Showing results by narrator "Liza Ross" in All Categories

>Little Women, closely based on Louisa M. Alcott’s own experience of family life, was first published in 1869 and has never lost its extraordinary power to move and delight - from the heartrending story of gentle Beth to the humorous adventures of tomboyish Jo, and Meg’s vain attempts to cut a fashionable figure in "society".

Here are eight stories from master American writers of the 19th century. They vary from sinister tales by Ambrose Bierce - why is that window boarded up? - and a reflective moment in the life of a woman without children, but forced to look after children, to classic short stories by O. Henry and Stephen Crane. There is even an elegiac description of an eclipse by James Fenimore Cooper, author of The Last of the Mohicans.

This intensely dramatic and moving novel has remained a best-selling classic since it was first published in 1852. The slaves Eliza and George make a desperate bid to escape to Canada, while Uncle Tom is sold to two successive and very different owners. Abraham Lincoln himself acknowledged the role played by this seminal text in the Civil War, the aim of which was (in part) to emancipate the slaves of the southern states.

The art of writing a short story can be barely noticed by a reader or listener - such is the quality with which they are usually written. It is a difficult trade, an unforgiving discipline, but for those who master it, the rewards are many. In this series of works by our greatest female writers, we bring you a selection of those we consider the best. In Volume 2 we bring you the classics 'The Yellow Wallpaper' by Charlotte Perkins Gilman and 'Roman Fever' by Edith Wharton.

The art of writing a short story can be barely noticed by a reader or listener - such is the quality with which they are usually written. It is a difficult trade, an unforgiving discipline, but for those who master it, the rewards are many. In this series of works by our greatest female writers, we bring you a selection of those we consider the best.

A young typist drinks poison substituted for the medicine left for her by the nurse. The patient insists she was not trying to commit suicide, the nurse asserts her innocence: but no-one else could have got into the room and tampered with the glass . . .

One day a hunter came across a pair of mandarin duck, oshidori, swimming together in a river that he was about to cross. To kill oshidori is not good; but Sonjô happened to be very hungry, and he shot at the pair. His arrow pierced the male: the female escaped into the rushes of the farther shore, and disappeared. Sonjô took the dead bird home, and cooked it. That night he dreamed a dreary dream.

An essential for life. Without it life is impossible. Was it always that way? In this volume of stories, water becomes the landscape and narrative, a character more deadly and perhaps more aware of its power than us mere mortals. We are beguiled by its sight, whether softly breaking waves on a sandy beach or a thunderous storm engulfing the cliff face. But also in other forms; as lakes and lagoons. Water is everywhere, and where there is water is the shadow of menace.

We are captivated by colour. It seeps into our emotions, our vistas. It’s part of everyday life. Sometimes its part of something much darker. Our eminent authors in this volume bring you colours of every shade. From the terror of HP Lovecraft and the shadowed world of Edith Nesbit to the wordplay of Virginia Woolf - as well as many others. Color in all its light and shades, hues and tints is brought to the fore by these exceptional writers.

The art of writing a short story can be barely noticed by a reader or listener - such is the quality with which they are usually written. It is a difficult trade, an unforgiving discipline, but for those who master it, the rewards are many. In this series of works by our greatest female writers we bring you a selection of those we consider the best. In Volume 1 we bring you the classics 'A Dill Pickle' by Katherine Mansfield, 'The Storm' by Kate Chopin, and 'The Sexton’s Hero' by Elizabeth Gaskell.

This century unfolds with a fast-changing world riven by immense wars and glutton hungry Empires. Women strive to win the most basic of rights, the right to vote. Their literary testament is now a vital part of our cultural world. They write on all manner of subjects with truth, with imagination and with undeniable talent. We are all the richer for their words.

As the Century draws to a close it shows no sign of its literary talents diminishing. Authors stride into stories with a confidence and knowledge that now speak of a gilded age. We are challenged on many levels but always, always the story delivers a literary triumph.

Once again on the American side of the Atlantic talent pours forth from the pens of these literary women. Even to choose a mere ten seems to be a choice too difficult to make. Society may hold women back but these writers are equal to the challenge and overcome its boundaries with superbly written stories that are a beacon for all others who follow.

Libby’s life seems picture-perfect. She lives in her dream home, raising two precious children and supported by her loving husband, Victor. Sure, he’s away a lot with his job, but she has always accepted that he works hard to make their beautiful life possible. But then, one day, Victor asks for a divorce, and suddenly Libby’s whole world falls apart. Libby never expected to find herself a single mom, and when she receives a letter from the bank, it’s clear that Victor hasn’t been paying the mortgage. Her husband has been keeping secrets from her, and this isn’t the only one.

Art and life. Each the mirror of the other. This then is the classic definition of what ‘Realism’ as a writing form really is. Some might call it a fancy term for the mundane day to day pursuits but in the hands of an author it comes alive. We are drawn into characters and landscapes that we can empathize with, we can, metaphorically speaking, help shoulder their burden, be on the long trail with them whatever the landscapes, the hurdles, incidents and other people may place in their literary way.