Showing results by author "𝖫𝖾𝗈𝗇" in All Categories

For Commissario Guido Brunetti it began with an early morning phone call. A sudden act of vandalism had just been committed in the chill Venetian dawn, a rock thrown in anger through the window of a building in the deserted city. But soon Brunetti finds out that the perpetrator is no petty criminal intent on some annoying anonymous act. For the culprit waiting to be apprehended at the scene of the crime is none other than Paola Brunetti, his wife.

It is June 1936. Leon Trotsky (1879-1940) has finally been granted a visa for asylum in Norway, having been banned first from living in Paris, and then the whole of France. With him comes the draft of The Revolution Betrayed: What Is the Soviet Union and Where Is It Going?, which is completed and sent to the publishers on the 4th of August. The book, published by Faber in 1937, is considered to be Trotsky’s major work on Stalinism.

By Its Cover is the much anticipated twenty-third instalment in Donna Leon's bestselling crime series, where Commissario Brunetti is better than ever as he addresses questions of worth and value alongside his ever-faithful team of Ispettore Vianello and Signorina Elettra. When several valuable antiquarian books go missing from a prestigious library in the heart of Venice, Commissario Brunetti is immediately called to the scene.

A 10-year-old gypsy girl is found dead in the canal, a man's wedding ring and watch in her possession, and Commissario Guido Brunetti uncovers a thorny world of prejudice and malefaction surrounding the immigrant gypsy communities.

It was a time of crisis, a time of tragedy - and a time of transcendent courage and determination. Leon Uris’s blazing novel is set in the midst of the ghetto uprising that defied Nazi tyranny, as the Jews of Warsaw boldly met Wehrmacht tanks with homemade weapons and bare fists. Here, painted on a canvas as broad as its subject matter, is the compelling story of one of the most heroic struggles of modern times.

Willkommen zu “Kunst und Recht” – dem Podcast, der die faszinierende Welt der Kunst mit den komplexen Aspekten des Rechts verbindet. In jeder Episode tauchen wir tief in die spannenden Schnittstellen zwischen Kunst und Gesetz ein. Von der Kunstfreiheit und Urheberrechten bis hin zu Fälschungen und Restitution – wir beleuchten die rechtlichen Herausforderungen und Geschichten, die hinter den Kulissen der Kunstwelt lauern. Begleiten Sie uns auf dieser Reise und entdecken Sie, wie Recht und Kunst miteinander verwoben sind. Contact us on kemle@kanzlei-kemle.de

On a cold November evening, Guido Brunetti and Paola are up late when a call from his colleague Ispettore Vianello arrives, alerting the Commissario that a hand has been seen in one of Venice's canals. The body is soon found, and Brunetti is assigned to investigate the murder of an undocumented Sri Lankan immigrant. Because no official record of the man's presence in Venice exists, Brunetti is forced to use the city's far richer sources of information: gossip and the memories of people who knew the victim.

They say that by the age of 40 you should have gained the skills and experience to have a better life. But the only thing I've gained is a job promotion to permanent desk jockey until retirement. I thought I escaped my mediocre destiny when I met my husband...until he died on our honeymoon and a series of unfortunate events left me with a strange mark on my body and my husband's corpse stolen right out of the funeral home!

During the interrogation of an entitled, arrogant man suspected of giving drugs to a young girl who then died, Commissario Guido Brunetti acts rashly, doing something he will quickly come to regret. In the aftermath he begins to doubt his career choices and realises that he needs a break from the stifling problems of his work. Granted leave from the Questura, Brunetti is shipped off by his wife, Paola, to a villa owned by a wealthy relative on Sant'Erasmo, one of the largest islands in the Venetian laguna.

In his many years as a commissario, Guido Brunetti has seen all manner of crime and known intuitively how to navigate the various pathways in his native Venice to discover the person responsible. Now, in the 30th novel in Donna Leon's masterful series, he faces a heinous crime committed outside his jurisdiction. He is drawn in innocently enough: two young American women have been badly injured in a boating accident, joy riding in the Laguna with two young Italians.

