Showing results by narrator "Katie Leung" in All Categories

Five people: four are living, three are strangers, two are sisters, one is dead. In her highly acclaimed and most ambitious book to date, the brilliant young Scottish Writer Ali Smith brings alive five unforgettable characters and traces their intersecting lives. This is a short novel with big themes (time, chance, money, death) but an eye for tiny detail: the taste of dust, the weight of a few coins in the hand, the pleasurable pain of a stone in one's shoe.

Illumen Hall is an elite boarding school. Tragedy strikes when the body of a student is discovered at their exclusive summer party - on her back is an elaborate tattoo of a magpie. When new girl Audrey arrives the following term, running from her own secrets back home in America, she is thrown into solving the case. Despite her best efforts to avoid any drama, her new roommate Ivy was close to the murdered girl, and the two of them can't help but get pulled in.

A dinner party is held in the penthouse of a multimillion-pound development. All the guests are strangers - even to their host, the billionaire owner of the building. None of them know why they were selected to receive his invitation. Besides a postcode, they share only one thing in common - they've all experienced an unsettling occurrence within the building's walls. By the end of the night, their host is dead, and none of the guests will say what happened. His death remains one of the biggest unsolved mysteries - until now.

Daisy Wells and Hazel Wong are famous for solving murder mysteries. But there are many other intrigues in the pages of Hazel's casebook, from the macabre Case of the Deepdean Vampire, to the baffling Case of the Blue Violet, and their very first whodunit: the Case of Lavinia's Missing Tie.

How to Be Both is a novel all about art's versatility. Borrowing from painting's fresco technique to make an original literary double-take, it's a fast-moving, genre-bending conversation between forms, times, truths and fictions. There's a renaissance artist of the 1460s. There's the child of a child of the 1960s. Two tales of love and injustice twist into a singular yarn where time gets timeless, structural gets playful, knowing gets mysterious, fictional gets real - and all life's givens get given a second chance.

When struggling journalist Cecily Wong is invited to join an expedition to climb one of the world's tallest mountains, it seems like the chance of a lifetime. She doesn't realise how deadly the climb will be. As their small team starts to climb, things start to go wrong. There's a theft. Then an accident. Then a mysterious note, pinned to her tent: there's a murderer on the mountain. The higher they get, the more dangerous the climb becomes, and the more they need to trust one another. And that's when Cecily finds the first body.

Nancy Mitford's first novel, a set of completely incompatible and hilariously eccentric characters collide in a Scottish castle. Inspired by Mitford's youthful infatuation with a Scottish aristocrat, her story follows young Jane Dacre to a shooting party at Dulloch Castle, where she tramps around a damp and chilly moor on a hunting expedition with formidable Lady Prague, xenophobic General Murgatroyd, one-eyed Admiral Wenceslaus and an assortment of other ancient and gouty peers of the realm, while falling in love with Albert, a surrealist painter with a mischievous sense of humour.

Conjured up one 'golden afternoon' in 1862 to entertain Alice Liddell, the daughter of the dean of Carroll's college, the dream worlds of nonsensical Wonderland and back-to-front Looking Glass kingdom depict order turned upside down. Following the white rabbit into his warren, Alice falls into a world where croquet is played with hedgehogs and flamingos, a baby turns into a pig, time runs amok at a the Mad Hatter's tea-party, a chaotic game of chess makes Alice a Queen and the Mock Turtle and Gryphon dance the Lobster Quadrille.

Lana and Roman Wade have fled the city for a little corner of paradise, exchanging their flat with its unhappy memories for a small honey-coloured house among the rolling green hills of Oxfordshire. Their new home, set in a residential Close known as The Gardens, is their dream and their new neighbours are charming. So why is Lana feeling so uneasy? Lana and Roman may seem like an attractive, popular couple. But they are also a couple with a secret, a secret buried in the life they have left behind, a secret they have shared with no one.

