Hochverrats angeklagten Grafen Giulio Riccardi stattfand. Es ist, wie es in den einführenden Worten des Gerichtsreporters heißt, ein Prozess, der alle angeht, die gezwungen sind, in einer Diktatur zu leben. Riccardi hat in seiner Amtszeit ein gefährliches Doppelspiel gespielt.

Das Stück schildert, wie eine königliche Familie nach langen Jahren der Trennung auf wundersame Weise wiedervereint wird. Der Titel spielt offensichtlich auf den märchenhaften Charakter des gesamten Dramengeschehens an. Er unterstreicht aber auch die im Stück durch Struktur und Bildersprache entwickelten Analogien zwischen der Dynamik des menschlichen Schicksals und dem Zyklus der Jahreszeiten.