Showing results by author "A.D. Lawrence" in All Categories

David Herbert Lawrence was born on the 11th September 1885 in Eastwood, Nottinghamshire, a coal mining town where the reality of a harsh life was only useful as experiences for future literary works. Lawrence’s first efforts were poems, short stories and a draft of ‘The White Peacock’. Moving to London and a teaching position in Croydon his writing attracted the attention of Ford Madox Ford, editor of The English Review, and he commissioned him to write ‘Odour of Chrysanthemums’. Wanting to write full-time he now began work on what would become ‘Sons and Lovers'.

Tachada de inmoral y escandalosa en su día por tratar la sexualidad y el deseo femeninos desde un punto de vista demasiado natural y desinhibido para la época, El amante de lady Chatterley es, con toda justicia, la novela más célebre y celebrada de D. H. Lawrence. El paso del tiempo y las conquistas sociales han aligerado al libro del fardo de su supuesta polémica, pero no han eclipsado ni un ápice el brillo de su belleza.

There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two. Whatever history and culture says WE think 3, a hat-trick of stories, is a great number to explore themes and literary avenues that classic authors were so adept at creating.

Within this compilation, you will hear that Mac continues to bring cases to conclusions—while he continues to jump to conclusions. Mac Danger—the up-front, in-your-face gumshoe—confronts the electronic clutter of a modern world—filled with its video conference call users—mocha lattes at their side, with his common sense two-tin-cans-tied-together-with-a-string methods. And all of it is accomplished with the help of the never-empty-glass of his liquid forebear, Old Grand Dad.

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Mac Danger is a 1930s-style private eye in a modern world. He’s a tough-talking, no-nonsense kind of discount detective—solving mysteries to make rent, and sometimes having to restrain himself from getting physical with his clients who have—let’s call them, issues. Danger Is his middle name—and his last name, too. You can look it up on his birth certificate. Mac Danger Danger. Kids made fun of him in school because of it. During every PTO conference, he wanted to punch his parents in the face.

This overlooked work of Lawrence contains both beautiful descriptions of his travels in Italy during this period as well as a thoroughly engrossing portrait of a man, M, who he meets and can't quite get away from for months until the end. This true story grabs at you on several levels. Originally published as the introduction to M's work, Memoirs of the Foreign Legion, it stands on its own.

Heiress Stella Burke is plagued by insincere suitors and nonstop headaches. Exhausting all other medical aides for her migraines, Stella reads Fasting for the Cure of Disease by Linda Hazzard and determines to go to the spa the author runs. Stella’s chauffer and long-time friend, Henry Clayton, is reluctant to leave her at the spa. Something doesn’t feel right to him, still Stella submits herself into Linda Hazzard’s care. Stella soon learns the spa has a dark side and Linda a mean streak. But when Stella has had enough, all ways to leave are suddenly blocked.

"In Love" handles a serious subject in a light, almost comic way. A couple are engaged but have no sexual feelings for each other. The tensions, as they try to do what is expected of them, explode until a compromise is reached. But will the marriage last?

Lawrence uses the story of a storm and the deaths it causes to revive the feelings for (if not an actual belief in) the old gods, in this case Mercury whose shrine is ignored by the tourists but who takes his revenge.

"None of That" concerns itself with the nature of desire. The man in the story is no more than an animal with base instincts but is attractive to women. The woman looks for something deeper with imagination, but in the end is brought down by the more instinctive man. Lawrence again seems to be saying that a woman cannot exist beyond the control of a man, however crude, and can only bring unhappiness on herself if she tries to live on her own terms.

Two Blue Birds tells the tale of the classic triangle of the man, the wife and the secretary, who struggle to work out what their relationships are with each other. Neither of the women seem to want the man sexually but the secretary offers devotion while the parasitic wife has more insight into the man and his work. All the relationships seem unhealthy, all three seem to want something different but are incapable of expressing what they desire.

"The Man Who Was Through With the World" picks up the same themes as in Lawrence's short story "The Man Who Loved Islands". He asks if we can ever withdraw from the world, no matter how much it disgusts us. The ironic part of this fragment is that the hermit vainly seeks to think holy thoughts while all around him is the natural world which could provide his life with meaning. The fragment is unfinished, leaving the listener to wonder if the hero would return to the world, if the world would come to him, or if nature would take its course and let him die in his hut.

"The Undying Man" is a slightly unfinished piece, drawing its inspiration from Shelley's Frankenstein about the creation of life and the fear of death. It is interesting to speculate where Lawrence would have gone with the story, but the sound of broken glass is the most likely ending.

"Mother and Daughter" can be understood as one of Lawrence's diatribes against women. Two women do their best to get along without men, but in the end, as Lawrence always proposed, a woman cannot be fulfilled without a dominant man, however unsuitable he may be.

"The Lovely Lady" is a fine observation of a life - the lovely lady of the title - that thrives by sucking the life out of others. The two victims escape by a somewhat melodramatic and comical means, but in the process destroy the lovely lady and form what will probably be a dull and passionless union.

"A Dream of Life" is unfinished, but there is enough extant to let us know where Lawrence was going in this story. He begins by looking back and bemoaning what has become of his generation, under the thumb of women and lacking the spark of his father's mining friends. Then, in a scene reminiscent of Pilgrim's Progress, he travels forward in time and sees his village in the distant future. The people are living in an idealized commune, but do they have the spark of life?

"The Blue Moccasins" has the charm of looking at some eternal human problems such as unequal marriage, the waning of sexual desire, and a woman who cannot give herself wholly to her husband in a thoroughly English and local setting: the stage of an amateur dramatic society where all the passions and delusions come to a head.

"Rawdon's Roof" is a slight comic piece, relying for its humor on the folly of a man throwing away his chance of happiness because of an unexplained and unlikely vow.

Just as the lovely Alvina Houghton comes of age, her widowed father’s business starts to dry up. In a drastic effort to regain his fortune and secure his daughter’s standing in society, James Houghton buys, of all things, a theater. Her father’s plans and dreams go misunderstood in the town, but the theater itself does quite well...for a time. One of the traveling players employed at the theater, a sensual Italian man named Ciccio, catches Alvina’s eye, and she finds herself intensely attracted to him.