Lydia is hungry. She's always wanted to try sashimi, ramen, onigiri with sour plum stuffed inside—the food her Japanese father liked to eat. And then there is bubble tea and the vegetables grown by the other young artists at the London studio space she is secretly squatting in. But Lydia can't eat any of this. The only thing she can digest is blood, and it turns out that sourcing fresh pigs' blood in London—where she is living away from her vampire mother for the first time—is much more difficult than she'd anticipated.

Audrey and Ivy, determined to bring their fellow student Lola Radcliffe's killer to justice, find themselves in the middle of another mystery when a friend disappears in suspicious circumstances. Their only clue is a mysterious card left by the enigmatic Magpie Society. With time running out and the police baffled, Audrey and Ivy must delve deeper than ever into the dark secrets that their school is hiding. But someone is playing a deadly game. And to beat them, Audrey and Ivy have to start rewriting the rules....

Cat’s twin sister, El, has disappeared. But there’s one thing Cat is sure of: her sister isn’t dead. She would have felt it. She would have known. To find her sister, Cat must return to their dark, crumbling childhood home and confront the horrors that wait there. Because it’s all coming back to Cat now: all the things she has buried, all the secrets she’s been running from. The closer Cat comes to the truth, the closer to danger she is. Some things are better left in the past....

Santo Domingo de la Calzada, 1532. London, 1837. Boston, 2019. Three young women, their bodies planted in the same soil, their stories tangling like roots. One grows high, and one grows deep, and one grows wild. And all of them grow teeth.

Something strange is happening in Ana’s city...she’s the only one awake. Confused and curious, Ana sets off to explore, bumping into the one other person who’s been able to rouse themselves—her ex–best friend, Tio. On a mission to discover what’s happening, Ana and Tio journey through the city looking for clues, their friendship mending with every step. When a mysterious creature suddenly materialises in front of them, Ana realises they’ve found the answer they’ve been looking for. But one question still remains: Why them?

A collection of original audio stories for little adventurers and bold travellers. These new stories are especially written for families to listen to in the car, at the airport, on the train or while they are on their way to their next adventure! This edition is filled with creative and engaging sound effects and is the perfect travel companion for little listeners everywhere.

You know what it's like. A comment here, a closed door there, turning a blind eye to get ahead. My name is Sarah Lai. You won't have heard of me. A decade ago, I was on the cusp of being a big deal. But that was a long time ago. Now, instead of working in Hollywood, I teach students about it. And these are the two most important lessons you need to know about the film industry: 1) Those with the money have all the power. 2) Those with the power get whatever they want. Ignore these rules and the whole system will crumble. Stick to the rules and you'll succeed. But at what cost?

This celebration of Chinese science fiction - 13 stories, all translated for the first time into English - represents a unique exploration of the nation's speculative fiction from the late 20th century onwards, curated and translated by critically acclaimed writer and essayist Xueting Christine Ni.

The year started badly and only got worse - blizzards, strikes, power cuts, and political unrest were the norm. For journalist Allie Burns, however, someone else's bad news was the unmistakable sound of opportunity knocking, and the year is ripe with possibilities. But Allie is a woman in a man's world. Desperate to get away from the "women's stories" the Glasgow desk keeps assigning her, she strikes up an alliance with wannabe investigative journalist Danny Sullivan. From the start, their stories create enemies.

My name is Sara Eden. My name is Sara Eden. My name is Sara Eden. My name is Sara Eden. This is all Sara Eden knows about herself. She was found at the age of 10, abandoned in a vat of water - a homemade sensory-deprivation chamber. Someone had placed her there - trapped for days in the dark, with only a cassette player taped to her head repeating again and again, 'My name is Sara Eden'. There were a handful clues: a battered cassette player, a cheap necklace, a few scraps of paper. And a Polaroid of a stranger with a handwritten note: 'Don't trust this man'.

The world of Colony is in ruins. No one knows what caused society to begin tearing itself apart—but the secret may lie with Cora, a girl living on the mountainside far away from others. Cora possesses an extraordinary gift: the power to see back in time, from an event back to its causes. Even more incredibly, sometimes she can change events. But the present is looking for Cora, and she is forced on the run—and must decide who she is, what she can do...and how to fix the future.