The murder of two clam fishermen off the island of Pellestrina, south of the Lido on the Venetian lagoon, draws Commissario Brunetti into the island's close-knit community, bound together by a code of loyalty and a suspicion of outsiders worthy of the Mafia. When the Vice-Questore's secretary Signorina Elettra volunteers to visit the island, where she has relatives, Brunetti finds himself torn between his duty to solve the murders, concerns for Elettra's safety, and his not entirely straightforward feelings for her....

A luminous spring day in Venice, and Commissario Brunetti and his sidekick Vianello play hooky from the Questura along the Grand Canal to rescue Vianello's friend Marco, who has been arrested during an environmental protest. They get him released, only to be faced by the fury of the man's father-in-law, who owns a glass factory on Murano. The old man is seething with rage, and his daughter shares her fear with Brunetti that he will actually hurt her husband.

On a cold Venetian night shortly before Christmas, a man is killed in a scuffle in Campo San Stefano. The closest witnesses to the event are the tourists who had been browsing the man's wares before his death - fake handbags of every designer label. Officially termed a venditore ambulante or extracomunitario, the dead man was working as a vu cumpra, one of the many Black Africans purveying goods outside normal shop hours and without work permits. Arriving on the scene, Commissario Brunetti's response matches that of everybody involved: why would anyone kill a vu cumpra?

Fifteen years ago the teenage granddaughter of the grand Contessa Lando-Continui was rescued at the last moment from drowning in the canals. But young Manuela's life was never the same again. Now aged thirty, she lives trapped in an eternal youth. The Contessa, certain that this was no accident, implores Brunetti to find the culprit she believes ruined Manuela's life.

When Anna Maria Giusti returns from holiday to find her elderly neighbour Constanza Altavilla dead, with blood on the floor near her head, she immediately alerts the police. Commissario Brunetti is called to the scene and it seems the woman has suffered a fatal heart attack. Patta, the Vice-Questore, is eager to dismiss the case as a death from natural causes, but Brunetti believes that there is more to it.

Thirty years ago, Keith Leon S. received a message from angels. He was told that he would write a book that would change lives. Anyone who held this book in their hands would be raised to their next level of vibration. Finally, here it is. This is the true story of a man whose life was spared over and over again with the help of his angels. He has witnessed miracles. He has witnessed time reverse. The stories of his adventures with his angels are thrilling, as well as being full of humor and wonder. Now, Keith is on a mission to introduce you to your heavenly helpers.

From the acclaimed author who enthralled the world with Exodus, Battle Cry, QB VII, Topaz, and other beloved classics of twentieth-century fiction comes a sweeping and powerful epic adventure that captures the "terrible beauty" of Ireland during its long and bloody struggle for freedom. It is the electrifying story of an idealistic young Catholic rebel and the valiant and beautiful Protestant girl who defied her heritage to join his cause. It is a tale of love and danger, of triumph at an unthinkable cost.

When a body is found floating in a canal, disfigured and with multiple stab wounds, Commissario Brunetti is called to investigate and is convinced he recognises the man from somewhere. However, with no identification except for the distinctive shoes the man was wearing, and no reports of people missing from the Venice area, the case cannot progress. Brunetti soon realises why he remembers the dead man, and asks Signorina Elettra if she can help him find footage of a farmers' protest the previous autumn.

In Death at La Fenice, Donna Leon’s first novel in the Commissario Brunetti series, readers were introduced to the glamorous and cut-throat world of opera and to one of Italy’s finest living sopranos, Flavia Petrelli - then a suspect in the poisoning of a renowned German conductor. Now, many years after Brunetti cleared her name, Flavia has returned to the illustrious La Fenice to sing the lead in Tosca. As an opera superstar, Flavia is well acquainted with attention from adoring fans and aspiring singers.

Once again, Commissario Guido Brunetti is willing to bend police rules for an acquaintance, even though Elisabetta Foscarini, the woman who asks the favour, is not really a friend. But her mother was good to Brunetti's, so he feels he has no choice but to repay the debt and agrees to look into the matter 'privately', rather than as a police official. Her son-in-law has alarmed his wife by telling her they might be in danger because of something he's involved with.