Showing results by author "Classic Radio Shows" in All Categories

Hobbs and Shelley were The Holmes and Watson of the BBC from 1952 to 1969. Many think they are still the definitive portrayals of the characters on the radio. The Hobbs' Holmes is logical and incisive, but does retain a sense of humor and an obvious affection for his chronicler.This podcast uses the following third-party services for analysis: Chartable - https://chartable.com/privacy

Nick Carter, Master Detective was a Mutual radio crime drama based on tales of the fictional private detective Nick Carter from Street & Smith's dime novels and pulp magazines. Nick Carter first came to radio as The Return of Nick Carter, a reference to the character's pulp origins, but the title was soon changed to Nick Carter, Master Detective. A veteran radio dramatist, Ferrin Fraser, wrote many of the scripts.Program historyWith Lon Clark in the title role, the series commenced 11 April 1943, on Mutual, continuing in many different timeslots for well over a decade. Between October 1944 and...

My Friend Irma is a media franchise that was spawned by a top-rated, long-running radio situation comedy created by writer-director-producer Cy Howard. The radio show was so popular in the late 1940s that its success escalated the films, television, a comic strip and a comic book that comprise the franchise. Marie Wilson portrayed the title character, Irma Peterson, on radio, in two films and the television series. The radio series was broadcast on CBS from April 11, 1947, to August 23, 1954

NBC's Mystery Theatre began airing with much fanfare on September 7, 1943. The series promised stories from the greatest classical and contemporary mystery authors--and production values to match. And it kept its promise. It was aided from the outset by the addition of an 'annotator'--as it was described in the 1940s--named Geoffrey Barnes.

Sears Radio Theater was a radio drama anthology series which ran weeknights on CBS Radio in 1979, sponsored by the Sears chain. Often paired with The CBS Radio Mystery Theater during its first season, the program offered a different genre of drama for each evening's

Buster Brown was a comic strip character created in 1902 by Richard F. Outcault. Adopted as the mascot of the Brown Shoe Company in 1904, Buster Brown, his sweetheart Mary Jane, and his dog Tige, an American Pit Bull Terrier, were well-known to the American public in the early 20th century. The character's name was also used to describe a popular style of suit for young boys, the Buster Brown suit, that echoed his own outfit. A Buster Brown radio series began in 1943 with Smilin' Ed McConnell on the West Coast NBC Radio Network. It included such characters as Froggy the Gremlin ("Plunk your ...

This series was written by Michael McCabe and was produced in South Africa. It was a replacement for another series McCabe produced, called SF68. That series adapted famous Sci-fi stories to radio, and it seems to have been the place where McCabe honed his craft. The subject matter to Beyond Midnight was more horror oriented, including madness, murder, and supernatural sleuths! What survives today doesn't involve a horror host per se, but a few include framing narration (by someone involved in the plot) while others just start up the story with no announcer or lead-in whatsoever. So it's ...

In Box 13 Dan Holiday, a newspaper reporter turned fiction writer, puts an advert in his old paper The Star Times, in search of ideas for his story. The ad reads 'Adventure wanted, will go anyplace, do anything. Write to Box 13.' The replies, therefore, arrived at the Newspapers Box 13, and with them always brought troubles and adventures for Mr Holiday. Alan Ladd played the part of Dan Holiday, with Slyvia Picker playing his scatterbrain secretary Suzy. There were also a host of other guest stars (Lurene Tuttle, Marsha Hunt to name but a couple) rotating throughout the programme, and whilst ...

Let George Do It is an American radio drama series produced from 1946 to 1954 by Owen and Pauline Vinson. Bob Bailey starred as private investigator George Valentine; Olan Soule voiced the role in 1954. Don Clark directed the scripts by David Victor and Jackson Gillis. The few earliest episodes were more sitcom than private eye shows, with a studio audience providing scattered laughter. The program then changed into a suspenseful tough guy private eye series. Sponsored by Standard Oil of California, now known as Chevron, the program was broadcast on the West Coast Don Lee network of the Mutual...

***********SOME SHOWS SOUND QUALITY NOT GOOD********Jack Benny first appeared on radio as a guest of Ed Sullivan in 1932. He was then given his own show later that year, with Canada Dry Ginger Ale as a sponsor --The Canada Dry Program, beginning May 2, 1932, on the NBC Blue Network and continuing there for six months until October 26, moving the show to CBS on October 30. With Ted Weems leading the band, Benny stayed on CBS until January 26, 1933.Arriving at NBC on March 17, Benny did The Chevrolet Program until April 1, 1934. He continued with The General Tire Revue for the rest of that ...

