Showing results by narrator "Verona Westbrook" in All Categories

Cv/VAR 154 publishes a study of photography and art in which authors Marina Vaizey and Anne Blood consider the historical impact of photography from pioneers Hill and Adamson, William Fox Talbot, and Louis Daguerre to contemporary practitioners such as Andreas Gursky and Boris Mikhailov. The documentary power and graphic clarity of the medium challenged and persuaded artists such as Degas, Sickert, Andy Warhol, and Richard Hamilton, and innumerable creative voices. The volume includes biographical details of leading figures and a guide to national collections and study centres.

Author, critic and traveler, Marina Vaizey, in her third lockdown essay, reflects on the books of figures in the changing façade of English society and the establishment. Missing people, even with telephones and emails. And music and theatre even with the incredibly generous digital provision.

Both men and women enjoy thrillers, mystery, and crime. Yet it may still feel not quite respectable, somehow a guilty (sorry!) pleasure. Do these novels so often categorized as genre offer something the literary novel does not? The market is enormous, perhaps the largest in publishing. It is a cliché which may be true that only the Bible – say - outsells Agatha Christie. And then there are films and television, either original or adapted from novels.

Elias, the handsome Duke of Westhampshire, has courted many women, but not for long. He doesn’t believe in commitment and flits from woman to woman, until he lays eyes on beautiful maid, Maria. Thinking her an easy target, he is shocked when she refuses his advances which angers, yet intrigues, him. Can the duke change his rake ways and open his heart? Will Maria be able to ever trust him?

Meet Lulu the Terrible and find out how she fell from grace; shudder at the menace of the cat who howls in the night and laugh with the irrepressible stationery cat; learn how the ancient Cabriole won his lady love, and how she rewarded him, and listen, with the wide-eyed kitten, to the mew-moirs of the cat who has been here before.

A viewing room by room of Bill Viola/Michelangelo at the Royal Academy of Arts on Monday March 4, 2019. Encounter the video works by Bill Viola on the theme of life, death, and rebirth and the drawings by Michelangelo from the 1530s to 1560s on religious and spiritual themes.

A recorded visit to Elizabethan Treasures during the press view at the National Portrait Gallery London. Inspect miniature portraits by Nicholas Hilliard and Isaac Oliver of Sir Walter Raleigh, Sir Francis Frake, Henry Wriothesley and others, and the celebrated icon of Queen Elizabeth I.

The reputation of Cecil Beaton hardly rests on the fact that he was the most prolific and productive of official war photographers both on the home front and abroad during World War II; rather, he is thought of as a royal-society- and celebrity-portrait photographer, designer for stage and film - recipient of three Oscars and a Tony - prolific author, and gossipy and fascinating diarist.

She has beauty, poise and intelligence, a diamond of the first water, a prize of great value, but she is not happy. Lady Davina Woodburn feels totally uprooted. A country girl at heart, she is a better judge of horse-flesh than any man, enjoys the wild freedom of her rural life, and is not afraid to attend the births of the farm animals, or patch up a wound in either man or beast. Nineteen-year-old Davina feels quite out of place in London.

In Edwardian London, a lady's maid is thrown out into the cold. But despair is not on Francine's agenda and we meet a young girl of remarkable resilience.

When savage family sickness, and the unscrupulous embezzling steward, Mr. Craven, steals the Boone's family fortune, he snatches Sandra Boone’s idyllic childhood from her innocent hands. The heartbroken child finds herself in a place she never thought possible – destitute and begging on the dirty, dangerous streets for her next meal. When opportunity opens the door for a life of servitude to a wealthy family, Sandra, crushed by the harshness of her unfair years, finally thinks fortune may be turning her way. Instead, a fire of controversy unfolds, forcing her to flee.

Country House Collection documents the development of stately homes in England with a trajectory from Medieval times to a burgeoning of the neo-classical style of building in the early to mid 18th-century. The grand houses that appeared in rural locations manifested statements of a ruling class composed of self-made landowners, merchants and families of historic lineage and title.