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This collection contains 12 of the greatest Western shows ever broadcast during the golden age of radio, including many first episodes from their series. You'll hear William Conrad as Marshal Matt Dillon on Gunsmoke, John Dehner as the man called Paladin on Have Gun - Will Travel, Roy Rogers and Dale Evans on The Roy Rogers Show, Gene Autry on Gene Autry's Melody Ranch, Raymond Burr as Captain Lee Quince on Fort Laramie, and Jack Mather in The Cisco Kid.

The Whistler was one of radio's top mystery programs airing from May 16, 1942 until September 22, 1955. The Whistler was an ominous narrator who opened each episode with, "I am the Whistler, and I know many things, for I walk by night. I know many strange tales, many secrets hidden in the hearts of men andwomen who have stepped into the shadows. I know the nameless terrors of which they dare not speak."

Conceived as a potential radio vehicle for Alfred Hitchcock to direct, Suspense was a radio series of epic proportion. It aired on CBS from 1942 to 1962 and is considered by many to be the best mystery drama series of the golden age. Often referred to as "Radio's Outstanding Theater of Thrills", it focused on suspenseful thrillers starring the biggest names in Hollywood.

Richard Diamond, Private Detective came to NBC Radio in 1949, starring film actor and crooner Dick Powell. Powell had recently played Philip Marlowe in the popular RKO film Murder, My Sweet and jumped at the chance to play a suave detective on the radio. Diamond was a lighthearted, New York - based private eye who enjoyed ribbing the cops and singing songs to his millionaire girlfriend, Helen Asher.

Mr. District Attorney came to radio in 1939 and focused on a crusading DA named Paul Garrett. Created, written, and directed by former law student Ed Byron, the series was inspired by the early years of New York governor Thomas E. Dewey. It was Dewey's public war against racketeering that led to his election as governor and enabled him to run for the presidency of the United States.

Created by Irving Brecher, The Life of Riley starred William Bendix as Brooklyn-born Chester A. Riley, a family man who worked as a wing riveter at the fictional Cunningham Aircraft plant in California. The stories were usually set at home, where Riley would cheerfully disrupt life with his malapropisms and ill-timed intervention into minor problems. His stock answer to every turn of fate became a popular catchphrase: "What a revoltin' development this is!"

Movie star Alan Ladd played Dan Holiday, retired newspaperman turned fiction writer and adventurer extraordinaire. To gain ideas for his books, Holiday placed an ad in the Star-Times newspaper: "Adventure wanted - will go anywhere, do anything - Box 13." It wasn't long before his Box 13 became jammed with adventures galore.

Created by author Jack Boyle, Boston Blackie was a master safecracker and hardened criminal who served time in a California prison. Rehabilitated, he decided to use his knowledge of the underworld to fight crime as an amateur detective. Known as "an enemy to those who make him an enemy, friend to those who have no friend", Boston Blackie's exploits were adapted to film, radio, and television.

Michael Shayne, "the reckless, redheaded Irishman", was a popular hard-boiled detective created by crime novelist Brett Halliday. In the novels, Michael Shayne settled in Miami just after WWII, making crime pay by fighting it with a license and an attitude. Like Mike Hammer and Philip Marlowe, Shayne was a loner. The backstory on Mike is that he was happily married, but it hit him hard when his wife was tragically murdered. Grief stricken, Shayne loses himself in his work as a private eye, prowling the dark streets of the city.

Reminiscent of Humphrey Bogart's character Rick Blaine from the classic movie Casablanca, Rocky Jordan relocated to Cairo after being ousted from St. Louis by his enemies. Now living in North Africa, Rocky Jordan owns and operates a gin joint, the Café Tambourine, and finds himself involved in an assortment of mystery and intrigue endeavors while unwillingly moonlighting as a crime fighter.

Damon Runyon was a newspaperman and writer. He was best known for his short stories celebrating the world of New York City's Broadway that grew out of the Prohibition era. He created a little world of characters that live on even today in such classic movies as Little Miss Marker and Guys and Dolls, both based on Runyon's stories. Actor Alan Ladd's Mayfair Productions brought Runyon's short stories to radio in the early 1950s.

Broadway Is My Beat was a dark, gritty radio crime drama that ran on CBS from 1949 until 1954. The series was originally broadcast from New York, with Anthony Ross portraying Times Square Police Detective Danny Clover. Produced by Lester Gottlieb, it was directed by John Dietz. But by the 13th episode, the series moved to Hollywood (still set in NYC) with producer Elliott Lewis directing a new cast, with scripts by Morton Fine and David Friedkin (the duo that would later write and develop TV's popular secret-agent series I Spy).

Like Mike Hammer and Philip Marlowe, Shayne is a loner. Once happily married, Mike is devastated when his wife is suddenly and tragically murdered. Grief stricken, Shayne loses himself in his work as a private eye, prowling the dark streets of New Orleans, seeking out his style of revenge on injustice.

Like its predecessor, Dragnet, Tales of the Texas Rangers adapted actual police cases for its broadcasts. Leading each week's investigation was Texas Ranger Jayce Pearson, portrayed by movie star Joel McCrea. Because the stories were set in the present, Pearson used the latest scientific techniques to identify criminals. Unlike Joe Friday, Pearson didn't have a regular partner, typically working with the local sheriff instead.

Many of the episodes, which included both original stories and adaptations, centered on a protagonist facing a life-or-death situation. Numerous actors made appearances on the show, including Elvia Allman, Eleanor Audley, Parley Baer, Harry Bartell, William Conrad, Ted de Corsia, John Dehner, Sam Edwards, Virginia Gregg, Lou Merrill, Howard McNear, Jeanette Nolan, Alan Reed, Bill Johnstone, Marvin Miller, Frank Lovejoy, Berry Kroeger, Vic Perrin, Elliott Lewis, Jack Webb, Peggy Webber, and Will Wright.

Benny’s radio and television shows entertained audiences for more than three decades and is generally regarded as the high-water mark in twentieth century American comedy.

Escape was radio's leading anthology series of high-adventure, airing on CBS radio from 1947 to 1954. The series' well-remembered opening combined Mussorgsky's Night on Bald Mountain with an introduction spoken by Paul Frees and William Conrad: "Tired of the everyday grind? Ever dream of a life of romantic adventure? Want to get away from it all? We offer you... Escape!"

Pat Novak, for Hire began in 1946 as a regional radio show produced at KGO in San Francisco and starred Jack Webb in the title role, with scripts by Webb's friend Richard L. Breen. When Webb moved to Los Angeles in 1947, Ben Morris replaced Webb as Novak. In a later network version, Jack Webb resumed the role along with Breen as scriptwriter. Pat Novak, for Hire lasted until 1949, when Jack Webb turned his attention to the series that would make him a star, Dragnet.

The Whistler was one of radio's top mystery programs airing from May 16, 1942 until September 22, 1955, sponsored by the Signal Oil Company. The Whistler was an ominous narrator who opened each episode with: "I am the Whistler, and I know many things, for I walk by night. I know many strange tales, many secrets hidden in the hearts of men and women who have stepped into the shadows. I know the nameless terrors of which they dare not speak."

Every week, Inner Sanctum Mysteries told a story of ghosts, murderers, and lunatics. Taking its name from a popular series of mystery novels, Inner Sanctum Mysteries debuted over NBC radio's Blue Network in January 1941 and featured one of the most memorable and atmospheric openings in radio history, as an organist hit a dissonant chord, a doorknob turned, and a creaking door slowly began to open.