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C. S. Lewis was a profound thinker with the rare ability to communicate the philosophical and theological rationale of Christianity in simple yet amazingly effective ways. God in the Dock contains 48 essays and 12 letters written by Lewis between 1940 and 1963 for a wide variety of publications.

For centuries people have been tormented by one question above all: if God is good and all-powerful, why does he allow his creatures to suffer pain? And what of the suffering of animals, who neither deserve pain nor can be improved by it? The greatest Christian thinker of our time sets out to disentangle this knotty issue. With his signature wealth of compassion and insight, C. S. Lewis offers answers to these crucial questions and shares his hope and wisdom to help heal a world hungry for a true understanding of human nature.

This is an extensive collection of short essays and other pieces by C. S. Lewis that have been brought together in one volume for the first time. As well as his many books, letters, and poems, Lewis also wrote a great number of essays and shorter pieces on various subjects. He wrote extensively on Christian theology and the defense of faith but also on various ethical issues and on the nature of literature and storytelling. In this essay collection we find a treasure trove of Lewis' reflections on diverse topics.

Why do we read literature and how do we judge it? C. S. Lewis' classic An Experiment in Criticism springs from the conviction that literature exists for the joy of the reader and that books should be judged by the kind of reading they invite. He argues that "good reading", like moral action or religious experience, involves surrender to the work in hand and a process of entering fully into the opinions of others: "in reading great literature I become a thousand men and yet remain myself."

Peter, Susan, Edmund and Lucy are sitting on a station platform when they sense the magic beginning again. Suddenly they are pulled back to the land of Narnia. Evil King Miraz and his army can only mean trouble for Narnia, and Prince Caspian, his nephew and the rightful heir to the throne, fears for his safety and the future of his country.

In this remarkable recording, C. S. Lewis shows why millions of readers have acclaimed him the greatest spokesman for Christianity in the 20th century. In a resonant, baritone voice, Lewis explores the nature of the four Greek words that are translated love in English: storge (affection), philia (friendship), eros (sexual or romantic love) and agape (selfless love).

A BBC Radio 4 full cast dramatisation of the fourth adventure in C. S. Lewis' classic Narnia series.

Narnia has been at peace since Peter, Susan, Edmund, and Lucy helped rid the kingdom of the evil White Witch. But now the children have returned to their own world, and in their absence a dark presence rules the once harmonious land. Wicked King Miraz has imposed a destructive new order of persecution and imprisonment.

A BBC Radio 4 full cast dramatisation of the fifth adventure in C. S. Lewis' classic Narnia series.

In the enchanted land of Narnia, Edmund, Lucy and their cousin, Eustace join King Caspian on a sworn mission to find his friends, the seven lost lords of Narnia. So begins a perilous new quest that takes them to the farthest edge of the Eastern world on board the mighty Dawn Treader. Sailing unchartered seas, the old friends see extraordinary things on their voyage of discovery.

Selected from sermons delivered by C. S. Lewis during World War II, these nine addresses show the beloved author and theologian bringing hope and courage in a time of great doubt. "The Weight of Glory", considered by many to be Lewis’s finest sermon of all, is an incomparable explication of virtue, goodness, desire, and glory.

A BBC Radio 4 full cast dramatisation of the third adventure in C. S. Lewis' classic Narnia series.

Life in the small fishing village in the south of Calorman is all that young Shasta knows until, one day, he overhears his father planning to sell him into slavery to a stranger and discovers that he is not a fisherman's son after all. Shasta dicovers that the horse is called Bree, and that he comes from a magical land in the North.

In one of his most enlightening works, C. S. Lewis shares his ruminations on both the form and the meaning of selected psalms. In the introduction he explains, "I write for the unlearned about things in which I am unlearned myself." Consequently, he takes on a tone of thoughtful collegiality as he writes on one of the Bible's most elusive books.

The last days of Narnia, and all hope seems lost as lies and treachery interweave to threaten the destruction of everything. As the battle lines are drawn, old friends are summoned back to Narnia, though none can predict the outcome in this magnificent ending to the famous series.

In the form of warm, relaxed letters to a close friend, C. S. Lewis meditates on many puzzling questions concerning the intimate dialogue between man and God. He considers practical and metaphysical aspects of prayer, such as when we pray and where. He questions why we seek to inform God in our prayers if he is omniscient, whether there is an ideal form of prayer, and which of our many selves we show to God while praying.

In this book, C.S. Lewis tells of his search for joy, a spiritual journey that led him from the Christianity of his early youth into atheism and then back to Christianity.

The revered author’s definitive collection of short fiction, which explores enduring spiritual and science fiction themes such as space, time, reality, fantasy, God, and the fate of humankind. As powerful, inventive, and profound as his theological and philosophical works, The Dark Tower reveals another side of Lewis’s creative mind and his longtime fascination with reality and spirituality. It is ideal listening for fans of J. R. R. Tolkien, Lewis’s longtime friend and colleague.

This volume of short essays and other pieces by C. S. Lewis is part of a larger collection, C. S. Lewis: Essay Collection and Other Short Pieces. In addition to his many books, letters, and poems, C. S. Lewis wrote a great number of essays and shorter pieces on various subjects. He wrote extensively on Christian theology and the defense of faith but also on ethical issues and the nature of literature and storytelling. Within these pages is a treasure trove of Lewis' reflections on diverse topics.

A BBC Radio 4 full cast dramatisation of the sixth adventure in C. S. Lewis' classic Narnia series.

King Caspian has grown old and sad in the 10 years since the disappearance of his only son. With time running out, Jill and Eustace embark on a perilous quest to find the Prince and bring back tranquility to the magical land of Narnia. Journeying to the wild lands of the North, the friends and their companion Puddleglum go through some hair-raising adventures.

C.S. Lewis' famous work on the nature of love divides love into four categories: affection, friendship, eros and charity. The first three are loves which come naturally to the human race. Charity, however, the gift-love of God, is divine in its source and expression, and without the sweetening grace of this supernatural love, the natural loves become distorted and even dangerous.

Set in the pre-Christian world of Glome on the outskirts of Greek civilization, it is a tale of two princesses: the beautiful Psyche, who is loved by the god of love himself, and Orual, Psyche's unattractive and embittered older sister, who loves Psyche with a destructive possessiveness. Her frustration and jealousy over Psyche's fate sets Orual on the troubled path of self-discovery. Lewis's last work of fiction, this is often considered his best by critics.

>The Screwtape Letters, now in its 70th anniversary year, is an iconic classic on spiritual warfare and the power of the devil. This profound and striking narrative takes the form of a series of letters from Screwtape, a devil high in the Infernal Civil Service, to his nephew Wormwood, a junior colleague engaged in his first mission on Earth trying to secure the damnation of a young man who has just become a Christian. Although the young man initially looks to be a willing victim, he changes his ways and is ‘lost’ to the young devil.