Pat Novak, for Hire is an old-time radio detective drama series which aired from 1946–1947 as a West Coast regional program and in 1949 as a nationwide program for ABC. The regional version originally starred Jack Webb in the title role, with scripts by his roommate Richard L. Breen. When Webb and Breen moved from San Francisco to Los Angeles to work on an extremely similar nationwide series, Johnny Madero, Pier 23, for the Mutual network, Webb was replaced by Ben Morris and Breen by other writers. In the later 1949 network version, Jack Webb resumed the Novak role, and Breen his duties as ...

The Casebook of Jerry Browning, Private Detective" or "Calling All Detectives" was a crime drama radio show sponsored by Sealy Mattress company, and featured Paul Barnes who played all the roles including the role of detective Browning. During the show, Paul Barnes randomly dials a telephone number, then gives one of the audiences a chance to solve the mystery of the week. However, the random phone calls did not click so Barnes decided to dial only the numbers of the listeners. The telephone calls were removed from the program later on because it was used in syndicate. This two-man operation ...

Big John and Sparkie was a 1950’s radio show created by Jon Arthur. Although the show was intended for kids, many adults also became avid listeners due to its funny and very entertaining theme. The show is about Big John and his “little boy” Sparkie. Sparkie is said to be (and sounds like) an “elf from the land of make-believe,” but his thoughts and actions were like that of a little boy.This podcast uses the following third-party services for analysis: Podtrac - https://analytics.podtrac.com/privacy-policy-gdrpChartable - https://chartable.com/privacy

These fifteen minute episodes of mystery and espionage from the 1939 broadcasts begin with a prolonged organ intro so the local announcer could get in a couple of commercials for the local furniture store or dairy! Each single episode lasted about 12 and 1/2 minutes, but each "case" is really quite interesting and exciting. Walter PidgeonAgent K-7 is actually a rather mild-mannered narrator of these stories. He doesn't sound or seem very heroic or interesting... which would make him all the more effective as a spy! The spy's best disguise is a perfectly ordinary and uninteresting demeanor. The...

Classified as a juvenile crime drama but written and acted with more adult style than most of the breed, "The Green Hornet"---whose protagonist fought crime by infiltrating or even partnering (initially) with known criminal operations, which deceive police into believing him a wanted criminal himself---was the creation of George W. Trendle and Fran Striker, the brains and head writer behind "The Lone Ranger" (whose protagonist, according to storyline, was the great-uncle of Britt Reid, the heir who assumed control of the Daily Sentinel newspaper publisher and takes the crimefighting guise of ...

District Attorney is a radio crime drama, produced by Samuel Bischoff, which aired on NBC and ABC from April 3, 1939, to June 13, 1952 (and in transcribed syndication through 1953). The series focused on a crusading D.A., initially known only as "Mister District Attorney," or "Chief", and was later translated to television.

Quiet, Please! was a radio fantasy and horror program created by Wyllis Cooper, also known for creating Lights Out. Ernest Chappell was the show's announcer and lead actor. Quiet, Please debuted June 8, 1947, on the Mutual Broadcasting System, and its last episode was broadcast June 25, 1949, on the ABC

Wild Bill rode "Buckshot," and Jingles rode "Joker." Guy Madison played Marshal Wild Bill Hickok on radio and TV, with Andy Devine as Jingles. Hollywood actors did the bad guys and townsfolk. Charlie Lion did the announcing, and was "Panhandle Jim" for the Corn Pops commercials.

Frontier Town was an American radio adventure serial syndicated by Bruce Eells Productions. The 30-minute programme's first known broadcast was in 1949, and the show ran for 47 episodes. Because it was syndicated, it aired on different stations on different days. For instance, in New York City, the first episode ran on WINS on March 5, 1949

Frank Merriwell is a fictional character appearing in a series of novels and short stories by Gilbert Patten, who wrote under the pseudonym Burt L. Standish. The character appeared in over 200 dime novels between 1896 and 1930 (some between 1927 and 1930 were written by other authors with the same pen name), numerous radio dramas in 1934 and again from 1946 through 1949, a comic strip from 1928 through 1936, a comic book (four issues) Frank Merriwell At Yale, and a 12-episode serialized film in 1936. The book series was relaunched (with a different author) in 1965, but only three books were ...